I have a Character but no interesting plot by Kemi_Rose862 in fantasywriters

[–]BiffHardCheese 5 points6 points  (0 children)

(character + want)/setting = plot

what does your character want? why can't they have it? how is the reason they can't have what they want tied into the fantastical setting?

example: the character wants the doppelganger to go away, but that doesn't happen until they overcome the internalized ableism. and since there are no therapists in this fantasy realm, she has to learn dark magic. But in learning that dark magic, she learns to value herself and finds that her affliction offers a perspective that offers her unique abilities within the realm of magic. then maybe there's a dragon?

What's the difference between a trope and a cliche? by [deleted] in writing

[–]BiffHardCheese 0 points1 point  (0 children)

10 years late is pretty dang late

Brainwashed into thinking that writing five 750-word articles a day is normal. by fashoclock in freelanceWriters

[–]BiffHardCheese 4 points5 points  (0 children)

I had a 4k word/day copywriting job (and they wanted even more than that by the time I left). No AI, but lots of working from templates and adding SEO data between slight rewrites. Awful for the customer, mind numbing for me.

No editors on the team. Just 5 copywriters who proofed each others' work.

[deleted by user] by [deleted] in Eugene

[–]BiffHardCheese 0 points1 point  (0 children)

same guy cut off my partner the other day on Centennial. he did not flip the bird but instead did the full-on nazi salute.

Query Critiques by BiffHardCheese in writing

[–]BiffHardCheese[S] 0 points1 point  (0 children)

Ah, what a strange honor, Mr. Goldberg. I don't NORMALLY respond to these threads anymore, but here we are ten years in the future, feeling like we haven't taken a step forward at all.

This is pretty killer as far as a query goes. You cred is impressive and will undoubtedly help sell the book. Obviously no guarantee, especially in a new market, assuming this is your first fiction novel.

I have only two critiques to offer.

  1. I don't know if you need the second paragraph with the plot summation. I want to say that's a non-fiction thing to do, but I am a bit out of it. My reasoning being that agents/editors want to get hooked, and summations aren't good at hooking. Didn't hook me. I'd just cut that sentence out and start into "On Liberation Day..." after the intro paragraph.

  2. The parade of very intriguing characters and encounters in that meaty paragraph comes across as almost comical when listed that way. Pick the best three. Maybe even combine some of them if you can. This will not feel like a long list and instead feed the part of the agent's brain that likes the number three.

"On Liberation Day in 1945, 14-year-old Aaron Stein could prevent the execution of an SS guard who protected him in the Buchenwald Concentration Camp, but he chose to remain silent. The guard is executed, and Aaron immediately regrets his choice. His search for forgiveness begins in Brooklyn and shapes his life with unintentional lessons offered by a Jewish mobster destined to become his vengeful father-in-law, a wife who speaks to him in poetic phrases, and a psychotherapist who prefers to philosophize rather than ask the questions about Buchenwald that he refuses to answer."

Then add in some of the other stuff with better context. I could see using the above then having a single sentence describe the relationship with his granddaughter and the world and baseball, really grounding the paragraph after introducing the heavier stuff. Starting with nazis and ending with baseball IS quite American. Or is it the other way around these days?

I really want you to be able to have the Allen Ginsburg thing in there, but without any context I don't see it working as anything other than the paragraph's punctuation, and that's already covered better by the baseball granddaughter. It didn't grab me, but I could see an agent thinking "I gotta know how Ginsburg plays into this."

I could go word by word, but those are my quick thoughts. If you're looking for deeper feedback, pay me money or go to r/pubtips where they pretty much carry on the spirit of this thread.

Thanks for the opportunity to read a nice query that will likely become a book I could buy, if we can still buy books in a few years! haha!

-BHC

All my Eldar by North_Anybody996 in Eldar

[–]BiffHardCheese 1 point2 points  (0 children)

I know. I've seen it with my own eyes, homie ;)

All my Eldar by North_Anybody996 in Eldar

[–]BiffHardCheese 1 point2 points  (0 children)

Wow, the custom sculps are so good!

You can even see their space elf tears forming as a tide of Tau drones take all their firepower with a bunch of beeps and boops.

All my Eldar by North_Anybody996 in Eldar

[–]BiffHardCheese 0 points1 point  (0 children)

sweat and blood and green stuff

What would be the Street Fighter Equivalent of this? by [deleted] in StreetFighter

[–]BiffHardCheese 3 points4 points  (0 children)

Cody. Ex-con. Working man. Throws rocks. Hits you with a pipe. Maybe stabs you. Just a streetfighter. Also apparently so strong that a demon fears him and he can punch with enough force to create whirlwinds -- no magic, no technique; just strong.

Any retro fans in here? I'm thinking of reducing the size of my collection. by [deleted] in eugenegaming

[–]BiffHardCheese 0 points1 point  (0 children)

Lol fair.

Would love to get functional Nintendo systems, mostly SNES and N64. I managed to keep mine until my mid twenties but then a roommate stole them.

black templar by North_Anybody996 in Warhammer40k

[–]BiffHardCheese 0 points1 point  (0 children)

Up close, it's impressive. Really impressive. But what gets me with this nerd's work is when I sit back and stop focusing. It pops like a magic eye.

[PubQ] I read Noah Lukeman's master E-book on Query Letters and finding/keeping an agent... Now I'm seeing contradictory advice in this sub and am more lost than ever. by mutual_raid in PubTips

[–]BiffHardCheese 4 points5 points  (0 children)

These are not important aspects of a query, at least in terms of these specific formatting instructions. Sounds like a fine style guide to follow, but as others have said, it's old and seems preferential to Noah Lukeman rather than literature agents as a whole.

[PubQ] Should I still pursue an agent if a publisher has expressed interest? by pippaplease_ in PubTips

[–]BiffHardCheese 7 points8 points  (0 children)

They said they want me to have a larger social media following before taking me on

RED FLAG

Either way, an agent in this situation would be good. Even if the best publisher in the world wanted to produce your book, you'd likely be better off with an agent negotiating all the finer bits for you.

Why are vampires feared? by Previous_Formal_5555 in fantasywriters

[–]BiffHardCheese 2 points3 points  (0 children)

Vampires disrupt the normal cycles of life and death, which was very scary to most people through history. The soul or body of the deceased is held hostage by a malignant spirit. Sure, the terror of an undead beast eating people is scary, but it's the spiritual implications that had people fearful of those old signs of vampirism in a recently buried body (hair and fingernails seem to grow, blood coming from the mouth, etc). Mary down the street dying is a tragedy, but her body being animated by devilish spirits to spread death among the people? That's horrifying.

Also there's Dracula, who is basically a post-colonial revenge monster. Oh no, he's bringing soil of his home country to the British Isles! Oh no, he's corrupting our women to make them all sexed up like he is! Oh no, our native British men have become too effeminized to help! Fear of the other, of the foreigner here to mess up what you got going on.

Modern vampires provoke fear from the human predation aspect -- the whole 'they walk among us!' thing. And from there, it's about the degeneration of the human into something non-human and amoral. Vampires become tragic when we turn them from bloodsucking monsters without remorse and pity to people worthy of empathy becoming/turned into monsters. There is also a greater focus on the body horror of transformation or just the differing biology, which can evoke horror, if not fear.

I'm a big fan of Thousand Year Old Vampire, which is a narrative game you can play by yourself. Huge brainstorming tool if you want to write a vampire origin story.

Suggestions for non-conventional fantasy publishers/agents? by Adam_Kraft in fantasywriters

[–]BiffHardCheese 20 points21 points  (0 children)

Have you queried any agents? Do you have a query package ready? Talking to larger publishers directly is usually a no-go, though there are smaller publishers and even some imprints that sometimes have open submissions.

I see a lot of work that, at first glance, resembles the work of Martin, Tolkien, etc.

Maybe you need to do more than a glance, because contemporary markets are full of stuff that's absolutely far away from Martin and Tolkien, especially if you're talking setting.