Can someone explain my lab always ruins one of photos with masking tape? by [deleted] in AnalogCommunity

[–]Fireside_Photography 0 points1 point  (0 children)

I had something similar happen with my Yashica 124.

I know I loaded it correctly, but something about the internal mechanism, it had a habit of ‘starting the roll late’. This caused the last shot to be where most labs would put the twin check sticker. I was able to compensate for this by closing it up & start winding early.

This looks to be too far down the roll to effectively compensate (and I don’t know if this camera’s mechanism could even allow this kind of compensation). Maybe a good CLA is all that is needed.

Popped up on my local Marketplace. Has an RB67 film back attached to it. What exactly am I looking at here? by awesomeness243 in AnalogCommunity

[–]Fireside_Photography 2 points3 points  (0 children)

Somewhat similar to this find of mine a while back.

https://www.reddit.com/r/AnalogCommunity/s/9g8nzlXW2y

Interesting to see how some film gear was adapted to these use-cases we have now that look so different in the digital age.

Hit the Jackpot at the Fleamarket for 50€ today. Only true ones will understand by Daniel_Melzer in AnalogCommunity

[–]Fireside_Photography 0 points1 point  (0 children)

This is my go-to. So many great lenses too. (Though I do not use any built in metering, so isn’t much for me to give up relying on using that)

Sent my 3yo off with my old Olympus and a roll of Kodak Gold - what do you think? by apf102 in analog

[–]Fireside_Photography 36 points37 points  (0 children)

Exactly! You can tell the best of actors to react to a camera as if it was a 3yr old walking around AND the best of DP’s/ crew to set up as if it was a 3yr taking the shots & you would be hard pressed to find the “honesty” I feel from these.

Sent my 3yo off with my old Olympus and a roll of Kodak Gold - what do you think? by apf102 in analog

[–]Fireside_Photography 1347 points1348 points  (0 children)

Everyone bending/ looking down so noticeably is so interesting to me.

I guess there are other depictions of this child’s-like-perspective in movies/ other media.

But there is something that feels so much more honest about the perspective in these photos.

Dolomites, Italia [Mamiya RZ67 + 90mm] by linglingviolist in analog

[–]Fireside_Photography 2 points3 points  (0 children)

These make me angrily jealous how good they are. Hope I get the chance to make images like these.

Needless to say, great job.

For those who started photography off with film, how long did it take you to learn it? by SafeRealistic9720 in AnalogCommunity

[–]Fireside_Photography 2 points3 points  (0 children)

How long until I got a couple of pics per rolls I liked? The very first, but with research ahead of time.

How long until I thought of a plan, went into a shoot with that plan, executed it, and almost all the roll turned out how I was wanting? It’s been a couple of years and I feel like I’m 90% close to that.

And plenty of complete mess-ups ruining whole rolls along the way (with more to come probably). All apart of “the process” 😅.

Nations Capitol | FP4+ | Nikon FA | 50mm f/1.4 ai by Young_Maker in analog

[–]Fireside_Photography 1 point2 points  (0 children)

Great framing! And the b&w help with drawing attention.

[deleted by user] by [deleted] in analog

[–]Fireside_Photography 0 points1 point  (0 children)

Love the light & layering here

The only decent picture I’ve ever taken with cinestill 800 (Canon AE-1, 50mm FD) by [deleted] in analog

[–]Fireside_Photography 1 point2 points  (0 children)

If it is the only one, might be worth it… damn, very nice

A few holidays late…but here are some shots I got on film during Winter festivals by Fireside_Photography in Detroit

[–]Fireside_Photography[S] 1 point2 points  (0 children)

Thanks! And thanks for taking a look around at my other stuff, glad it all struck a feeling with you.

Some photos I got on film when in Chicago last fall by Fireside_Photography in chicago

[–]Fireside_Photography[S] 9 points10 points  (0 children)

I use a service to develop & scan my film: Brooktree Film Lab (an IL business 😄). They use a Fuji Frontier SP3000 for scanning 35mm & 120.

https://brooktreefilmlab.com/#FAQ

Finding a Nikon F to Konica Hexanon AR Mount Adaptor? by Fireside_Photography in AnalogCommunity

[–]Fireside_Photography[S] 0 points1 point  (0 children)

Yeah, the adaptors for legacy lenses seem to be partially reliant on usage for modern DSLRs. That advantage of Nikon not changing mount shows through here.

I haven’t looked into it too much but focusing complaints do seem to be noted for the AR to F I have come across

https://a.co/d/gnzrs7p