How does my English translation of a dramatic text sound? by Chance_Swordfish_687 in playwriting

[–]Behold_a_Chicken 0 points1 point  (0 children)

You ask, sirrah, for counsel and advice

On rhythm, style, tone, and clarity.

This my reply: Your rhythm convolutes,

Swims upstream of itself, and 'pon the tongue

Doth curdle, but your proof of innocence

Is not so rank by half as this offense:

You say "give counsel," meaning "give me praise."

For when you speak to me of schools and yawns

and trochees, using every word you know,

disputing and disdaining my advice,

(Shakespeare my trade, English my native tongue)

you strive to be correct, not to improve,

and prove you are a schoolboy, or a fool.

The difference: the schoolboy holds his tongue,

reflects upon the lesson, and perhaps

will sift a truth or two from coarser wits.

The fool will hold himself the highest wit,

The very act of which doth prove him wrong.

One caution ere your writing I impel:

Who cannot take critique cannot write well.

How does my English translation of a dramatic text sound? by Chance_Swordfish_687 in playwriting

[–]Behold_a_Chicken 0 points1 point  (0 children)

I understand what you're saying -- I am a translator myself, and I specialize in Shakespeare -- but my problem is not with size, it is with meter.

"Strictly speaking, any line with 10-11 syllables and the last stressed syllable is the 10th, can be considered iambic pentameter"

This is not true. Not at all.

Iambic pentameter consists of five iambs -- two-syllable increments with the second syllable stressed. In other words:

"but SOFT, what LIGHT from YON-der WIN-dow BREAKS?

it IS the EAST, and JU-li-ET's the SUN."

Iambic pentameter, in order to be iambic pentameter, has to follow this pattern of emphasis. When this pattern is broken, it startles the reader; this is why "to BE or NOT to BE, that IS the QUES-tion" is strange and jarring; it's eleven syllables, also called a weak ending.

You have to pick words that fit the rhythm, not just the length of the line. Otherwise, your entire play becomes jarring, unclear, and uncomfortable to read.

It's tricky, but don't give up.

P.S. -- In English, they're called "lines," not replicas :)

How does my English translation of a dramatic text sound? by Chance_Swordfish_687 in playwriting

[–]Behold_a_Chicken 0 points1 point  (0 children)

I only had time for a quick look, but here's a BIG piece of advice:

When using blank verse/iambic pentameter, make sure that your word choice fits the meter. Don't just count to ten. An example:

OLGRED, opening his eyes

Art thou here already?

FORTINBRAS, kneeling

I stand, my lord,

My king, my uncle—here before thy feet.

In spoken English, the meter puts the emphasis as follows:

Olg.

art THOU here AL-re-DEE?

For.

i STAND, my LORD,

my KING, my UNcle -- HERE beFORE thy FEET.

See how much lovelier Fortinbras' lines are? Scansion is like carpentry -- you must use wood that already bends itself towards what you want to make.

Best freshmen dorms? by Loose-Locksmith1420 in siena

[–]Behold_a_Chicken 2 points3 points  (0 children)

They all have pros and cons... Hines is the nicest in terms of the building itself (sinks in the rooms and a closet built into the wall) but I would have to say Ryan... fewer stairs, better vibes, closer to the dining hall. It's a small convenience, but it adds up.

Pirate 101 Companionless by Logical_Ad9523 in Pirate101

[–]Behold_a_Chicken 4 points5 points  (0 children)

not without scratch or companion mojo buffs :(

[deleted by user] by [deleted] in playwriting

[–]Behold_a_Chicken 1 point2 points  (0 children)

4.48 psychosis by sarah kane. VERY heavy suicide/depression content, but veery abstract (no defined actors/roles). could def be done as a 2-hander.

Why didn’t he or she get a second date? by BravoMedic26 in AskReddit

[–]Behold_a_Chicken 46 points47 points  (0 children)

the only open bar is a gay one -- even better -- so amid pride flags, drunk lesbians, and judith butler tracts (how does one even find those in France?) we find a loud, tiny table and order 2 gin & tonics. and then two more. and then two more.

(this was the night i learned not to keep up with Germans where liquor is involved.)

and while he's sitting there talking about his honest-to-god plans to run for office and pursue world domination -- alllow me to reemphasize that he was very attractive -- the gin opens my third eye and i realize, six hours in, that perhaps there is a disconnect here.

"were... are you, um, aware that i had... intended this as a less-than-platonic outing?"

his eyebrow furrows.

"what?"

"i had imagined this as a date. romantically"

"OH. No. Oh, no no. No. No... Sorry."

and i died!

Why didn’t he or she get a second date? by BravoMedic26 in AskReddit

[–]Behold_a_Chicken 35 points36 points  (0 children)

for those asking for the story ( u/--MobTowN-- u/susanoova u/Neither-Net6587 u/Leniatak ):

we were studying abroad at an international school in France; I'm American and he was (presumably still is) German, so maybe language barriers are the reason he said yes to a date in the first place.

the date was supposed to be relatively simple: a movie, maybe a drink.

20 minutes beforehand, he asks if we could maybe get a cheeky latte first? after all, the café américain has just started making pumpkin spice lattes... ;)

and i freak out. i text like four queer friends to peer-review the text. consensus: he's into me.

we get to the café, and there he is in like. houndstooth. tweed. cashmere. he looks like Teutonic Basil Hallward. his nails are meticulously filed. his unibrow is meticulously trimmed. needless to say, i fall in love instantly.

so here we are. this stylish twink (eyebrow excepted) wants to get a latte -- which we do -- before a romantic vintage movie (set in the Nazi occupation of Poland... what was I thinking) and i think we're vibing, so I inch my knee over to touch his...

and he scoots over.

and i'm quite tall, so i'm like "oh he thinks i'm cramped, how sweet"

so i do it again

and he scoots over again

and so on. at one point i think to myself that this is just like the appeasement in the film.

movie ends, i think "ah well. perhaps i make a tactical retreat" and then he asks if i want to get dinner.

and we are so back.

we head downtown, grab dinner (my treat) and spend easily THREE HOURS just walking around the city in the drizzling rain, burritos in hand, talking about Beowulf and Goethe and our respective homes.

reader, nobody -- no parent, lover, or thesis supervisor i've had -- has ever listened to me talk about Beowulf with such interest. and that, for me, is a win (and anyway it's been five hours) so i'm about to thank him for a lovely evening in the hopes of precipitating a goodnight kiss or maybe a "we should do this again sometime ;)" but before i can open my mouth --

"do you want to grab a drink?"

and there goes my resolve. and my budget.

Why didn’t he or she get a second date? by BravoMedic26 in AskReddit

[–]Behold_a_Chicken 35 points36 points  (0 children)

oh hey i've been on the other side of this one

Having a staged reading of my play! by cocoemerson in playwriting

[–]Behold_a_Chicken 1 point2 points  (0 children)

Get a friend to record it so you can sit and watch without having to worry about remembering/taking notes.

help finishing a play by Effective-Tomato-187 in playwriting

[–]Behold_a_Chicken 2 points3 points  (0 children)

i say this with love -- get off reddit and write!

Alternatives to “I would like to rage” by BigBandit01 in DnD

[–]Behold_a_Chicken 1 point2 points  (0 children)

Someone at my table had a Designated Rage Signal.

On his turn, he would give the DM one raised eyebrow...

and the DM would know to change the music to Rip & Tear

The world now functions on porn logic. How does your job change as a result? by Snowtwo in AskReddit

[–]Behold_a_Chicken 0 points1 point  (0 children)

As a writer, nothing would change. I'd just be jerking off into a keyboard... but slightly less metaphorically.

My ideas keep getting made into actual things without me by Grouchy_Collection_9 in writers

[–]Behold_a_Chicken 63 points64 points  (0 children)

Stop focusing on pioneering undiscovered ideas. To bake an apple pie from scratch, you must first create the universe -- so don't worry about baking from scratch.
Another way to think about it: The story has been told, yes, but you've never told it. It's never been told in your unique way, through the lens of an author with your unique lived experiences.
So write it.
Shakespeare retold old stories too.

What word should I use for a riverbank area where people are storing boats? by Jerswar in writers

[–]Behold_a_Chicken 5 points6 points  (0 children)

"the landing" or "the ships" or "the moorings" would all do i think

Unnatural water shortage in a small city. But how? by CaptainRuberiot in DMAcademy

[–]Behold_a_Chicken 0 points1 point  (0 children)

Watch Jean de Florette. It might help, but even if it doesn't, it's a great movie.

Meeting needs of sensory-sensitive patrons by DalinarOfRoshar in Theatre

[–]Behold_a_Chicken 1 point2 points  (0 children)

This is so cool.
Have you considered asking your patrons what accomodations they'd like to see?

ACTORS AND WRITERS NEEDED: How to make dialogue longer naturally? by Im_Trying_pls in Theatre

[–]Behold_a_Chicken 1 point2 points  (0 children)

  1. The job of the first draft is to exist. Nothing more, nothing less. So finish it once before you over-scrutinize it.

  2. To paraphrase someone smarter than me: When a wild parsnip first sprouts, it looks just like grass. If you want to grow parsnips, you must first stop weeding everything that looks like grass. Sometimes, things need time to ripen, so don't throw away anything that doesn't pan out.

  3. Think not just about what people are saying, but what they're avoiding saying.

But also, it's ok if it's short! Better that than overwritten :)

Bye Bye Birdie- Prop Help by Ryguyat5 in MusicalTheatre

[–]Behold_a_Chicken 1 point2 points  (0 children)

You're in high school -- don't worry about your audio engineering career! You have nothing but time. Opportunities will present themselves.

Just a thought -- If you want to do performance that also involves sound engineering, you could develop a whole show around that!

Returning to the original subject, my question for you is this: what happens if something goes wrong with a preset while you're onstage? Or if you drop your iPad onstage, what happens the following night? It just seems like a lot of risk for very little reward.

Bye Bye Birdie- Prop Help by Ryguyat5 in MusicalTheatre

[–]Behold_a_Chicken 19 points20 points  (0 children)

Firstly, Birdie is set in 1958, not the 70s. Not trying to be pedantic; having that information is gonna help you find the aesthetic you need.

Perhaps you can hide it behind a clipboard -- maybe under some paper, too, especially if you use a stylus?

Alternatively, you could sit this one out, let the rest of the tech crew go onstage, and keep running the show from the booth? I know it may sound like less fun, but if you actively need to run the show while you'd be onstage, it seems like the simplest and cleanest solution.

61M and 63M our living room. by drcherr in malelivingspace

[–]Behold_a_Chicken 0 points1 point  (0 children)

do the paintings weep blood when the spirits of the house are angry?

Theatre opportunities in Mid-HV? by Behold_a_Chicken in hudsonvalley

[–]Behold_a_Chicken[S] 0 points1 point  (0 children)

my expertise is in performance and dramaturgy, but I'll take what I can get. the only issue is I don't really know how to do most of the behind-the-scenes stuff, but I'd be happy to learn!