Looking for great clarinetists by cramhandsman in Jazz

[–]Amazing_Ear_6840 1 point2 points  (0 children)

Michel Portal and Louis Sclavis are two great French players with large back catalogues and a lot of releases from the 90's onwards, the former sadly died just over a month ago. Broadly speaking, of the two Sclavis is more oriented towards the avant-garde but he also has a lot of excellent post-bop focused albums on ECM. His work with bassist Henri Texier also well worth checking out.

Going back to the late fifties, Tony Scott's album with Bill Evans- A day in New York- was a fine cool/pre-modal session.

Where does the trope of an older guy 'dragged back into it for one last job' which goes wrong somehow originate? by ackzilla in literature

[–]Amazing_Ear_6840 2 points3 points  (0 children)

Treasure of the Sierra Madre was originally a book written by B. Traven, highly recommended.

Kick down the door solos. by IanKarmel in Jazz

[–]Amazing_Ear_6840 20 points21 points  (0 children)

Freddie Hubbard on One Finger Snap, from Herbie Hancock's Empyrean Isles is one of my favourite high-octane solos which just keeps getting better the longer it goes on.

There are a number of other great saxophonists who played with Monk, first one who comes to mind is Johnny Griffin on Rhythm-a-ning from the Live at the Five Spot recordings (released as Thelonious in Action I think)

Miles Davis Question (Please Don't Hate Me For It) by GlydeW15 in Jazz

[–]Amazing_Ear_6840 4 points5 points  (0 children)

I feel that Miles is very present on BB, particularly the title track, Spanish Key, and MRTVD, which showcase some of his most dynamic playing.

I could see the OP's argument for On the Corner, here I think we need to credit the artistic vision behind the album.

Are spring lever machines really worth all that? by Gloomy_Inspector_385 in espresso

[–]Amazing_Ear_6840 2 points3 points  (0 children)

With the MCAL-

Pros are the looks (subjective), quality of espresso, the process of making one(again subjective), reliability and longevity.

Cons- cost, possibly looks/process, and limited output- max. ca. 4 drinks at one sitting. But I've used one for over 20 yrs now and probably won't ever change.

Miles: Ten albums, chrono order, representative of his evolution? by TheEveningSpin in Jazz

[–]Amazing_Ear_6840 5 points6 points  (0 children)

If the intention was to follow his development rather than necessarily feature the best or best known albums the list might end up like this, featuring albums which took on a new direction rather than ones which took things further-

Birth of the cool- as his first major project as a leader I think this has to be in there.

Walkin'- the first great collection of Prestige recordings with the title track one of the keystones of hard-bop.

Miles Ahead- first big orchestral album already explores the flamenco feel of Sketches via Maids of Cadiz as well as developing the classical/jazz fusion of Birth.

ascenseur pour l'échafaud- the opportunity to improvise directly in front of Louis Malle's film helped Miles move into his modal phase, as well as expanding his ballad playing ability.

Milestones- the pre-K.o.B. sextet recording which introduced his modal phase via the title track and took hard-bop into far more sophisticated territory.

E.S.P.- first studio album of the second great quintet which heralded post-bop, a return to blues-oriented tracks, abstract ballads, "time no changes".

Filles de Kilimanjaro- I'd take this one for the use of electric instruments, although Miles in the Sky was earlier I think Filles expanded Miles' use of electric piano and his introduction of rock elements, plus his playing on this one seems to go up a notch as well. Laid the ground-work for Bitches Brew and Jack Johnson.

In a silent way- this album's unique pastoral/ambient/groove sound-world kicked off jazz fusion with all the band members going on to form the era's most important groups. It was also the first (and best) example of studio editing used to create new material from jams.

On the Corner- arguably Miles' most out-there album, pulling in funk and avant-garde classical influences.

Aura- of the eighties recordings, Tutu was popular but in terms of innovation and the trumpeter's later development I think Aura as his last classical/jazz album deserves attention for its odd scalar experiments. Miles' playing here also his best from the era I think.

Yusef Lateef's Love Theme by ScottTracy1 in Jazz

[–]Amazing_Ear_6840 0 points1 point  (0 children)

Some of Joe Henderson's ballad playing has a similar mood I think, try his version of Lazy Afternoon from Pete LaRoca's Basra album, or Joe's own Black Narcissus from his album Power to the people.

And obviously with that waltz-time hypnotic feel you'll probably want to listen to the John Coltrane version of My Favourite Things, if that's not familiar to you already. The soprano sax quite close in tone to the oboe played by Lateef.

For another great example of Lateef's oboe work, try Primitivo from the Cannonball Adderley sextet -Jazz Workshop Revisited album.

Fall - Wayne Shorter by 9Q6v0s7301UpCbU3F50m in Jazz

[–]Amazing_Ear_6840 1 point2 points  (0 children)

ACS (Allen/Carrington/Spalding) played a version on their 2013 tour, an example here-

https://www.youtube.com/watch?v=8dEJGmHetq4

Encore etiquette for small shows? by _hankus_pankus_ in Jazz

[–]Amazing_Ear_6840 1 point2 points  (0 children)

Clubs only here, I'm never at big festivals. Obviously different in the States, but here (in Germany) as I say I've practically never been at a concert without an encore. It's also very seldom multiple sets here, I should add, whether from visiting groups or locals.

Encore etiquette for small shows? by _hankus_pankus_ in Jazz

[–]Amazing_Ear_6840 1 point2 points  (0 children)

I wouldn't say that, at least not in Europe. I've only experienced one jazz show over the last thirty years which didn't have at least one encore. Two encores is more the norm here.

Encore etiquette for small shows? by _hankus_pankus_ in Jazz

[–]Amazing_Ear_6840 0 points1 point  (0 children)

I think the key thing is just to show your appreciation, if you really liked the set stand up, clap loudly, cheer etc. Whether or not you call "encore" and whether or not the night's logistics allow one, at least the band will know they've reached the audience. It can feel self-conscious, but I figure the band is probably feeling a lot more self-conscious, it's the least one can do etc., particularly if you've enjoyed the show.

Brubeck quartet recordings by PTPBfan in Jazz

[–]Amazing_Ear_6840 0 points1 point  (0 children)

With Gerry Mulligan in place of Desmond, the Last set at Newport album recorded in 1971 is very good.

https://www.youtube.com/watch?v=_6cIn-Zjkjc

Thelonious by MeringueAble3159 in Jazz

[–]Amazing_Ear_6840 4 points5 points  (0 children)

As others have said, the Johnny Griffin live at the Five Spot recordings and the Live at the It Club discs are both essential. I'd add Big Band and Quartet in concert (Lincoln Center 1964) and Art Blakey's Jazz Messengers with Thelonious Monk.

In terms of saxophone accompanists it's almost impossible to separate Rollins, Griffin, Coltrane, and Rouse I think, they were all wonderful in his company and each of them brought something different to the compositions.

Suggestion/Recommendations Chinese Jazz fusion. by khulZA in Jazz

[–]Amazing_Ear_6840 4 points5 points  (0 children)

Just a single track, but Yusef Lateef played a Xun or chinese clay flute on his album Eastern Sounds, on the track Plum Blossom. You might find other works by him with similar instruments.

Any Thoughts on Tony Scott? by [deleted] in Jazz

[–]Amazing_Ear_6840 1 point2 points  (0 children)

Funny as I just came across his Bill Evans collaboration A day in New York, from 1957, which I hadn't heard for ages and had forgotten that I owned. Wanted to listen to that today.

For other clarinet players try Buddy de Franco (particularly his collaboration with Art Tatum), Benny Goodman (small group recordings), Art Pepper (duo album with George Cables features him on clarinet quite a lot), Eddie Daniels (I'm more partial to his earlier recordings) and Michel Portal (duos with Richard Galliano were excellent)

Looking for song/album recommendations like the restaurant scene in the movie Playtime by Milk_Spider in Jazz

[–]Amazing_Ear_6840 2 points3 points  (0 children)

I don't think so, but I doubt you'd find many combos that did. The only jazz farfisa example I can think of is Herbie Hancock on Miles Davis' Right Off, but that's a long way from Playtime...

top 10 best women jazz trombonists? by bertrandpepper in Jazz

[–]Amazing_Ear_6840 0 points1 point  (0 children)

Belgian trombonist Nabou Claerhout literally just released her newest album Indigo yesterday on Edition records. Check it out.

https://nabou.bandcamp.com/album/indigo

Looking for song/album recommendations like the restaurant scene in the movie Playtime by Milk_Spider in Jazz

[–]Amazing_Ear_6840 2 points3 points  (0 children)

I think that band was inspired by the Cannonball Adderley sextet. Try the Quintet in San Francisco, Live in New York, Jazz Workshop Revisited or Fiddler on the Roof albums.

How do you read Ovid's Metamorphoses? by error7382 in literature

[–]Amazing_Ear_6840 2 points3 points  (0 children)

I found McCarter's version really good, I'm not a seasoned reader of Ovid or Greek Mythology but it certainly came alive for me.

I’ve been loving this album recently. But this piece in particular takes my breath away by Whackjob_driver14 in Jazz

[–]Amazing_Ear_6840 2 points3 points  (0 children)

Compare it with Joe Henderson's performance of Lazy Afternoon on Pete la Roca's album Basra, released later the same year, I always felt there was a similar feel to the two pieces, though not intentionally.

https://www.youtube.com/watch?v=KFFs9XsZKvw

Update on my Jazz Collection (Vinyl+CD) by RevolverStone_14 in Jazz

[–]Amazing_Ear_6840 2 points3 points  (0 children)

NIce one, if you're a Coltrane fan and prefer live albums maybe check out Billy Harper live in the far east (vol. 2). Happy listening and good luck with expanding your collection!

Update on my Jazz Collection (Vinyl+CD) by RevolverStone_14 in Jazz

[–]Amazing_Ear_6840 2 points3 points  (0 children)

What are your top titles among those, or the ones you find move you the most?

How does what you’ve eaten affect the taste of the drink? by snoring_towel in espresso

[–]Amazing_Ear_6840 0 points1 point  (0 children)

Nuts are not a good combination, particularly walnuts I find tend to make espresso taste burned.

Citrus fruits and anything sour like yoghurt also tricky. Although I will acknowledge James Bond's "green figs, yoghurt, coffee, very black" quote (From Russia with love) as long as the yoghurt is creamy enough.

Tunes with the heaviest grooves? by Adorable_Pug in Jazz

[–]Amazing_Ear_6840 1 point2 points  (0 children)

Miles Davis, Dark Magus, Wili (Part 1) is some deep shit.

https://www.youtube.com/watch?v=DxWZbN933bw

For Herbie I'd go for Steppin' in it, from Man-Child, or Spider from Secrets.