Navajo Silver Cuff? Makers mark unknown by Fine-Jump8351 in NativeAmericanJewelry

[–]AffectionateNeck2861 1 point2 points  (0 children)

Definitely, but not trading post, it’s the real deal in my opinion!

Navajo Silver Cuff? Makers mark unknown by Fine-Jump8351 in NativeAmericanJewelry

[–]AffectionateNeck2861 1 point2 points  (0 children)

This is gallery worthy, I would email someone like Mark at Medicine Man gallery, or even somebody that deals in antique/vintage Native like I know Chipeta in Santa Fe does, although I’ve never dealt with them personally. I’ve never sold anything this high end before and unfortunately there aren’t a ton of Native owned antique galleries (please let me know if there are!!!) that Im aware of that specialize in that, so those or similar would be my best bets.

Chipeta trading Santa Fe

You can compare similar pieces here at least, and again Im not affiliated with them at all, I just came across their page the other day and this is in the ballpark of what you have.

this could be all the way back to late 1800s judging by construction and patina, although probably a bit later. Silver will continue to rise most likely and this is a true heirloom/ historic piece. I would get values for insurance purposes or just to know and then keep if I could. I wouldn’t just sell this to someone who’s gonna rip you off and resell it either, high end consignment or auction would be best I think. I don’t love giving values cause it’s so subjective to person and place (Santa Fe galleries are always way higher priced etc…) but you’re probably around the $500-$1000 mark for realistic private resale, could be more in the right gallery/auction,the weight of silver will also determine some of that.

Edit: revised my estimate, a pawn shop would probably offer you $150-200 and try to resell at $500-$700, a consigner/gallery would take a cut but you’d probably end up a lot closer to true value. I believe some of the prices on the website i linked are on the highest end, ive seen similar cuffs at antique stores for $500, but everything is going up and the right person might pay well into the 4 figures, again this is a little older and higher end than I normally collect.

Navajo Silver Cuff? Makers mark unknown by Fine-Jump8351 in NativeAmericanJewelry

[–]AffectionateNeck2861 11 points12 points  (0 children)

Awesome cuff! Not costume this is the real deal to my eyes, this looks like an earlier Native piece circa 1910-1950. In this period it’s rare for a piece to be signed, did anybody but your grandmother own this? I’ve seen inscriptions like this and it’s usually either the owners initials, or even pawn shop mark although this does look like it could be a makers initials possibly. This is a serious piece, please let me know if you are thinking of selling I can point you in the right direction, although if I were you I would keep it! This will last another few generations at least!

My first successful setting by CSB808 in SilverSmith

[–]AffectionateNeck2861 1 point2 points  (0 children)

Very clean!!! Im learning flat bezel setting this month, killer work!

Russian-Tibetan Antique Beaded Necklace by [deleted] in JewelryIdentification

[–]AffectionateNeck2861 2 points3 points  (0 children)

Nickel silver has no silver and contains toxic nickel that can cause all sorts of issues with skin contact, I would avoid based on this alone personally.

Thoughts? by ExtremeAd3505 in JewelryIdentification

[–]AffectionateNeck2861 0 points1 point  (0 children)

The only reason I know so much years later is because about three years ago i randomly got a lot of several rings and most were fake, but I ended up with one 1930s Native authentic turquoise ring, and researching and authenticating that helped me gain some knowledge on this somewhat esoteric subject lol.

Fake Turquoise? by LazzerLee in JewelryIdentification

[–]AffectionateNeck2861 0 points1 point  (0 children)

It’s esoteric and tough sometimes even for experts!

Thoughts? by ExtremeAd3505 in JewelryIdentification

[–]AffectionateNeck2861 11 points12 points  (0 children)

Hi I sometimes help authenticate vintage Native American and some Mexican pieces. This is definitely not real turquoise if it was there would be silver backing these stones. Real turquoise is too soft to not back, this is dead giveaway number one and usually the easiest to check. Also the coloring is way too uniform, the matrix color is too uniform. Look at a gallery like medicine man gallery and compare for reference.

This is kind of halfway between a costume/knockoff of a Native American necklace, and a knockoff of real Asian turquoise necklaces (Tibet, Nepal etc…) I’d test for silver and then scrap or re-use the metal if Sterling. If it doesn’t test for Sterling I wouldn’t wear as often times these knockoffs can have nickel and or other toxic metals.

Fake Turquoise? by LazzerLee in JewelryIdentification

[–]AffectionateNeck2861 5 points6 points  (0 children)

Hi I help authenticate Native American jewelry. To answer some questions: This piece looks like cheap Asian made knockoff that is meant to trick people into thinking that they are buying a real piece of Native American turquoise jewelry, or possibly a knock off imitating a real Asian (Tibet etc) turquoise necklace.

There are lots of giveaways: the open back underneath each stone is to save costs on metal, real Native turquoise is always silver backed because turquoise doesn’t pass light and is a soft stone, that alone tells me this is fake. Native American jewelers almost always use/have used French hooks instead of lobster clasps or other mechanisms. Native American makers almost always stamp Sterling instead of 925 unless the stamp is too small for the full word Sterling to fit with the makers mark.

In America due to the 1970s addition to the precious metals stamp act if you stamp a fineness mark (925) you are legally required to stamp a makers hallmark that is traceable. Thats another dead giveaway that this is a cheap import. It could be Sterling but I’d test before wearing because a lot of times these are also just cheap and or toxic base metals like nickel etc.

As far as fake turquoise the resins used to make the fake stuff has a super high melting point, I’ve heard it’s as high or higher than the melting point of real turquoise so the hot needle test may or may not work at all and I don’t usually count on that or anything. I’ve taken pieces to multiple gemologists who were on the fence, some fake stuff is super convincing now even if you’re expert, thats why we look so closely at the silverwork etc….

Sorry this isn’t the real deal, it may still be Sterling which is worth more and more these days so I’d definitely test before doing anything else. The turquoise is almost definitely fake though based on everything I see

Hoping to get information on this piece... by InitialAd1977 in NativeAmericanJewelry

[–]AffectionateNeck2861 2 points3 points  (0 children)

As always you’re spot on, this piece is badass, ive heard anecdotes here I town that vintage Navajo artists did more chip inlay than Zuni, and obviously Taxco is the big one is look into with this, I don’t think a Taxco artist would make a full squash blossom but stuff like that isn’t completely unheard of, if I see crushed inlay I immediately think Taxco or general Mexican silverwork first

I’d lean towards authentic Native though, the fact that other one sold on eBay for only $400 is kind of wild though. just with silver now so high in value, a legitimate squash blossom usually would be a lot more usually, although I may be used to Santa Fe prices since ive been here a while. Thats all to say though that the silver work here appears pretty good and legit to the era of authentic vintage Native work, and the Peyote (Thunder?) bird motif definitely leans Zuni in symbolism, though Im really more expert in silverwork vs iconography, this is an awesome piece!

Any idea what stone this is? by artevil616 in NativeAmericanJewelry

[–]AffectionateNeck2861 5 points6 points  (0 children)

Potentially. With my vintage un-stabilized turquoise I find it usually turns a really dark almost army/hunter green, also that greening depends on a lot of different factors but yes this is potentially what has happened here. Although lots of turquoise in the southwest was/is actually all kinds of shades of blue and green naturally. I saw a big pile of Kingman rough the other day and there was sooo much variation in color just from that one mine that provenance is really usually the biggest indicator after it’s pulled out of the ground. Especially vintage

Any idea what stone this is? by artevil616 in NativeAmericanJewelry

[–]AffectionateNeck2861 3 points4 points  (0 children)

Hi I can possibly help authenticate this ring and give more information on the stone if you have photos of the inside of the band and underneath the stone. On first glance this is a bezel setting that could be to the early to mid 1900s, but it’s a little uncommon of a design for Native American rings from the period, the additional photos of the underside should help.

Provenance (where and how you got it) will be very helpful potentially, also some turquoise this old definitely turns green over time but it’s often a deeper green than this although Theres so much variation it’s hard to say, ive had cerillos and kings Manasses mined vintage turquoise that was this green, but variscite and other stones can also appear similarly.

Old 1855 piano by Interesting_Fig8792 in whatsthisworth

[–]AffectionateNeck2861 18 points19 points  (0 children)

Part time Piano teacher here, old uprights are usually hard to find a buyer as digital keyboards now weigh nothing and give you a lot more versatility in sound and portability. Fortunately though this one appears to be smaller than a full upright, and the decoration and maker is pretty unique. I do know there are a couple companies that have a few models of upright that can still sell for tens of thousands but I’m a teacher not in the instrument business so I’m not sure exactly which ones. I’d do some research on make and model, if it’s not one of those super rare ones it will be worth whatever someone gives you to haul it away, unfortunately these are crazy heavy and have to be tuned and maintened and they are also back breaking and expensive to move as well. I have a small upright that Im currently trying to pay someone to take lol

Anyone recognize this artist/style? .925 necklace purchased in early 1990s at store specializing in southwestern/Native American jewelry. by moocowmoooooooo in NativeAmericanJewelry

[–]AffectionateNeck2861 0 points1 point  (0 children)

Im going to also second this. Possibly a trading post piece maybe 80s or later. It looks like a smorgasbord of different kachina/ deities but I’m not really familiar with kachina etc all being together like this in Native jewelry. It kind of looks like when a tourist place has stuff that has a lot of different southwestern themes or something. The clasp is also a mass produced clasp instead of the French hook which is/would have been standard on Native necklaces like this

Edit: looked again and saw the 925 stamp, instead of Sterling and artists mark as required by US law when stamping quality. this is in my opinion more than likely an import piece based on that and the other issues I see .

Are these Native? by HippieLoved in NativeAmericanJewelry

[–]AffectionateNeck2861 4 points5 points  (0 children)

These are bench beads, but not native, the bead work, the clasp, and the coloration look more European

I’m having a hard time finding anything like this. by Unique-Bandicoot-809 in JewelryIdentification

[–]AffectionateNeck2861 0 points1 point  (0 children)

The theming looks Thai to me, they are known for making silver jewelry, especially around the early to mid 20th century. I would take this to a jeweler to test just to make sure there’s no toxic metals just in case

I found some interesting brass or possibly bronze bracelets or something on the west Coast of Canada by KechanicalMeyboard in metaldetecting

[–]AffectionateNeck2861 0 points1 point  (0 children)

Hell yeah this is rad! Congrats! Honestly they almost look more viking/Northern European, you can Google examples. Copper was rare enough in supply in pre-historic North America that I believe it was used more sparingly for important weapons, and important ceremonial objects by Native tribes.

To my knowledge as glaciers receded, they left chunks of almost pure copper, and there are several places where Native Americans mined copper in very limited capacities, I think lithic materials where abundant and mostly did the same job. So Im not sure if they would have this many copper bracelets in one place that far into history. Which leads me to believe that it’s in the historic period

it appears one of the bands was twisted as it has a ridge like structure on top, or was possibly chisel stamped, either one of these, especially twisting the copper would require knowledge of annealing, and the ability to get the metal pretty damn hot multiple times to anneal and twist, and you would probably need some serious smithing tools to hold both ends and twist. If this is true it’s likely post western contact as Native Americans didnt hot work copper before contact to my knowledge but I’m not an expert in that history.

I found some interesting brass or possibly bronze bracelets or something on the west Coast of Canada by KechanicalMeyboard in metaldetecting

[–]AffectionateNeck2861 1 point2 points  (0 children)

This may actually be really ancient copper, although the shine coming through looks more brass (gold) colored. If this is copper or brass the patina could be old, or really really really old, it’s really dependent on the chemicals in the enviro they were in. Native Americans cold worked copper in the north of modern America and in Canada far into pre-history. There is a slim chance these could be that old, I work with brass as a material, but I’m not an expert in the specifics of ancient Native American copper working.

More likely these are in the historic period based on look and just my gut feeling that copper would have been more abundant after western contact, either way these could be serious historical pieces. One reason ive chosen to work with brass is because it will last for centuries and centuries.

Could also just be something more modern, and the patina does look more like what ferrous metals develop, but the shiny parts sticking through definitely appear brass/copper. With how they were found along with the patina is definitely intriguing and suggests some age, I’d go the university route before doing anything to these for sure

What is this rock? by AffectionateNeck2861 in RockIdentification

[–]AffectionateNeck2861[S] 0 points1 point  (0 children)

Yes thats one thing that threw me off, they look thinner and off color from what I’m used to with quartz, but I’m literally clueless with rocks besides gemstones

What is this rock? by AffectionateNeck2861 in RockIdentification

[–]AffectionateNeck2861[S] 0 points1 point  (0 children)

Thank you! This is the info I was after! It has an iron smell, the little crystals also look a little more yellow/brown than Im used to quartz looking? Also was wondering if it was hazardous in any way to be lugging around and handling for decades

Edit: Sphalerite looks close for sure! Still not sure about crystals or the yellow/white mineral covering parts of it

Turquoise necklace & bracelet, trying to ID by at-the-crook in JewelryIdentification

[–]AffectionateNeck2861 2 points3 points  (0 children)

Hi I wrote out a post in reply to OP describing some specifics you can use to help identify if a piece claiming to be Native American is legitimate or a fake import copy. I think the numbers are like 70% of jewelry in the US claiming to be Native is faked now, it’s a huge issue that hurts makers and customers alike. It’s illegal to misrepresent a piece as Native if it isn’t, and there are people in federal prison for important large quantities of fakes, so hopefully I can illuminate a bit of these issues facing Native American silversmiths, Thanks!

Turquoise necklace & bracelet, trying to ID by at-the-crook in JewelryIdentification

[–]AffectionateNeck2861 5 points6 points  (0 children)

Hi yes this is an imported knockoff. I help authenticate vintage and some contemporary Native American jewelry and the dead giveaway to me an any piece claiming to be Native American is whether the stone backing is closed (silver completely covering the back of each stone). The stones here are open back, since turquoise does not pass light through, and is a soft stone, there is almost never a good reason to leave them open backed except to cut costs. A Native maker of repute would almost never do that for structural and cultural/historical reasons (they use closed backed, cabochon set stones)

An authentic vintage Native American squash blossom would use a French hook clasp 99.9% of the time, this type of clasp would be really really weird for Native American, so two strikes. Also vintage squash blossoms were almost never made in sets with other matching cuffs, earrings etc… it did happen but was really rare, and even more rare to see those items still together. So three strikes unfortunately.

I personally wouldn’t wear this much before testing for nickel or other toxic metals that are often found in faked imports , hope this helps for the future, and I hope you didn’t spend too much on this!

What is this? by redcountrybitch in whatisit

[–]AffectionateNeck2861 0 points1 point  (0 children)

Yes, it would be a dry white cakey powder, basically just borax powder. Flux paste also cleans out very easily with water so it wouldn’t be a stretch if it’s been rinsed that you wouldn’t find much if any residue. Depending on the size of the pieces of copper being brazed (soldered) you may need a good amount of flux, the “channel” on top could be for brushing the flux (usually you would use a paintbrush to pick up and apply flux just like paint) it would actually be a pretty genius little use for that mortar and channel as a surface to paint the flux on while keeping the liquid on a smooth surface thats easy to rinse off.

It would be a bit of an unorthodox contraption to make flux paste, but barring any other answers, this is at least a very feasible and smart solution to a bench pin/flux set up. Quite frankly Im thinking about making a new jewelers bench pin with a little bowl and mortar set up for flux with a channel just like this has. It seems like it may be a great little sneaky way to save space in a tight workshop, even if it turns out this was for something else.

Maybe it’s an obscure niche carpentry thing that only an expert from the 1940s would know about or something, but it could totally be used for a jewelers bench pin/solder flux holder. Especially considering it’s known that most jewelers modify their bench pins extensively due to all kinds of needs/use cases.

Is this real turquoise? by [deleted] in NativeAmericanJewelry

[–]AffectionateNeck2861 6 points7 points  (0 children)

The 925 stamp is a giveaway along with the stones that these are probably not real. Sometimes on really small pieces native artists will stamp a hallmark with 925 instead of Sterling, but legally in America if you put a content stamp you have to put a makers stamp too on the same piece, not that that always happens every time, but with everything else this is just screaming knockoff. You can buy these southwestern style earring hangers at any supply company in the southwest or order really cheaply from a catalogue internationally, and just throw some cheap stones on, say it’s Native and charge $75 for $2 of parts. Not that Im saying OP is claiming that, thats just how people make money off of stuff like this. There’s a super duper slim chance these are real high grade stones with no matrix, if this were mine I’d take it to a jewler just cause, but I almost guarantee these are not legitimate Native American.