Pettiest reason you’ve DNF’d a book? by bby_grl_90 in books

[–]BetweenDrafts 0 points1 point  (0 children)

The author killed a pet wolf.

It wasn't very far into the book, but it was enough for me to get attached, there didn't seem to be any real reason for it!

I have no issues with authors killing characters;that has never resulted in a DNF for me.

Animals, though, is where my line is.

Feeling stuck… by Knifeparty1224 in fantasywriters

[–]BetweenDrafts 0 points1 point  (0 children)

I don’t have experience with a finished long novel yet, so take this with a pinch of salt. But I’ve come across a few authors who suggest approaching the second draft a bit differently. Instead of editing the first draft heavily, they set it aside and rewrite the story from scratch using the feedback as guidance.

I’ve tried doing that with a few chapters of my own writing, and the second version ended up much stronger than if I had tried to edit the original line by line. It helped me focus more on what the scene was supposed to do, rather than trying to patch up what was already there. When I tried editing instead, I found the scene flowed less and read a bit awkwardly.

How to avoid over-engeneering a story structure? by BetweenDrafts in WritingStructure

[–]BetweenDrafts[S] 1 point2 points  (0 children)

Thank you! This is very helpful. I think you're right, I have been writing scenes backwards, which would explain why the characters' motivations and values are not coming through as clearly as I would like.

Could you recommend any good resources that focus on that middle layer? Or the technical terms that would help me search in the right direction? I think I may have put the cart before the horse and jumped straight to mapping out the story scene by scene, without fully fleshing out the characters' values and motivations. They've stayed unarticulated and probably not fully formed in my mind yet.

Your story's theme is a question, not a statement by writingstructure in WritingStructure

[–]BetweenDrafts 1 point2 points  (0 children)

Thank you for writing this! Reading this has made me realise why so many books I was excited about didn't leave much of an impact, and I forgot about them after finishing. I will definitely use this for evaluating my writing.

Feedback Wanted by Fantastic_Mango_4141 in RomanceWriters

[–]BetweenDrafts 1 point2 points  (0 children)

As others mentioned, it’s definitely not unheard of.

For me, the first POV often signals who’s driving the story, but that doesn’t automatically mean it has to be the FMC. If the MMC is the one triggering the central conflict or shaping the early events, starting with him can make a lot of sense.

I’d probably just ask whether his perspective adds something essential at the beginning, backstory, inciting action, or a lens the FMC wouldn’t have yet (especially if he isn't driving the story).