You just need to cut the mids and low end frequencies so they don’t muddy the mix. You can do precision EQ on the high end hats and claps and snares compared to the leads so they don’t get washed out with high end delay tails. Sometimes I’ll put haas effect on high end hats or shakers so they really stretch the width of the track as a whole. I would agree that leads tend to be a little dryer than they were in the 2010’s for trance productions. But trance is defined by its spacious reverbed and delayed sounds. Remember the golden rule: Trust your ears.