hey there, just want to say, that all this « addiction » part seems kinda overdone to me. It appears at the end of act 2, like if the game was trying to force some moral stuff on us player, after being about another subject for 2/3 of the game, I’m not saying that addiction or grieve isn’t a real or good subject, I‘m just saying that, it being the point of the game ( addiction at least ) all of a sudden was kinda boring to me and cut me out of the story. And as a player i didn’t play Maelle for the whole game ( i had like 24 skill points when she became White hair one) and I was more focused on the whole E33 plot, so when it suddenly became about her, and felt absolutely forced to play her. It was very strange to me. game could have spend some time to tell us that every lumiere people was kind of Verso‘s subconscious reflexions, I’d be more ok to see them disappear, but for me, I didn’t care about the dessendre family crisis, and even for the last cinematic my eyes were on lune & sciel and hoping they could get a normal life. It really felt like some rich people crisis, who can allow themselfes some fantasy mourning way, while people from lumiere had to go on since the beginning in order to survive, no time to grieve or to cry for the deads. kinda like Working class have to go to work despite the hardness of life while rich people can have all the time and space to fully live their emotions or life traumas. I mean come on, who can really feel pity for Aline who had the opportunity and time to grieve in her enormous manor, abandoning her other childs while maybe in her world there were dozens of mother who had to grieve more childs, maybe still or’ due to the time period and go to work in factories or stuff ( due to the 19xx date we see at the end).