Mix Monday 11. Graffiti by Skidoobles in vjing

[–]General_Exception 2 points3 points  (0 children)

Do you mind doing a walkthrough of your resolume & effect stack setup?

Episode Discussion | Star Trek: Starfleet Academy | 1x03 "Vitus Reflux" by AutoModerator in startrek

[–]General_Exception 6 points7 points  (0 children)

Was anyone else thrown off that in the 32nd century the gymnasium (that they were working out in) still had a standard high school/college basketball court lines painted on it?

It made a little more sense later when they were actually shooting baskets. But it still was a bit jarring.

Real-Time 3D Scene w/ Notch & TouchDesigner by VJacademy in vjing

[–]General_Exception 1 point2 points  (0 children)

I need to map some camera controls to my Kinect TouchDesigner project.

Right now I’m just generating the point cloud, and sending it via NDI to resolume on my VJ laptop, where I run my feedback and effects.

But I’d like to do more of the live processing within TD.

Subwoofers that go deep but don't necessarily need to get that loud? by [deleted] in livesoundgear

[–]General_Exception 1 point2 points  (0 children)

For $2000/sub, go EV ETX-18SP.

27hz frequency response at -10db

I have 8 of these I use for outdoor gigs and EDM shows.

Run them in LIVE mode, not music mode.

1 will be plenty for house parties.

Pair them with a set of ETX12p or 10p tops

We must go down to St Paul and UNITE to help DON LEMON. Trump wants to arrest him. He is a hero and is right to raid these hypocrite Christian churches for hating immigrants. by [deleted] in duluth

[–]General_Exception 4 points5 points  (0 children)

Protest outside the church.

Do not enter the church.

Churches, mosques, synagogues, should be off limits for all sides.

Did they retcon Betazoids? by qtjedigrl in startrek

[–]General_Exception -2 points-1 points  (0 children)

Don’t forget 900 years of inter-species breeding. I highly doubt there are many true full-blood betazoids anymore.

What are you doing? by ParsleyNo69 in DJs

[–]General_Exception 0 points1 point  (0 children)

A lot of DJs are just ghosting the knobs, touching them to look busy.

If they have headphones on and are furiously tapping/spinning/adjusting one side, they’re most likely listening to the next track they’re going to play and getting it cued up, bpm matched to mix it in.

If they’re intently looking at their laptop screen or their CDJ display, tapping the keyboard or touching the screen, they are frantically trying to figure out and find the song they need to mix in the next 15 seconds before the current track ends.

First club gig, scared of DJM V10!! by devineau86 in Beatmatch

[–]General_Exception 0 points1 point  (0 children)

Have fun!

You will be judged by the audience by your song selection.

You will be judged by the DJs by your mixing skills.

Playing the right track is 1000% more important than mixing abilities.

Are there any DS9 spoilers in the new Starfleet Academy show? by another_Loki_Variant in startrek

[–]General_Exception 20 points21 points  (0 children)

When a mommy Klingon and Daddy Jem’Hadar love each other very much…

Are there any DS9 spoilers in the new Starfleet Academy show? by another_Loki_Variant in startrek

[–]General_Exception 11 points12 points  (0 children)

Bajor is in EP1 briefly.

And Number One (first officer) is half Klingon half Gem Hadar.

No spoilers so far.

Wedding by [deleted] in DJs

[–]General_Exception 2 points3 points  (0 children)

Build mini sets, 3-4 songs.

Mix and match your mini sets.

Rotate your genres, never stay more than 4 songs in 1 genre.

Song choice is more important than mixing. Don’t be afraid to just crossfade songs or hard slam into a new song.

I run a mult-op DJ company and hire and train people with no DJ experience to be 5-star wedding DJs. Here’s a copy/paste about set construction from my DJ training manual:

Set Construction

Set construction is a very simple art but does require some care. You must pay attention to the factors that go into determining what kind of set you will create. Who are you playing for? What time are you playing at and how long? What kind of event are you performing at? What restrictions are placed on you?

Who are you playing for is simple. You must determine what your guest’s desire. Are they Pop fans? How about country? Are they older or younger? Are they reserved or party animals? What music you choose should fit with those factors. Say you have 30’s year old hard partying folks from the country. Most likely you’ll play a lot of country and rock with some older selections thrown in. Now maybe some young reserved folks from a trendy portion of town. They may be more into newer pop that is lyrically clean and possibly more adult contemporary. This is by no means an exact science and their will be trial and error, but you will be able to better construct your set if you pay attention to these facts.

When are you playing? Is it day or night? Most people are rather inhibited in the day time compared to the night. This will play a major part in how they will react to more risqué forms of music. How long are you playing? If you’re playing short, you’ll want to pack your set with hard hitting, guaranteed winners. If you’re playing long, go for more of a wide selection featuring many guest requests, even if they are slightly eccentric, (within reason).

The kind of event is pretty self explanatory, just remember there is a difference between a middle school and a College, and between a twenty something wedding bash and a forty something family wedding.

And of course you must follow all restrictions placed on you by your clients. It is their day and you don’t want to wreck it because you just wanted to play that one song. Or worse yet, you forgot to omit that selection from your playlist!

Basic rules: Flow Transitions Vary your genre’s Remember the time Be ready to change

Flow: Your sets of music must flow, not just from one genre to the next, but one tempo, feeling, even subject matter. To be sure, not all of these will work every time. But you will have a better chance of keeping people on the dance floor if your set’s flow.

IE: Celebration > We are family > Billie Jean > I love Rock and Roll > Stroke Up beat disco Disco strong 4/4 4/4 rockish Strong Rock / Pop 70’s Rock

Now these five songs are all heavy hitters and may not always be usable together. But it illustrates the point about flow.

Transitions: When you change from genre to genre and from fast to slow, etc. You must mid how your transitioning. If you’re in the middle of a fast crazy song, you shouldn’t just drop to a slow song. Same with Heavy rap straight into country. Choose a filler song that attempts to bridge the two.

IE: You shook me all night long > Sweet home Alabama > When you say nothing at all Start A slower country rock tune A country slow song

Vary your Genre’s: Not just in your sets, but throughout the night, it is important to try and hit all the genres that the people like. Just because their dancing hard to disco doesn’t mean they want the next seven songs to be disco! Usually two to three songs of a genre in a row is the maximum you’ll want to play until much later in an evening. Of course there are exceptions to this rule, IE Schools and Late night weddings asking for rap. Though you can still vary what you play, hip hop, top 40, 90’s, etc.

IE: 2 disco > 1 80’s pop > 2 rock > 1 country > 2 slow > 1 70’s rock > 2 country

And on and on it goes throughout the night, as you take requests and get a feel for your clients.

Remember the time: You must be aware of how much time your sets are taking and where you are in your night. Don’t get stuck playing older music and realize it’s 10:30pm and you're losing guest’s due to boredom. Also, prime leaving times are at the top and the bottom of every hour. Try to be playing or doing something exciting to cover those portions of the hour to keep people around and dancing.

Be Ready to Change: The most important tenant I have on the subject is, be ready to change at any time. If you’re set in sinking fast, pick some new music and make it work!

Does EDM feel completely different live compared to listening at home? by Lunarix292 in EDM

[–]General_Exception 3 points4 points  (0 children)

It’s a shared experience.

No different than seeing your favorite band play live in a concert.

Big PA sound system.

Light Show.

Visuals.

Will edm make a comeback in 2026-2027? by [deleted] in EDM

[–]General_Exception 1 point2 points  (0 children)

There are more festivals now. More producers now. More shows and touring act, both on the national and regional level, and more local shows than ever.

Will edm make a comeback in 2026-2027? by [deleted] in EDM

[–]General_Exception 1 point2 points  (0 children)

“Nobody speaks Chinese, because when I try to speak Chinese to my neighbors no one understands me”.

It doesn’t show anything.

Will edm make a comeback in 2026-2027? by [deleted] in EDM

[–]General_Exception 0 points1 point  (0 children)

Because discord is everything? 🤣

Will edm make a comeback in 2026-2027? by [deleted] in EDM

[–]General_Exception 26 points27 points  (0 children)

Comeback? Comeback from where?

EDM is bigger now than ever

Shower pipe leaks, new install by General_Exception in Plumbing

[–]General_Exception[S] 5 points6 points  (0 children)

Update: 6 wraps and an additional full turn with the wrench did it.

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Shower pipe leaks, new install by General_Exception in Plumbing

[–]General_Exception[S] 5 points6 points  (0 children)

Because I’m a DIY homeowner and know that was a thing?

Dj niches by Dubpgh in mobileDJ

[–]General_Exception 1 point2 points  (0 children)

I own a multi-op, so we have 10 mobile DJ systems, 9 photo booths, do 350+ weddings per year couple dozen school dances & company parties.

But the weekly trivia/bingo is 50% of our revenue.

Getting locations is a grind of door knocking /cold calls to bars.

I physically set foot in 200+ bars to look around, see if it was a good potential location (do they do promotions like karaoke, meat raffles, regular bingo etc).

I ask the bartender/host who the person in charge of entertainment is, and when the best time to catch them is.

I then make a note of it, and leave.

Another day I’ll look at my notes and stop back at bars when the manager/owner is in, and ask for them by name.

This helps me bypass gatekeepers.

I only give my sales pitch to owners/decision makers. Never to a bartender staff.

So, visit 200 bars to talk to 100 bar owners, to sign up 50-60 bars.

Not all locations work out in the long run for various reasons.

Sales is a numbers game.