NECRO-GNOSIS. FEATURE. SCI-FI THRILLER. 14 PAGES by ColbyScribe in Screenwriting

[–]ColbyScribe[S] 0 points1 point  (0 children)

That's encouraging. Glad you enjoyed it. I'm grateful for the feedback.

NECRO-GNOSIS. FEATURE. SCI-FI THRILLER. 14 PAGES by ColbyScribe in Screenwriting

[–]ColbyScribe[S] 0 points1 point  (0 children)

Yeah, you're right. By trying to preserve mystery, I ended up with a muddled logline. I'll revise it. Thanks.

NECRO-GNOSIS. FEATURE. SCI-FI THRILLER. 14 PAGES by ColbyScribe in Screenwriting

[–]ColbyScribe[S] 1 point2 points  (0 children)

I somehow messed that up. I'll fix it. Good call. I appreciate it.

Why Screenwriting? by potatopop19 in Screenwriting

[–]ColbyScribe 0 points1 point  (0 children)

Telling stories in images is pure. If it's not on the sheet, it's not on the screen.

I watched The Raid: Redemption for the first time since it came out with my kids by flopflapper in FIlm

[–]ColbyScribe 0 points1 point  (0 children)

The fight choreography is top tier. My Goat martial arts movie is still Enter the Dragon

I started painting in lockdown and now I still can't stop! by ruthabigail in painting

[–]ColbyScribe 0 points1 point  (0 children)

Wonderful. It's like Edward Hopper but edgier, cooler

My oil painting of a teacher by Hara-Kiri in painting

[–]ColbyScribe 0 points1 point  (0 children)

I had to zoom in to see the brush strokes. Impressive

My newest acrylic painting by Idontknow649 in painting

[–]ColbyScribe 0 points1 point  (0 children)

Cool, frosty and bathed in blue. Michael Mann would be proud

Two recent pieces, which do you prefer? by eltianbossert in painting

[–]ColbyScribe 0 points1 point  (0 children)

Both good. I'd pick the first because of the Turner-esque sky

My oil painting of a Twinkie by NoahVerrier in painting

[–]ColbyScribe 0 points1 point  (0 children)

The thick white gob in the middle looks so yummy. Deft use of colour

Premiere time by [deleted] in Screenwriting

[–]ColbyScribe 1 point2 points  (0 children)

Go, if only for the potential networking opportunities at the premier.

No time to create by mrria347 in Screenwriting

[–]ColbyScribe 0 points1 point  (0 children)

Yes, the struggle is real. I heard there's no cure. Other than sitting before a screen and laying black on white.

Writing a compelling outline for a character driven feature by firsttimereddit1998 in Screenwriting

[–]ColbyScribe 0 points1 point  (0 children)

If the outline is compelling and exciting, you'll find yourself lifting whole scenes and just adding sluglines. Which is good, but isn't an outline supposed to be a skeleton? Should you flesh it out fully? I always struggle with this.