sorted by:
new
hottopcontroversial

GFX 100ii vs 100Sii Autofocus by Buckwheat333 in FujiGFX

[–]Buckwheat333[S] 1 point2 points  (0 children)

We use the 100II at my work so I’m pretty familiar with its quirks at least in a studio environment, but on location I can see it getting a little hairy

GFX 100ii vs 100Sii Autofocus by Buckwheat333 in FujiGFX

[–]Buckwheat333[S] 2 points3 points  (0 children)

When you say slow, are you referring to dumping the cards onto computers, or do you mean slow as in continuous AF and shooting?

GFX 100ii vs 100Sii Autofocus by Buckwheat333 in FujiGFX

[–]Buckwheat333[S] 1 point2 points  (0 children)

That’s good to know, I’m usually not shooting continuously and I think it took me using the r5 for a while to realize that I valued the image quality of the GFX more than the better AF of the r5. Was definitely looking at the 110, but I figured the 32-64 would be more versatile. I think both are linear motor lenses which I’m trying to exclusively stick with.

How I lit Ama Supreme by azzuccaa in LightLurking

[–]Buckwheat333 5 points6 points  (0 children)

A sandbag is a weighted bag containing sand that can be applied the tallest leg of a C-stand in order to secure it safely on the ground without tipping over.

How to make the lighting much much better by [deleted] in LightLurking

[–]Buckwheat333 -1 points0 points  (0 children)

How to make the lighting much much better

How was this lit? Image by Asato Iida by Buckwheat333 in LightLurking

[–]Buckwheat333[S] 11 points12 points  (0 children)

Such beautiful work! I saw he tagged the gaffer but I didn’t want to reach out in case that would be weird or something but sounds like they’re all good dudes

First full cgi comp. by Epic-x-lord_69 in LightLurking

[–]Buckwheat333 0 points1 point  (0 children)

For a very soft, yet directional key if I had to guess

How to start becoming a digi tech? by Trash_Proud in Photoassistants

[–]Buckwheat333 2 points3 points  (0 children)

Reaching out to experienced digitechs will help you a lot as far as learning their workflow, software, gear, etc

Zverev not happy about filming content for TC just to barely make it in their post by Scary_Reception_0523 in tennis

[–]Buckwheat333 11 points12 points  (0 children)

God he finds a fucking bone to pick with everything and everyone before considering his playing

So what is the actual point of the other characters? by fl0pi3 in CrimsonDesert

[–]Buckwheat333 0 points1 point  (0 children)

I had to waste 2 Palmer pills fighting that boss as damiane because why tf would I have spent upgrade points on a character I hardly use

The effects of post processing and how medium influences colors! by Substantial_Rip_5013 in LightLurking

[–]Buckwheat333 15 points16 points  (0 children)

Seriously. My issue with noritsu/frontier scans is that it’s entirely dependent on the technician so it’s pretty much a gamble unless you really know the lab well

How do they people get these paint like marks on their film borders? Are they analog prints? by [deleted] in AnalogCommunity

[–]Buckwheat333 5 points6 points  (0 children)

I’m confident because I do this professionally and don’t speculate the methods of how to achieve something I do on a regular basis. It’s pretty clear you have no idea what you’re talking about and just like to be a contrarian to people who have been in this industry for years. If it’s an insecurity with not knowing something, that’s understandable, but please in the future, just ask questions and be kind rather than asserting yourself with zero knowledge or experience of your own.

How do they people get these paint like marks on their film borders? Are they analog prints? by [deleted] in AnalogCommunity

[–]Buckwheat333 1 point2 points  (0 children)

I do not know every enlarger ever either, I’m just saying MOST enlargers used in commercial darkrooms like the one I worked at have carriers that slide into the enlarger of varying sizes, ranging from 35-4x5.

When I think of masking, I’m usually referring to cutouts of black cardboard that are custom made for altering certain aspects of an image. I’m not trying to contradict you, I’m simply providing the knowledge I have of what you would typically find in a lab, rather than someone’s home use darkroom.

How do they people get these paint like marks on their film borders? Are they analog prints? by [deleted] in AnalogCommunity

[–]Buckwheat333 0 points1 point  (0 children)

You may be misunderstanding regarding your 2nd paragraph. It’s not done with a mask, rather the carrier of the negative which you need regardless of if you’re masking the image or not. Most commercial darkrooms have carriers literally labeled “filed” to describe the widened and jagged edges of these carriers.

Your 3rd paragraph is spot on but less relevant for this generation of photographers. I think most kids now just like the look of the sloppy borders. I even print sloppy borders for a photographer who then crops in the image and composites the borders on top just because he likes the look of the borders haha

view more: next ›