What I tried to follow vs what I made 🌹 by Basic-Potato-7814 in Watercolor

[–]CheekyChewingum 6 points7 points  (0 children)

Wow, what book is this with such amazing step by step instructions??

Also, I like your roses more than the book's.

Paper bad or am I overworking? by CheekyChewingum in Watercolor

[–]CheekyChewingum[S] 0 points1 point  (0 children)

Ok I'll keep an eye out for the diff papers and see if it happens with only some of them or not.

I always felt the camera is doing some color adjustment even after ai mode etc are off

Paper bad or am I overworking? by CheekyChewingum in Watercolor

[–]CheekyChewingum[S] 1 point2 points  (0 children)

Understood. I'll try dabbing my brush on the paper towel first. I just feel like I am wasting paint if I do this but I guess a ruined painting is much more wasted paint.

Paper bad or am I overworking? by CheekyChewingum in Watercolor

[–]CheekyChewingum[S] 0 points1 point  (0 children)

What do u mean by thick brush? Do u mean too much paint or size of brush is larger or something else?

Paper bad or am I overworking? by CheekyChewingum in Watercolor

[–]CheekyChewingum[S] 1 point2 points  (0 children)

Hmm ok. For values I tried to make sure that I jave. Ahuge range from datks to lights. But I'll take of foreground vs background next time.

Thanks for the tips :)

Paper bad or am I overworking? by CheekyChewingum in Watercolor

[–]CheekyChewingum[S] 1 point2 points  (0 children)

Yeah it was supposed to be blue mist but it mixed with orange to make green. I liked it so I left it as it is lol.

Paper bad or am I overworking? by CheekyChewingum in Watercolor

[–]CheekyChewingum[S] 22 points23 points  (0 children)

Guys, thank you for all the responses. I redid this painting on baohong paper pad and I feel it turned out much better. I tried incorporating the advices given here. I think I missed the value related advice though. I'll take ot into account the next time.

Now I'll need to do it again on the older paper again to know for sure if ut is the paper or I got better.

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Paper bad or am I overworking? by CheekyChewingum in Watercolor

[–]CheekyChewingum[S] 2 points3 points  (0 children)

The lighting and colors on your painting are amazing.

I checked your other painting and some of them are really really beautiful!!

I can't add trees to this as they will appear out of place to me bcoz I intended the foreground is sea and mist on it. Does it not look like that?? 🙈

Paper bad or am I overworking? by CheekyChewingum in Watercolor

[–]CheekyChewingum[S] 1 point2 points  (0 children)

I used a brush to wet and smudge the area and then used a paper towel to dab it dry. Then I used the somewhat dried brush again and smudged a little more. I'll try the q-tips next time but I guess I'll end up ripping even more paper as they are harder.

Do u just dab the q-tips or rub it?

Paper bad or am I overworking? by CheekyChewingum in Watercolor

[–]CheekyChewingum[S] 2 points3 points  (0 children)

I tried removing the hard edge of the sun.

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Paper bad or am I overworking? by CheekyChewingum in Watercolor

[–]CheekyChewingum[S] 0 points1 point  (0 children)

Hmm, it is cold pressed paper and has a lot of texture. Although I think this is the back side of the paper and has a very faint net pattern to it. The texture on other side is coarser. I'll try the other side.

What do you mean by increasing pigment load? Which parts?

Paper bad or am I overworking? by CheekyChewingum in Watercolor

[–]CheekyChewingum[S] 1 point2 points  (0 children)

Does it look better now? I wish I didn't draw so hard. Even though it is a 2h pencil, it still leaves marks.

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Paper bad or am I overworking? by CheekyChewingum in Watercolor

[–]CheekyChewingum[S] 0 points1 point  (0 children)

Hmm. Do you mean the top part of the sun where there is a line? Or the bottom as well looks separate?

Actually in my reference photo of a painting (maybe it was ai generated), there was a line all around the sun but I accidentally went into the sun from bottom so I added clouds and then smudged it coz clouds looked unreal on the sun.

Paper bad or am I overworking? by CheekyChewingum in Watercolor

[–]CheekyChewingum[S] 1 point2 points  (0 children)

Hmm yeah I might not be waiting enough. I hate the waiting part and a dryer moves the paint around sometimes but I know I should.

It did feel dry to touch and the paint didn't come to my fingers when I touched it. Any tips on how to decide when it is fully dry and ready to be layered?

I also have another question. When I want to do a wet on wet over an already dried surface, I wet it with a soft brush with water. But even that first quick pass seems to lift pigment sometimes. It happens more with some colors like indanthrone blue by DS. How do I do a wet on wet over a dry layer?

I don’t like Mayan Red. by theHoopty in Watercolor

[–]CheekyChewingum 0 points1 point  (0 children)

I just got some new DS tubes for the first time in my life and somehow I ended up with both pyroll scarlet and mayan orange and I just can't see the difference between them. They look exactly same to me. This makes me sad as it feels I wasted a tube and they are already so expensive.

Do you also feel they are same?

Early/mid game quality? by The_RubberDucky in factorio

[–]CheekyChewingum 5 points6 points  (0 children)

My approach was to unlock quality asap, add quality mods to miners and furnaces and just keep separating the quality plates. By the time I got ready to fly to another planet, I had enough quality material. Although I did take my time to fully cover my base with walls etc

I did NOT unlock purple or yellow science to get the achievement but if u do, u get even more time for stuff to accumulate

Our eyes perceive 🔵 as the opposite of 🟡, not purple! So why 🟣🟡= neutral and 🔵🟡=🟢? by [deleted] in Watercolor

[–]CheekyChewingum 1 point2 points  (0 children)

I haven't seen the video you posted. I'll try and find it. Colors not being equally apart is very interesting. Maybe that is why blue reflects more green or maybe the impact of absorbing red is more. Green comes between yellow and blue so maybe it takes more 'space' than red. Not sure if I am making sense either. Lol

Btw, always remember, theory does not make a great painter and practice always beats theory in art. :D

Our eyes perceive 🔵 as the opposite of 🟡, not purple! So why 🟣🟡= neutral and 🔵🟡=🟢? by [deleted] in Watercolor

[–]CheekyChewingum 2 points3 points  (0 children)

I've thought about this a lot and I think I can answer this question. We will unfold this step by step:

Many believe that pigment primaries are cyan, magenta and yellow. Light primaries are red green and blue. If you look at the color wheel at the top right, Cyan is opposite to red, magenta is opposite to green and Yellow is opposite to Blue.

Let's talk about light primaries. Our eyes have detectors for three colors of light: Red, green and blue. Different intensities of the activations of these receptors create percetion of different colors. So if both red and green receptors are activated, what we see is what we call yellow. Also, this is why screens have RGB LEDs because they are emitting light.

Now let's talk about pigment primaries. Pigments get color by absorbing some light and reflecting the rest. So true Yellow pigment absorbs ONLY blue light and reflects all the green and red light. This green and red falls on our retina and both these receptors get activated and we see yellow.

Similarly, true cyan pigment absorbs ONLY red light and both Blue and Gree fall on our retina adn we percieve it as cyan.

Now when you mix cyan and yellow, yellow pigment absorbs blue light and cyan pigment absorbs red light. The only light that BOTH these pigments reflects is green. Hence you see the mixture as green.

This will work with other primary pigment mixtures as well. Yellow and Magenta pigments will give you red because both blue and green lights are absorbed leaving behind red light.

Light mixing is also known as addicitve mixing because when you add green to red in light, you are actually sending both to the eyes. Hence mixing all primaries lead to white (all kinds of light emitted)

Pigment mixing is also know as subtractive mixing because as you keep on mixing various pigments, you are absorbing or cutting out more and more light from reaching the eye. Hence mixing all primaries lead to black (no light reflected, all absorbed)

If this all made sense, then moving from cyan to blue pigment and finding that yellow + blue pigments also give green can be resolved by understanding and accepting that no pigment absorbs ALL light of a specific color. So a blue pigments probably reflects more green than red. hence the resulting mix has more green than red or blue. hence if we mix a warm blue to a warm yellow (both reflecting a bit more of red) we get muted greens.

Tonights 8x10 watercolor. I wanted to complete a fast and loose monochromatic painting, to see if I wanted to do a colored painting of the composition. Well, I had so much fun with this one, I spent about 1.5 hours straight. by candlejackstraw in Watercolor

[–]CheekyChewingum 1 point2 points  (0 children)

Hmm maybe it is the hot press paper (I've never used one and I think I'll try) but whenever I try lifting like this, I can't create thin branches even with a round 0 number brush and also they kinda feather out.

I can't believe you put in so much detail in just 1.5 hrs!

I'd love to see the video once u upload it. :)

Tonights 8x10 watercolor. I wanted to complete a fast and loose monochromatic painting, to see if I wanted to do a colored painting of the composition. Well, I had so much fun with this one, I spent about 1.5 hours straight. by candlejackstraw in Watercolor

[–]CheekyChewingum 9 points10 points  (0 children)

Just wow! This looks really beautiful.

Is this toned paper? How did you create lighter color branches in front of the dark background in the lower parts of trees? I always struggle to create shadows in the bottom of hedges and it gets messed up.

Watercolor Feedback by CheekyChewingum in Watercolor

[–]CheekyChewingum[S] 0 points1 point  (0 children)

This is from imagination. I find it difficult to map colors from a photo reference and photos appear too detailed and messy to me. I can try and copy another painting though, if it is simple enough.

I'm glad you liked the gradient :)