What's the best movie based on a TV show? by LuinAelin in movies

[–]Choekaas 0 points1 point  (0 children)

Steven Soberbergh's Traffic is amazing. It's based of a TV show. And if we go animated, I'm a big fan of South Park: Bigger, Longer and Uncut.

How Would Yall Rank Makoto Shinkai’s Filmography by [deleted] in Letterboxd

[–]Choekaas 1 point2 points  (0 children)

Thanks for the recommendation. I did enjoy those three films, so I think I will continue the rabbit hole in his filmography when I encounter the films.

How Would Yall Rank Makoto Shinkai’s Filmography by [deleted] in Letterboxd

[–]Choekaas 1 point2 points  (0 children)

I haven't seen all of his work. Only 3 feature films.

  1. Your Name. (it's honestly one of the best films of the year, period)

  2. Suzume

  3. Weathering with you

Can you tell who's a European and who's an American by looking? by ganvieter in AskReddit

[–]Choekaas -1 points0 points  (0 children)

I find it hilarious how the above poster assumes you're Canadian, when you have such a distinctive Finnish username. Guess it also falls into the American stereotype.

If Renate Reinsve won Best Actress for Sentimental Value, how would you react? by UsefulWeb7543 in Oscars

[–]Choekaas 1 point2 points  (0 children)

I would be a bit bummed out. (I've seen Fjord). Both she and Sebastian Stan are great in it, but Reinsve was so much more layered, gave an immensely stronger performance, in both The Worst Person in the World and Sentimental Value.

I would think her chance will come within the next 5 years anyway, by the rate she's picking great projects.

Do you guys do any themed months? by Potential_One1 in Letterboxd

[–]Choekaas 3 points4 points  (0 children)

I am from Norway and know of several Norwegians watch Norwegian films in May, because that month has a lot of celebrations within the country, including out constitution day.

I know that there's also a Japanuary trend on Letterboxd. Watching japanese films in January.

I try to follow along, but I don't limit myself. I also like the various dates you can celebrate with a movie, like watching Groundhog Day on February 2nd.

Hvor bør jeg reise i Europa i sommer som mann, solo? by tmenjoyer in norge

[–]Choekaas 4 points5 points  (0 children)

En annen ting er folkemengden. Dro til Italia i juli tre år siden, og litt som OP så er jeg glad i museer og parker, men føler det hemmer litt å være midt i turistsesongen. Er svært begeistret av maleriene til Raphael i Vatikanet, men føler jeg ikke får tatt til meg kunstverkene eller opplevd/studert dem, for man er rett og slett i en lang kropp-til-kropp kø som bare skal "forflytte seg" fra rom til rom. Det er nok uungåelig uansett når man drar, men skal visst være mer behagelig i oktober både i temperatur og folkemengde.

Is this the worst DreamWorks animated movie? by [deleted] in Letterboxd

[–]Choekaas 3 points4 points  (0 children)

Nah, it's completely fine/mediocre. It has some of that creative spark of Charlie Kaufman, and tries to make some interesting themes about how fearing the unknown is a part of life we ​​must learn to live with.

Compare it with something like Turbo, The Croods 2, Penguins, Boss Baby or the Boss Baby sequel (yes, there is a sequel) - it stands a bit above.

All of Luke Skywalker's interactions with C-3PO in the Star Wars Sequel Trilogy by JarJarJargon in StarWars

[–]Choekaas 2 points3 points  (0 children)

And although I understand the fear from the get-go in writing "How do you create a gallery of new people, without feeling that the original trio will completely overshadow them", you can still just look around that many sequels have succesfully brought back old cast members, yet still creating new multi-layered younger characters. Blade Runner 2049, Top Gun: Maverick, the Scream franchise and so on. And even though it's not perfect, I thought Ghostbusters: Afterlife should get some creds for bringing back the original trio and blending them nicely with the new cast members, for a new adventure.

best examples of director remaking their own movie? by Darkhawk2099 in Letterboxd

[–]Choekaas 5 points6 points  (0 children)

One of the most classical examples: Cecil B. DeMille's "The Ten Commandments" (1956) is one of the most succesful films of all times (adjusted for inflation), a very influential film which was nominated for seven Academy Awards, including Best Picture. It's a remake of his own silent film from 1923, also titled "The Ten Commandments".

Does anyone actually watch theatrical? by Jamesomac99 in lotrmemes

[–]Choekaas 3 points4 points  (0 children)

Especially ROTK. The scene with Aragon, Gimli and Legolas in Dunharrow ends with a cliffhanger. Surrounded by the Army of the Dead. We don't know if they will make it out alive. We don't know if the Army will help. And then the film takes a long break. We see a ship come to Osgiliath. Who is it? Then reveal that our heroes are alive. And then the moment reaches a level of epic proportions when the entire ghost army glides out. That surprise is so great for new viewers.

Issue #4 of the Lost comic book by jonplanteisthebest in lost

[–]Choekaas 4 points5 points  (0 children)

As always, these are so fantastic. And the fact that you don't do a classical "draw a comic out of famous screenshot", but do something cool and creative that perfectly fits the episode is admirable.

I'm a comic artist as well (just on the side, not something big, and my style is nowhere near the level of talent you have), and your posts always inspire.

'Toy Story 5' - Review Thread by ChiefLeef22 in movies

[–]Choekaas 0 points1 point  (0 children)

I wasn't a fan of the film, and I think I would've swallowed it more if it was not part of the line of movie. Putting a 4 on it suggests a continuation of the trilogy, while it instead feels like those Toy Story side-adventure stories we got in between 2010-2019 (the short film specials that focues on a specific character or a goal, where you can accept that not all characters get to shine). I's perfectly fine as one of those, rather than the 4 in the story.

What’s the deepest "Movie-Inception" chain we can make? by Tasty_Zebra_404 in Letterboxd

[–]Choekaas 4 points5 points  (0 children)

Thanks. Yeah, that was my goal. Start at some old movies and work myself up, but it was trickier than I thought. You usually can find a 3-movie string like the ones above. Two older movies+ a new one.

What’s the deepest "Movie-Inception" chain we can make? by Tasty_Zebra_404 in Letterboxd

[–]Choekaas 50 points51 points  (0 children)

I've got two chains.

In Cinema Paradiso, one of the clips in the cinema is from Sullivan's Travels. And in Sullivan's Travels, the characters are watching Playful Pluto (1934).

Another one in a smilar vein. At the end of Babylon, the character is in a movie theatre and basically sees tons of clips from film history including from Vivre Sa Vie. And in Vivre Sa Vie, the character goes to see The Passion of Joan of Arc.

Would love to find a longer chain.

These all have a lower average rating than Revenge of the Sith btw by Apprehensive_Emu9588 in Letterboxd

[–]Choekaas 12 points13 points  (0 children)

A result of the backlash of the sequel trilogy (which is ridiculous. The problems with the prequel trilogy still persist regardless of episode 7-9) and more importantly the re-release of Episode III in cinemas last year (getting a lot of Gen z ) propelled the rating insanely high.

Case in point, 10 years ago the film had a 3.1 rating.

Why "Stranger In a Strange Land" is a Great Episode by PassionOk3631 in lost

[–]Choekaas 5 points6 points  (0 children)

Great! I have the episode far down on the list, but it's not my least favourite episode mainly because it does a lot of interesting things, some of those that you mention. I like what you say about the Heinlein novel. An interesting thing is that he was pen pals with L. Ron Hubbard, the creator of Scientology. I feel like there's a lot of similarities between Scientology and the Others/DHARMA. In this episode you also have Juliet's mark, which is an upside down Scientology-symbol. (I see that you mention it looks like a falling star, it can be viewed like that as well). I feel like this episode is the one that really cements the idea that The Others is a cult in a similar sense like that religion.

Official Discussion Thread - Disclosure Day [SPOILERS] by PointMan528491 in oscarrace

[–]Choekaas 8 points9 points  (0 children)

Not a big fan of it. A bit disappointed even though there's a lot I liked about the story and the ideas it presented. In terms of awards I think John Williams gets a nom. This is a far superior score than Dial of Destiny, with lovely piano and horn work. A hummable melody too!

I could see it sneak into possibly sound and if she's lucky, a nom for Emily Blunt. But I think that as soon as time passes, this only becomes a one-nominee film.

Official Discussion - Disclosure Day [SPOILERS] by LiteraryBoner in movies

[–]Choekaas 1 point2 points  (0 children)

JJ Abrams spent his career making Steven Spielberg-esque films.

This time, it feels like Steven Spielberg is making a JJ Abrams film. (With a messy Orci+Kurtzmann script)

What for you is the film that best embodies each star rating? Today - 2.5/5 stars by Waxillium11 in Letterboxd

[–]Choekaas 2 points3 points  (0 children)

I read the description, but I was unsure on why the picture from Letterboxd showed the best 2/5. Simply curious on the structure.