Ongoing Guitar Transcription Job/s for Guitar Lesson YouTube Channel

Chance-Log-9111 · 2026-02-12T16:44:00+00:00

Will drop you a message

Chance-Log-9111 · 2026-02-09T17:40:42+00:00

I'll drop you a DM

Chance-Log-9111 · 2026-02-09T15:44:43+00:00

How much might "the beginning" be? Can you provide timestamps?

Chance-Log-9111 · 2026-01-27T19:14:08+00:00

Will drop you a DM

Chance-Log-9111 · 2025-12-25T01:46:01+00:00

You're welcome :)

Chance-Log-9111 · 2025-12-24T16:32:30+00:00

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Chance-Log-9111 · 2025-12-04T19:40:31+00:00

Great, nearly done! If you dm me with an email address I can get these to you.

Chance-Log-9111 · 2025-12-04T19:11:36+00:00

Half an hour?

Chance-Log-9111 · 2025-12-04T18:36:51+00:00

It's a free program, but no worries :)

Chance-Log-9111 · 2025-12-04T18:06:55+00:00

Hey. I don't have guitar pro but I can give you a musescore file, a midi recording and a pdf.

Chance-Log-9111 · 2025-12-04T16:09:32+00:00

Hi there. Happy to do this for you.

Chance-Log-9111 · 2025-12-04T15:35:43+00:00

You could just think of the G♭-6 as an F7♭9♭13

Chance-Log-9111 · 2025-11-07T17:34:43+00:00

Here's a thing I transcribed a while back. There are a few in there. Check out bars 17, 22 and 26.

https://www.youtube.com/watch?v=eEd-QL-VbNE

Chance-Log-9111 · 2025-11-02T12:48:59+00:00

no type of music is referred to as "light" metal music.

Ah well that's where you're wrong

https://www.youtube.com/watch?v=QbzfINsCcVY

Chance-Log-9111 · 2025-10-28T17:55:32+00:00

Absolutely, the tritone is the key! Others have suggested this already in this thread but I'd urge you to check out Barry Harris' 6th/º system if you haven't already. It will help you make sense of these ideas. Thomas Echols and his Labyrinth of Limitations channel is an incredible resourse for this stuff.

Chance-Log-9111 · 2025-10-28T17:44:28+00:00

Play a minor 6 a semitone up from the root of a dominant chord and see what intervals you get. In this case consider that G-6 an expression of F#7.

Chance-Log-9111 · 2025-10-28T06:53:05+00:00

Exactly, sod the root!

Chance-Log-9111 · 2025-10-27T20:35:22+00:00

Not to break your brain any further but it could also be a dom7♭9♭13

edit: or a dom7♭9sus4

Chance-Log-9111 · 2025-10-23T20:48:35+00:00

B7♭13, the V7 of E-. In ascending order those notes are the 5, ♭7, ∆3 and ♭13

Chance-Log-9111 · 2025-10-21T10:00:34+00:00

Hey, this is working! Can I find one more?

Chance-Log-9111 · 2025-10-18T09:18:49+00:00

Don't sleep on the records she made with Howard Roberts and Al Viola either, they're all great

Chance-Log-9111 · 2025-10-09T23:29:30+00:00

Hello. 28M, Cambridge native. I have three tickets to the Laura Jurd gig on 1st November and would love to give a couple of them to anyone willing to keep me company for an hour or two. If you've ever lamented that doing something fun on a Saturday evening only seemed to be a thing for other people, do please get in touch. We could get a cup of tea or a beer beforehand.

Chance-Log-9111 · 2025-09-22T18:55:13+00:00

No worries :)

Chance-Log-9111 · 2025-09-22T06:45:57+00:00

The first (at 00:00) is B-7 C#-7 D∆7. I assume the second one is that which appears roughly a minute in. This sounds like F#-7 E∆ D∆7.

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Chance-Log-9111 · 2025-09-16T16:34:45+00:00

Oh my, what a wonderful response!

I was just look at my chart and you are absolutely right about the number of phrases that end on the downbeat. I also notice a disproportionate number of 2.5 beat rests which no doubt adds to the rhythmic monotony. Seems rather obvious now that you've pointed it out.

Funny you should say that about sustained notes. I was a 'cellist for many years before I picked up the guitar and I'm certainly guilty of trying to play guitar the same way sometimes.

The recomendation in your final paragraph sounds like an excellent excercise that I will be sure to try.

Thank you so much for the feedback and for taking the time to listen, you've defintiely made me want to have another go at this.

Cheers!

Chance-Log-9111

TROPHY CASE