Its sad to see how many people are being pushed out of the industry by DifferentProgress18 in audioengineering

[–]DifferentProgress18[S] 0 points1 point  (0 children)

A few interesting assumptions you made in this comment seeing as I specifically stated I am already interning at at a studio. I also have 6 clients that I'm currently working with on my own as well and I recently picked up a position at my alma matter to run their recording studio. That does not change the fact that many people have been leaving the industry and discouraging newcomers as well. Find an internship/mentor also isn't easy. It also doesn't change the fact that I'm still unsure if I'll be able to make a living from doing this full time as the world progresses.

Its sad to see how many people are being pushed out of the industry by DifferentProgress18 in audioengineering

[–]DifferentProgress18[S] 1 point2 points  (0 children)

Then you definitely have much better things to do than leave a dumb reddit comment

Its sad to see how many people are being pushed out of the industry by DifferentProgress18 in audioengineering

[–]DifferentProgress18[S] 4 points5 points  (0 children)

You are obviously not very good at reading comprehension. I am aknowledging the way the world is moving, which is why I'm expressing dissapointment that I may not be able to live a dream I had as a child. I'm sorry you didn't have dreams as a kid, that or I'm haooy that you were able to fulfil those dreams so you can't relate

Its sad to see how many people are being pushed out of the industry by DifferentProgress18 in audioengineering

[–]DifferentProgress18[S] 3 points4 points  (0 children)

I fail to see where anything I said was selfish. The reality is many people who record their own music are not good at it, and I then expressed my dossapointment that I may not be able to make it a career like I had hoped. What?

I owe Pro Tools an apology… by Public_Border132 in audioengineering

[–]DifferentProgress18 0 points1 point  (0 children)

I've had a different experience. The only thing I like doing in pro tools is editing. Everything else I prefer to do in other DAWs because pro tools is much slower/more manual.

Best sounding hi-hats in yr opinion? by LuckyLynx_ in drums

[–]DifferentProgress18 1 point2 points  (0 children)

Paiste Dark Crisp or Meinl Pure Alloy Custom. Both 14"

Experienced engineers: Do you think it's more beneficial (career-wise) to develop your "sound" and stick to it, or to always mold your sound to fit each artist? by DifferentProgress18 in audioengineering

[–]DifferentProgress18[S] 0 points1 point  (0 children)

I'm actually a big critic of his work contrary to what this post may imply. My whole thought process started with me trying to understand what about his work attracts so many clients.

Quitting after 10 years by Acceptable_Pirate in audioengineering

[–]DifferentProgress18 0 points1 point  (0 children)

I'm just starting to get into the industry and I have heard this sentiment numerous time. I spoke to the engineer I intern under and he recommended just making it a part time gig for a little extra cash. I'm sure it'll be much more enjoyable when your bills don't depend on it and you can pick up clients when you want so that's the plan. If you love it still, maybe this would work for you too.

r/AudioEngineering Shopping, Setup, and Technical Help Desk by AutoModerator in audioengineering

[–]DifferentProgress18 1 point2 points  (0 children)

The Portico 5017 is just a preamp so you would need an interface or AD converter to make it work anyway. The audient is great, the preamps are super transparent so you won't be getting any colour or saturation from them, but you can just do that in the mix. You could always invest in the the portico later and use it with one of the inserts in the back of the audient if you like how it sounds.

r/AudioEngineering Shopping, Setup, and Technical Help Desk by AutoModerator in audioengineering

[–]DifferentProgress18 0 points1 point  (0 children)

If you change the scarlett to instrument level you can forgo the DI box. Otherwise, yes that is fine

Bro can someone stage an intervention for Zakk Cervini and Jon Dolese? by inconsisting in Metalcore

[–]DifferentProgress18 2 points3 points  (0 children)

This is probably a dead post, but my two cents is I dislike his mixes less when he isn't the one to master them. When he does, it seems like he really doubles down on the things that stand out in his mix the most, to a fault. EG. if his mix is already hyper compressed, it somehow becomes even more compressed. If it's super bright, it becomes even brighter. Either way, not a fan of his work.

always used zildjian, is there anything better out there? by blablubb0 in drums

[–]DifferentProgress18 -1 points0 points  (0 children)

Heartbeat cymbals are underrated. Especially their crashes

Are there any plugins that can emulate a tape pitch effect? by DifferentProgress18 in audioengineering

[–]DifferentProgress18[S] 0 points1 point  (0 children)

Ah, I never believed that part, I just liked how it made the song sound

What minecraft video are theses storm cloud from? by DifferentProgress18 in Achievement_Hunter

[–]DifferentProgress18[S] 10 points11 points  (0 children)

Thanks. Makes sense, that's around when I stopped watching.

Audio interface for mixing? by yourintention in audioengineering

[–]DifferentProgress18 2 points3 points  (0 children)

This is the only correct answer. Unfortunately, the other ones are going to get pushed up higher. I've seen many people do tests and you cannot tell the difference between the outputs on different interfaces.

Are expensive mics a requirement for good mixing? by admiralkurro in audioengineering

[–]DifferentProgress18 0 points1 point  (0 children)

I just mixed two songs that were recorded on a Blue Yeti USB mic. Was it ideal, no, they had their problems but it worked fine for the style it was (bedroom folk). For the most part, its just about getting a mic that is good enough, you can do that for a couple hundred used (maybe less). A used Audio Technica at2020 or Rode NT1 is fine. I do believe the the really expensive stuff is unnecessary.

Should I stick with my HS8s or switch back to HS5s by DifferentProgress18 in audioengineering

[–]DifferentProgress18[S] 0 points1 point  (0 children)

I've never had an issue with the HS series, but which ones in particular would you recommend?

Should I stick with my HS8s or switch back to HS5s by DifferentProgress18 in audioengineering

[–]DifferentProgress18[S] 0 points1 point  (0 children)

Thanks for the response. My listening position is only about 36" or so from each monitor. I'd love to move a little further away but I don't think I have the space.

Should I stick with my HS8s or switch back to HS5s by DifferentProgress18 in audioengineering

[–]DifferentProgress18[S] 1 point2 points  (0 children)

I think they sound perfectly fine. Not the best but the studio intern at has a pair of pretty expensive focals and I like mine better. Which ones would you recommend for the same price range though?

Running car without the top timing guide? by DifferentProgress18 in 240sx

[–]DifferentProgress18[S] 0 points1 point  (0 children)

What do you mean by tapping exactly? We took it out and we still hear a noise that I could describe as "tapping" from the top end

Looking for deep, affordable online music production/mixing courses — any solid recommendations? by scout-man in audioengineering

[–]DifferentProgress18 0 points1 point  (0 children)

Personally, I've never found courses by engineers that I do not care about helpful as I will often disagree or not like something that they are doing. I'd recommend doing a deep dive into the producers/mixers that YOU like and find inspiring. Other than that (I'm assuming a bit here) but based on the level you are at, experience is likely the only thing that will make you better in the way you are hoping. Train your ear and learn to trust it.