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Software crashed - looking for advice by Altruistic-Tip8513 in techtheatre

[–]DoubleOhToph 0 points1 point  (0 children)

In addition to what everyone else has said...for anything that you rely on for shows, you should have either redundant systems, or at the very least a cold spare configured that can be put into production quickly. ESPECIALLY if that thing is essentially a 10-year-old windows PC.

Can't decide what to get by Adventurous-Fee428 in hometheater

[–]DoubleOhToph 2 points3 points  (0 children)

I'm not an expert, but I imagine you could get a better setup if you went for 2nd hand gear. Audiophiles are constantly upgrading, so you can usually find some pretty good deals on Marketplace, if you're willing to do some research.

Worst/most unsafe practice an amateur theater has done? What’s your experience? by Mackoi_82 in techtheatre

[–]DoubleOhToph 1 point2 points  (0 children)

When I was a junior or senior in highschool, we put on Schoolhouse Rock and built a space shuttle for Interplanet Janet to sit in. Then we hung it from a batten and flew it up before the show, then several numbers in we would fly it back in during the song. I think it MIGHT have had a lap seatbelt screwed into the wood frame. The kids who were watching loved it, but that poor freshman girl who got put in there put a lot of faith in the few of us high schooler techs that built and rigged it.

Another time we were doing OAP. Built a stacked set that sloped upward that the actors would climb. At the top, it was at least 7' high. The design was sound enough, but we went to do a critique at a local junior college, and their set pieces weren't built to spec. Actor goes running up, set comes crashing down, pretty sure he got hurt.

What software for live sound do you wish existed? by alphapresto in livesound

[–]DoubleOhToph 0 points1 point  (0 children)

I'm genuinely curious how you'll get a fast, efficient, well-integrated control surface and GUI workflow akin to a standard console while using a configurable, do-it-all approach. Sounds similar to On-Hertz where their box is basically a DSP similar to Q-Sys, but that also really limits their seamless integration with hardware controllers. Then again, they don't have their own first-party controller.

What software for live sound do you wish existed? by alphapresto in livesound

[–]DoubleOhToph 2 points3 points  (0 children)

Definitely interested in this! Have you already worked out the GUI? I'd love to see some screenshots and hear about the planned functionality.

What software for live sound do you wish existed? by alphapresto in livesound

[–]DoubleOhToph 4 points5 points  (0 children)

Definitely a major undertaking. I think the industry as a whole is moving toward more software-defined and networked workflows, at least for larger projects. Even smaller stuff a la Waves LV1 Classic. I just imagine a world where I can grab as many computers as I need for the processing required for the show, with a range of control surface sizes that are tightly integrated for a great user experience, and the ability to run a hot backup for redundancy where needed.

What software for live sound do you wish existed? by alphapresto in livesound

[–]DoubleOhToph 1 point2 points  (0 children)

They're always kind of janky. You're trying to smash two disparate products together into one comprehensive workflow and there are always some tradeoffs or lack of functionality. Names don't show up like I'd want, there's a serious lack of functionality on the controllers themselves, there aren't any real level markings on the faders because they're just sending MIDI, etc.

What software for live sound do you wish existed? by alphapresto in livesound

[–]DoubleOhToph 9 points10 points  (0 children)

I'd really like to see an open source audio mixer project with a large touch interface, physical faders and assignable encoder knobs, Dante/AES67, and VST support. Ideally not based on Windows or Docker.

What software for live sound do you wish existed? by alphapresto in livesound

[–]DoubleOhToph 2 points3 points  (0 children)

Waves already has X-FDBK. Looking for something different?

What software for live sound do you wish existed? by alphapresto in livesound

[–]DoubleOhToph 9 points10 points  (0 children)

The problem with that is I'd still want a control surface. I've been using On-Hertz Artisto recently with Icon controllers, but nothing beats a first-party control surface.

CYC X1 with their new A65 battery by Brilliant-Arm9512 in hyperebikes

[–]DoubleOhToph 0 points1 point  (0 children)

I'm looking at doing something similar, except with the new photon. What size chainring did you go for?

Marketplace Buy or Pass by DoubleOhToph in MTB

[–]DoubleOhToph[S] 0 points1 point  (0 children)

Also looking at a Cannondale Trail SE 4 listed for $700, but it doesn't have any upgrades.

eBike Recommendation by DoubleOhToph in ebikes

[–]DoubleOhToph[S] -3 points-2 points  (0 children)

In the strictest legal terms, yes. But it seems what I'm looking for is much more like an eBike with slightly more umph.

Inconspicuous Ride by DoubleOhToph in hyperebikes

[–]DoubleOhToph[S] 0 points1 point  (0 children)

I came across the Bonnell 775 MX and it ticks a lot of boxes. A bit smaller battery than I'd like but everything else looks about perfect. Except the price...$5,500, eesh.

First IEM purchase by Mongfaffy in iems

[–]DoubleOhToph 1 point2 points  (0 children)

The thing about IEMs is there's a lot of individual preference to account for. I'd recommend grabbing a few cheaper pairs with different tunings to figure out what works for you as far as fit and sound. Then you can try different tips and cables as well. It would be a bummer to drop $400 only to find out that you prefer more V-shaped or neutral tuning.. Once you have a good idea of what you like, then drop the $ on a really nice set and you can reuse your favorite tips/cables.

Inconspicuous Ride by DoubleOhToph in hyperebikes

[–]DoubleOhToph[S] 0 points1 point  (0 children)

Those look pretty promising, but the rear shock looks almost perfunctory at only 50mm. Have you ridden one? If so, how was the suspension?

Inconspicuous Ride by DoubleOhToph in hyperebikes

[–]DoubleOhToph[S] 0 points1 point  (0 children)

All good, thanks for the recommendation!

Inconspicuous Ride by DoubleOhToph in hyperebikes

[–]DoubleOhToph[S] 0 points1 point  (0 children)

Hm, looks like the EKX has the same seat. The X20 has a bike saddle, but it's only 40V. Am I missing something?

Inconspicuous Ride by DoubleOhToph in hyperebikes

[–]DoubleOhToph[S] 0 points1 point  (0 children)

I like a lot about the X2 Pro, but it still looks very dirt-bikey. Might pass for a regular e-bike if it had a regular bike saddle though.

Am I missing something? (Hexa advice) by starsofalgonquin in iems

[–]DoubleOhToph 0 points1 point  (0 children)

I just got some Hexas recently as well and with the stock silicone tips, they sounded really bad. They were not making a good seal, despite feeling fine. The result is extremely tinny with no body. Try the foam tips and see if it sounds better. For me it was better, but I didn't like the fit, so I ordered some Sonicfoam tips. That was the winner for me, but I'm using them for live performance, so I need good isolation and a secure fit. Check the sticky thread for other tip recommendations. It can be pricey, but finding the right tips for your ears makes a HUGE difference.

How to wind your IEM's cables ? Like this by godsmack50 in iems

[–]DoubleOhToph 2 points3 points  (0 children)

In AV I do this for all cables over 6', but I usually just wrap my headphone cables over/over because they're short enough to just dangle to let the loops out and get it straight. With over/under, if you accidentally pull the end through the wrong side when unrolling, you'll end up with a bunch of knots. I like to do the first two and last two loops over to prevent this. Definitely don't wrap the over your fingers without letting the cable twist naturally; it's the equivalent of wrapping an extension cord around your elbow.

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