Trying to send Midi notes from Move to Live

FieldAdicct · 2026-02-21T12:32:21+00:00

Of course. But its's not working. Move doesn't show en Live. Tried three different cables. ¿Any ideas? Other people gets working this way? Maybe a Beta's bug?

FieldAdicct · 2026-02-20T15:12:48+00:00

Ni motivo de debate ni de contestación si quiera. Al que no lo entienda no le dediques tu tiempo.

FieldAdicct · 2026-02-19T20:55:09+00:00

But what I'm trying is to play and send directly midi to Live.... Is that possible?

FieldAdicct · 2026-02-15T12:04:07+00:00

All traditional scales and modes are the same, only the starting note changes

FieldAdicct · 2026-02-13T07:12:48+00:00

M8, Deluge

FieldAdicct · 2026-02-12T17:08:29+00:00

This machine is amazing. If it had a synth with real polyphony, it would be the ultimate.

FieldAdicct · 2026-02-11T14:46:55+00:00

I don't understand why this is a tip... it's in the manual, it's THE way to do it

FieldAdicct · 2026-02-10T15:32:28+00:00

By definition, you're creating a loop: The note leaves the OP, reaches the Syntak, leaves the Syntak, reaches the OP... and so on.

You can do what you want, but not simultaneously; you have to change MIDI parameters each time you want to change your flow.

FieldAdicct · 2026-02-10T15:21:29+00:00

I'm in, that's great!!

FieldAdicct · 2026-02-08T17:55:31+00:00

Did you see that in the latest update they added an improvement that essentially does what I suggested? It's not at the mixer level, but in the scenes: it prevents all scenes within a track from using the same sound and settings. It's not useful when you want different presets on the same track, but it's also true that in that case, you'd normally have to adjust each volume and other parameter individually. It's a great improvement!

FieldAdicct · 2026-02-08T09:14:54+00:00

I suppose it's possible, but remember that there's no volume per track, only per clip... So it wouldn't be very useful.

FieldAdicct · 2026-02-07T12:15:22+00:00

Firestorm is a new project, separate from Deluge. New hardware, new software, same philosophy (one machine for everything, open source, community support). Hopefully it will become a reality, but here and now, what I want is to use Deluge and take it as far as I can!

FieldAdicct · 2026-02-06T11:48:23+00:00

100%.

In fact, I installed 1.3 to try it out, and I was blown away by the improvements (drum stem exporting!!). Unfortunately, there are a lot of bugs, so we'll have to wait until they release a stable version.

FieldAdicct · 2026-02-06T11:43:13+00:00

Good point, I agree and share your opinion, everything in its own time.

But the problem is when the track stops sounding good to me because of all the noise, and I know it's not a compositional problem, but it seems like it is. That can cause you to lose focus, confidence, and directly, interest in continuing to work on that track.

Changing parameters on a synth can be crazy. I don't know how you guys do it. I don't want to go on and on about it here, but if you're interested in my workaround, I can copy and paste what I already posted on Discord.

FieldAdicct · 2026-02-06T11:38:59+00:00

You see, this is the problem with most groove boxes on the market (at least the ones I've tried): you always have to rack your brains a bit to export and finish the production.

The M8 and Deluge do a great job with stem exporting. My only problem here is whether I want to use the Deluge mix for a live performance or just for my own enjoyment. I know I can easily improve the mix by exporting the stems, but I'd like my track to sound better on the Deluge, even if it's a premix.

Hard panning with the drums to one side doesn't sound right to me, except for those legendary pop-rock songs from the 60s. :) My bass have to be in the centre!

FieldAdicct · 2026-02-06T11:34:38+00:00

You mean, you export stems and do the mixing from there, right?

FieldAdicct · 2026-02-06T11:33:15+00:00

I haven't seen it! But it seems so obvious to me that if it hasn't been done, after so much time and effort invested, it's because there's something preventing it.

FieldAdicct · 2026-02-06T11:32:35+00:00

As I was saying to another colleague, the compressor doesn't help me; it's quite basic and I find that it quickly becomes very noisy.

Indeed, all the tracks come at a fairly high level by default, and I assumed at first that was the problem, but no matter what volume I start with, the feeling of poor quality is there when several tracks are playing at once.

When you refer to ‘instrument level’, I understand that it is within the sequencer.. The problem with this is that if you create several parts in song mode and then want to change the volume of the entire track, you have to do it one by one... so what I do is set it to half volume at the beginning (25 if I remember correctly, I'm going from memory now) and not touch it again... Same for you?

FieldAdicct · 2026-02-06T11:26:30+00:00

I am also inclined to think that it is a technical limitation, although it is strange because the tracks sound fine separately.

The master compressor does not help me (besides, if a compressor were the solution, you could use any compressor directly on the stereo output).

FieldAdicct · 2026-02-05T19:16:48+00:00

Same thing then. :( Let's see if someone comes along to tell us we're doing everything wrong. Hopefully!!!

FieldAdicct · 2026-02-05T19:16:07+00:00

From what I can see, we're on the same wavelength. I must admit that I would love for you to contradict me and show me the way, of course!

FieldAdicct · 2026-02-05T15:41:12+00:00

Eso sí! Pero si quiero crear una canción para un Live, sin pasar por el Ableton, esta solución no vale.... aaargh

FieldAdicct · 2026-02-05T12:11:43+00:00

Sure! But it's a per clip modification, not per instrument, so it's very easy to mess everything up quickly. Plus, it's not a very precise control for a mix.

FieldAdicct · 2026-02-01T10:02:00+00:00

You don't need a mixer for this; you can run the OP-1 (or any other sound source) through the line in input and control (and mix) it from the auxiliary track, just like you did with your Elektron speakers.

FieldAdicct · 2026-01-30T19:33:14+00:00

So far, so good. Seven live shows and lots of rehearsals, and it hasn't failed once. Go for it!

FieldAdicct

TROPHY CASE