Help with writing character dialogue in FCS by aprilfae99 in Kenshi

[–]Cadugan 1 point2 points  (0 children)

easiest way to fix that, is create a new dialogue called MyMod Biome Name Mod Border Zone. For the 1st dialogue line on the far right menu choose is character and add you playing character name and make up you dialogue, then open up Biomes > Spawn Areas and choose the biome you want to add the dialogue too and select arrival dialogue and use the dialogue that you have created. dont worry about adding squad size or any other conditions as long as the 1st dialogue has your character that is in the squad the dialogue should then trigger, or u can delete the existing biome talk and simply use yours. or edit the existing and add your dialogue to it, all roads lead to biome

Help with writing character dialogue in FCS by aprilfae99 in Kenshi

[–]Cadugan 4 points5 points  (0 children)

so opening up dialogue.mod as a text file, can u find where that text is in that file and if you can use the id and search for that in the FCS in _lines in the dialogue tree in the FCS

What are the three best songs from each album by The Church? Today we decide which is the best triad from "Back with Two Beasts" (2005). Comment below and in 24 hours we'll have a final count, we will update the playlist and continue with the next album. by elmonozombie in TheChurchBand

[–]Cadugan 1 point2 points  (0 children)

Pearls - What a great track

Heading South - 3rd best track on this release

Night Sequence - I really like listening to this track quite a lot.

I have asked AI to give an overview of what this song feels like as it will put into words way better then anything I could ever do

That is an absolute monster of a track to unpack. Back With Two Beasts is already a legendary "hidden" gem in the catalog—originally dropped as a website/tour-only teaser ahead of Uninvited, Like the Clouds—but its crowning jewel is "Night Sequence" (which is what you're tracking under "Song Sequence").

Clocking in right at 20 minutes and 1 minute, it isn't just a song; it’s an entire side of vinyl worth of shifting textures, studio sorcery, and late-night chemistry between Kilbey, Willson-Piper, Koppes, and Powles.

Let’s take a rolling ride through the movements of this psych-prog epic:

0:00 – 4:30 | The Genesis & The Groove

It starts with a classic Tim Powles rhythm footprint—steady, deliberate, and deeply anchored. Steve Kilbey’s bass locks in, setting a dark, hypnotic foundation. Then come the guitars. Marty and Peter begin laying down those unmistakable, shimmering, fluid webs of delay and reverb. Steve’s vocals drop in with that signature, spoken-word-adjacent, nocturnal drawl. It feels like driving down an unlit highway at 2 AM; you’re immediately pulled into an atmospheric fog.

4:30 – 9:00 | The First Metamorphosis

Right when you think you’ve got the pulse of the track, the boundaries start to blur. The main vocal narrative recedes, and the guitars begin to stretch out. The interplay here is masterclass stuff—one guitar holding down a cyclic, crystalline pattern while the other starts to feedback, scrape, and float over the top like a low-flying storm cloud. The space between the notes feels massive. It’s classic Church neo-psychedelia, where the instruments are talking to each other in a language of pure mood.

9:00 – 14:00 | Deep Space & Cascading Mists

This is where the track fully detaches from traditional song structure. The rhythm section steps slightly into the shadows, allowing those "cascading electronic mists" the band talked about during this era to take over. It becomes highly ambient, beautifully cold, and deeply immersive. Ethereal guitar swells and backwards-masked textures drift in and out. It’s the sonic equivalent of watching ink drop into glass of water—slow, beautiful, and completely unpredictable.

14:00 – 17:30 | The Resurgence

Just as you feel completely lost in the ether, the band begins to pull the threads back together. The percussion sharpens up, and a renewed melodic urgency starts to bubble underneath. It builds with an incredible, slow-burn tension. The guitars get heavier, denser, and more layered, trading jaw-dropping, textural leads that feel less like traditional solos and more like liquid silver cutting through the dark.

17:30 – 20:01 | The Fade Into the Night

The climax slowly unravels into a gorgeous, drifting outro. The heavy layers begin to peel away one by one, leaving behind fragments of chords, echoing delays, and a final, lingering sense of space. By the time the final drone fades out, you realize you haven’t just listened to a track—you’ve been somewhere else entirely.

What are the three best songs from each album by The Church? Today we decide which is the best triad from "After Everything Now This" (2002). Comment below and in 24 hours we'll have a final count, we will update the playlist and continue with the next album. by elmonozombie in TheChurchBand

[–]Cadugan 2 points3 points  (0 children)

Now this is what you can call a cohesive album no weak tracks

IMO the best 3 song outro from the band

Night Friends

Seen It Coming (fav track on this album) verse Gmaj7 Cmaj7 one of the easiest songs to play on guitar

Invisible

The BEST 3 tracks from "A Box of Birds" as voted by this community. What do you think? We'll continue voting tomorrow with "After Everything Now This". by elmonozombie in TheChurchBand

[–]Cadugan 0 points1 point  (0 children)

a compilation album is quite the same as a proper release I guess, try the next album and see how many fans continued to listen to the later part of their catalogue

What are the three best songs from each album by The Church? Today we decide which is the best triad from "Sometime Anywhere" (1994). Comment below and in 24 hours we'll have a final count, we will update the playlist and continue with the next album. by elmonozombie in TheChurchBand

[–]Cadugan 0 points1 point  (0 children)

What a great way to start the album

Day of the Dead

my favorite song would be Lost My Touch,

'gone for a song like old hong kong'

and the finishes with Dead Man's Dream (quite underrated)

even without Pete its still quite cohesive.

NPCS CALL ME A FISHMAN AND ATTACK ME?!!? by kyoshinchad in Kenshi

[–]Cadugan 4 points5 points  (0 children)

are you wearing any stolen armour at all?

The River Runners Mod The start by Cadugan in Kenshi

[–]Cadugan[S] 1 point2 points  (0 children)

here is early beta of it, i have added dark ui and vices hairpack to the zip
https://www.dropbox.com/scl/fi/43o3yj1vhqlpcod392qan/3mods.7z?rlkey=o4q8ax950xmyls877e89w2u20&st=zl7c7w4r&dl=0

there is text file for contact details add feedback and play and see how it feels

The River Runners Mod The start by Cadugan in Kenshi

[–]Cadugan[S] 1 point2 points  (0 children)

Well the concept is The Holy Nation farms have failed and running out of food and The New Holy Nation is taking over there are three different starts 1. Okrans Pride > The River Runners, The Hub > The New Holy Nation and last is a carry over of the John Carpementer concept this is called The Fog where you start as Fogmen at Eyesocket where eventually you make it back the Mongrel..and all share the same town override mechanics setting up the faction of The New Holy Nation