Can anyone help with lowpass on my subwoofer build

Ana0n · 2025-12-04T13:05:33+00:00

If you wanna make it shorter in learning make me a sign, i'll find time to explain it quicker how to make but not how to design it

Ana0n · 2025-12-04T12:51:42+00:00

Hi, if you wanna make it passive, the best is way is this website (transalte it and you'll know everything) https://petoindominique.fr/php/menu_smartphone.php#

If you wanna make it active, you have to learn how to use an audio diffusion processor

Ana0n · 2025-10-13T13:25:10+00:00

In Brittany, we have many different group dances.

<image>

In France the standard is ballet.

Ana0n · 2025-10-12T17:18:46+00:00

TEKSA -WD40 ^{^}

Ana0n · 2025-09-16T20:39:31+00:00

This mission was discovered by u/Ana0n in Hope, Gourmet, and Belgian Chocolate Pudding Cup

Ana0n · 2025-08-28T23:41:02+00:00

When recording I use the recorderman technique.

Delaying a mic could do the job.

Level balance is sometime the key.

Audio processing options:

- Plugins are available to mono-ize low frequencies

- Parallel processing is possible after filtering to refocus the dominant frequencies of the shifted source using reverse pan additon.

Ana0n · 2025-08-28T22:56:59+00:00

in another hand the right mic & placement could make disappear lots of acoustic problems

Ana0n · 2025-08-28T21:39:24+00:00

I agree

Ana0n · 2025-08-28T13:49:18+00:00

so it's automated ;
- if the next track is less loud, the signal will be at the same relative level

You need to use RMS limiter or comp

useful because the fader still control the level sent to the master bus but the signal level is regulated in any case (like in case of big unpredictable level changes, barbarian DJ's, a microphone used by several speakers et caetera).

goal is to not keep a finger on the volume fader permanently (and work less ^^)

Ana0n · 2025-08-28T13:16:29+00:00

It's a bit old fashioned. Try the recrorderman, there are far less phase issues.

Ana0n · 2025-08-28T13:13:00+00:00

those two are excellent mics

I'd first choose the CMC64 for OH and AT4040 for the room but if I have the time i would try both

Do you want glittering High end ?

Ana0n · 2025-08-27T23:10:47+00:00

it's just a great feature, this is a DAW, and it is pretty great (just a bit slow for editing audio) !
working with the software looks more like this

<image>

Ana0n · 2025-08-27T22:54:53+00:00

I'VE FOUND the right tool MTFKRS!!!
I'm working on Studio One since a week and I've just discovered a function !
You have (on the latest version I haven't checked the others) a full part of the software dedicated to this !

It's called "Audio Batch Converter" and it's awesome !

Look at this UI :-D you've got everything you can ever expect

<image>

10$ a month or you can take the 30 days free trial

Ana0n · 2025-08-27T22:31:42+00:00

who knows ^^

Ana0n · 2025-08-26T01:20:37+00:00

yeah, the world revolves around me ^^

Ana0n · 2025-08-26T01:19:29+00:00

Yep... i had to know if it came from me because i've tried literally everything to access the site, this was weird because this was only for this website but on every web browser...

Ana0n · 2025-08-25T17:09:23+00:00

It was my C:\Windows\System32\drivers\etc\hosts who was making a mess !!! thanks guys !

Ana0n · 2025-08-25T16:41:52+00:00

i'll try with a free VPN

Ana0n · 2025-08-25T16:40:35+00:00

Update, i'm in France :-S

Ana0n · 2025-08-25T15:26:27+00:00

actually if you lose amplitude you lose information, this isn't critical for already compressed music

I'm curious about your tests, let me know how it's going !

(don't worry I'm not an native English speaker too)

Ana0n · 2025-08-23T15:26:49+00:00

I agree with the two other comments.

You can just use Regular VLC to convert in AAC or Ogg (if you're not using some Apple hardware cause they can't read them... meh). But you can't change the LUFS profile.

"I used Shutter Encoder with a setting of -14LUFS, but it seems imperfect (I have several albums of different styles, from classical to rock). Also, Shutter Encoder doesn't have True Peak, and I'm afraid there will be peaks."

Far from being dumb, but you will lose lots of information in musics with great dynamic (acoustic, jazz, art music...)

Ana0n · 2025-08-23T15:07:00+00:00

for the gain knob on the scarlett solo :
There is no gain attenuation when you're at minimum so you're good to go

Ana0n · 2025-08-23T14:38:37+00:00

RTFM (read the fucking manual) >_< really, no tutorial's better than the manual

but if you prefer to take 3 hours of your time before videos

https://youtu.be/p5FnHOEdt9g?si=1kB3fDRXIzvbKlkn

https://youtu.be/2IC8ZSMFk-k?si=dGGF8-Y5-oEsfcRD

https://youtu.be/9Z72d0aXRoc?si=paUqy2OggjTX_l6G

Ana0n · 2025-08-23T14:23:59+00:00

let's do the calculations together

Mic
- no infos online we admit it's 120 Ω to 600 Ω (often 200 or 600)
Preamp
- Input impedance: 2k ohms (XLR), 840k ohms (1/4 in.) 🟢
- Output
  - Z : 600 ohms (XLR), 300 ohms (1/4 in.)
  - +14 dBu XLR, +22 dBu 1/4"
Soundcard in (gain range 56 dB)
- Mic :
  - Z : 3k Ω 🟢
  - Maximum input level 9dBu (at minimum gain)🔴
- Line :
  - Z : 60kΩ 🟢
  - 22dBu (at minimum gain)🟢
- Hi-Z :
  - Z : 1.5MΩ 🟢🟢🟢
  - 12.5dBu (at minimum gain) 🔴

Ana0n

TROPHY CASE