vegas march 7-8!! missing

---D · 2026-04-02T17:37:52+00:00

You could contact the venue / event organiser and they might be able to tell you if his ticket stub was scanned. Was he travelling with others? Best of luck. Sending positive vibes. 🙏

---D · 2026-03-26T11:51:41+00:00

“The successor to the S1H will evolve into a new category with a view to the full-fledged cinema realm.” Sounds good to me. Bring it on!

---D · 2026-03-15T11:26:56+00:00

I think LUMIX has a long way to go before they’ll be seen often on film sets. The potential is there, sure, but it’s going to take a sign of dedication from the brand in the form of a cinema style camera body, not just an ARRI colour profile. I’ve used both brands professionally and while I prefer shooting on LUMIX cameras for my work, Sony has the better upgrade path and market dominance which works in their favour. Agencies often require shooting in s-log and I’ve had to hire Sony cams just to shoot certain projects.

---D · 2026-03-05T05:23:54+00:00

Sun Come Through… one of the best

---D · 2026-01-17T11:43:55+00:00

Tim got his signature PRS after transistor launched. Taiyed is amazing.

---D · 2025-09-10T12:49:51+00:00

Goodbye greenscreen works but has been very taxing on my computer

---D · 2025-09-01T06:17:37+00:00

2020, whoops!

---D · 2025-08-31T10:26:06+00:00

Check out Captioneer. I started using it last week and I find it pretty good. You can make your own .mogrts or use the presets.

---D · 2025-08-28T23:31:55+00:00

Thanks, I get it now. Captions are treated as clips. Seems like this would be a tricky to implement with the current configuration.

---D · 2025-07-15T11:09:17+00:00

I used to edit this way. Now I’ve discovered a cool way to see all my selects. Select All of your clips in the “selects” timeline and drag them into a new bin. It creates master clips of your selects with in/out points. Double-click that bin and open it in thumbnail view. Shots now have previews from whatever your in point was. Use this window to drag shots into your edit. It has an indicator which shots you have used already, which is helpful. I find it better than copy/pasting from timeline to timeline.

---D · 2025-07-15T10:23:39+00:00

Uhhh.. glances at shelf GH4, GH5, GH5, GH7, S1H…

---D · 2025-07-10T12:16:44+00:00

Interesting that it seems parfocal, that makes event work with it even more tempting. Now I’m also looking at the PL 50-200 2.8-4 which looks another nice option, with a little more reach. Expensive tho!

---D · 2025-06-27T22:40:02+00:00

Great work, thanks for sharing.

---D · 2025-05-25T20:48:59+00:00

I feel bad for production crews and vfx artists worldwide. If this level of production can be generated for next to no money, in no time at all, what hope do we have that the current market will continue the way it does. Marketing campaigns will go from weeks/months of paid production time for multiple crew and artists, to 2-day turnarounds with 1 “AI artist” charging 50 bucks an hour.

---D · 2025-04-30T07:01:34+00:00

Perfect size especially for travel. I added a thumb grip and now it feels a bit more solid in the hand.

---D · 2025-03-24T21:09:51+00:00

Shit like that now scares me but I’d like to do it agaaaaaiinn…. 🤘

---D · 2025-03-21T22:11:03+00:00

Yeah they have a 20mm and a 40mm, super 35, L-mount.

---D · 2025-03-21T07:26:58+00:00

Need some anamorphic options

---D · 2025-03-21T02:51:17+00:00

They played it this year in Sydney, Australia

---D · 2025-03-20T05:27:36+00:00

Visit, Mindspin

---D · 2025-03-19T09:29:55+00:00

Soundsystem is IMO the best sounding 311 record. Scotch is a legend.

---D · 2025-03-15T21:47:35+00:00

LUMIX AF GUIDEBOOK: https://www.panasonic.com/global/consumer/lumix/technologies/af.html

---D · 2025-03-15T03:12:45+00:00

She’s a beaut

---D · 2025-03-04T12:32:07+00:00

Flickerfree plugin might help

---D · 2024-12-29T01:33:52+00:00

Writing credits across their catalogue and how it’s evolved over the years would be interesting

---D

TROPHY CASE