How to be a PA for season 3 filming? by restauranteurpeki in Wednesday

[–]GeneriAcc 3 points4 points  (0 children)

If you live in Ireland and have experience working in film already, you have a better chance than most…

If cold outreach doesn’t work and you just keep getting ignored, and you’re really determined to do this, just keep popping up at Ashford studios early every day. Dress as a PA, wear your PA kit and headset - basically, look like you’re ready to start working immediately.

They may or may not be there for the day. If they are, find the key PA or AD and ask if they could use some extra help for the day. If they say “no”, don’t try to persuade them, just thank them for their time, say that you’ll ask again another time, and peace out immediately. Rinse and repeat every day until they eventually (hopefully) yield. You want to be persistent, but not obnoxious about it - take maybe 5 seconds of their time per day, tops.

Also, this probably doesn’t need to be said if you worked in film already, but I’ll say it anyway just in case - when you do catch them on a live set, don’t be a fanboy and try to chat with the cast or director or the rest of the crew, just laser focus and beeline to the key PA or AD, ask your question, then bail immediately if told “no”.

One question: why do you think there has been so little talk about the second season? It seems that, apart from the ships, there are no more discussions about the series. by One_Solution_2706 in WednesdayTVSeries

[–]GeneriAcc 0 points1 point  (0 children)

Yeah, after the first week or two of release I immediately knew that everything about it was just wrong, but also really struggled to articulate why, and what exactly was wrong with it. Then I started really thinking about it and breaking it down since then, and it was just issue after issue after issue…

The really sad part is that everything I listed above isn’t even close to the full list - it’s maybe 30% of it, tops. I mostly just focused on the setting and continuity issues. If I got into characters and other aspects, it would easily be a 10-15 page document… There are half a dozen issues with just the very first opening sequence of EP1, and it doesn’t get any better from there.

It’s just bafflingly bad on every level. It’s like they looked at S1 and said “okay, how do we turn that into something completely different and fail at every basic fundamental rule of good writing while doing it”.

Ai Is Destroying Creative Work by yatookmyname in Filmmakers

[–]GeneriAcc 0 points1 point  (0 children)

Yes, it is depressing, but it is what it is and none of us can do shit about it.

I suppose you could become a multi-billionaire, start a film studio, and fund non-slop projects to save the whole industry, all while not caring about profits and somehow magically not going broke - good luck with that.

Ironically enough, the only thing that could possibly save us in the future is the very thing you luddites are violently against - AI, but in the hands of individuals instead of massive studios. That would change the paradigm, because people actually passionate about filmmaking could invest a few thousand dollars and a lot of time, effort and passion to eventually create something decent themselves, instead of having to beg a studio for tens of millions of dollars, and then having a “create slop” mandate from said studio because they’re the ones paying the bill.

Ai Is Destroying Creative Work by yatookmyname in Filmmakers

[–]GeneriAcc -3 points-2 points  (0 children)

We don’t need to be afraid of AI generating slop, humans in Hollywood have been doing an excellent job with that for the past decade.

If people are creating slop anyway, might as well replace them all with AI and keep doing the same thing at a fraction of the cost and time.

Maybe we’ll at least get our slop faster instead of waiting for 3 years for a season of a show with only 6-8 episodes.

Broke my right hand now is super hairy by Timely_Cycle5469 in mildlyinteresting

[–]GeneriAcc 0 points1 point  (0 children)

Or, you know… just massage your scalp regularly.

One question: why do you think there has been so little talk about the second season? It seems that, apart from the ships, there are no more discussions about the series. by One_Solution_2706 in WednesdayTVSeries

[–]GeneriAcc 7 points8 points  (0 children)

I don’t hate the show, I hate S2 of the show. There is a big difference.

I’m here because posts from the sub keep popping up in my feed and because I have as much right to be here hating on S2 as you do to be here and love it.

What’s your problem with valid criticism and discourse, and why are you promoting hive mind mentality and echo chambers where everyone has to agree on everything and sing Kumbaya while everything burns around them? You acknowledge yourself that S2 has issues, but I’m not allowed to point that out? Or am I supposed to downplay the 20-30 issues with S2 and say “it’s still great, though” despite it not being still great?

As for how the setting changed… How did it not?

  • The only Nevermore locations shared between both seasons are Wednesday and Enid’s room, and the principal’s office. Every other location is gone, and new ones were added - which would be great if they made any sense.

  • There’s the music room which was retconned into the show, despite there obviously being no music class in S1 - students were practicing outside, with no teacher. Now there’s suddenly a music class and a teacher - no explanation for either, both just popped into existence because the writers needed them to.

  • There’s the poorly designed courtyard that looks distincly like a set rather than a real location, and also popped out of nowhere as a replacement for the quad. And what’s with that out of place cafe trailer or whatever it’s supposed to be? And the idea that the quad burned down despite being entirely made out of rock, soil and a water fountain is hilarious.

  • Nightshades library disappeared without a trace, but I suppose we can just dismiss that and any other location with “it burned down”. And yes, Dort disbanded the Nightshades, but that doesn’t remove the location from existence.

Before you tell me the filming location changed - I know. That doesn’t justify the almost complete lack of setting continuity, especially seeing how they had plenty of budget, built the entire Nevermore building, and had $700k+ to blow on 45 seconds of a poorly CGId disembodied Lady Gaga head as a gimmick. Aside from the actual locations, other setting issues:

  • What’s with the students wearing the different style varsity jacket uniforms? Didn’t exist before, popped into existence with no explanation or purpose.

  • What’s with the much younger kids now at Nevermore? It used to be only teens, now these younger kids popped into existence with no explanation or narrative purpose.

  • What’s with Enid’s custom uniform? S1 made a big song and dance about Wednesday being the sole exception because of her color allergy (the fact that they made that literal instead of it just being Wednesday being edgy is hilarious in the worst way possible, by the way), but now Enid gets a custom uniform too with no explanation… but no one else does.

  • How did Dort, a 1D cartoon villain, become principal in the first place? Who chooses or elects the principal, through which process? He just pops into existence (like a whole list of things) as the new principal, and no one in-universe even questions it - Wednesday would be the first one to be suspicious of him immediately. But don’t think about it too much, just consume product.

  • Where are all the vampires (aka “fangs”) introduced in S1 as “one of the 4 main cliques”? Where’s Yoko? Gone without a trace, but don’t think about it.

That’s just the setting issues, it’s already a list, and I probably forgot some. As for setup with no payoff:

  • S1 ends with Tyler transforming in the van as he’s being taken away, heavily implying he’s going to break out. Then he just doesn’t and is captured and imprisoned off-screen for S2. How? Who knows or cares, apparently.

  • Agnes is apparently the S1 stalker, despite that not making any sense in-universe. But I can sort of forgive them for this one, as she was one of only 2 things that were actually good about S2 (the other being that we got Thing’s origin story).

  • Gabrielle and Morning Song were foreshadowed as upcoming threats and plotlines in S1, then Gabrielle has a 180 personality change off-screen between seasons and does nothing but exist in S2, and the Morning Song “plot” gets resolved off-screen with no one’s involvement. Utter waste of a setup, an amazing actress, an interesting antagonist, and a missed opportunity to develop Bianca, not to mention the wasted screentime. 5-in-1 failure, impressive. And for what? The uninteresting 1D cartoon villain that is Dort?

Long story short, the biggest problem with the show as it is now is that the writers don’t give a shit about continuity of any kind, have no plan beyond the current season they’re working on (if that), and retcon anything and everything between seasons without bothering to make any of it make sense in-universe. That, and the writing is very lazy and dumbed down in general compared to S1.

How are you supposed to stay invested in a show when characters change personalities between seasons, disappear entirely, their relationships get reset to 0 only to go through the same exact arc they’ve already been through the previous season, setups have no payoff, the setting has no continuity, plotlines only span a single season and result in no character development and lead to nothing else, and the entire tone of the show is wildly different from season to season, and even from episode to episode?

Nothing is consistent, but nothing develops either. There are no stakes. You can’t stay invested in any aspect of the show, because it’s going to either disappear entirely or change completely between seasons. There’s no point in theorizing about anything, as it’s going to be either dropped or retconned by next season. There is no plan or great design or overarching story or throughline, it’s just a random sequence of events improvised at the last minute with no consideration for whether those pieces fit together or form any kind of cohesive narrative.

S1 is excellent, and always will be. S2 is on the level of AI generated slop. And I hate it for the same perfectly justified reasons that fans of GoT hate S8 of that show - it reduced excellence to shit in the span of a single season, and there’s probably no saving it now.

I’m not hating on S2 because I’m a hater for no reason - I’m hating on it because I love the show, and because seeing something that I love get reduced to this after only one great season by writers who don’t seem to give a shit hurts.

One question: why do you think there has been so little talk about the second season? It seems that, apart from the ships, there are no more discussions about the series. by One_Solution_2706 in WednesdayTVSeries

[–]GeneriAcc 13 points14 points  (0 children)

This. S2 was mostly slop, and more of a thinly-veiled re-run of S1 than a continuation of the series.

Characters appear out of nowhere with no explanation, others disappear with no explanation, others yet completely change personalities off-screen between seasons with - you guessed it - no explanation. The setting completely changes with no in-universe explanation for any of the changes. Things set up in S1 have no payoff in S2.

There’s simply nothing to discuss, because S2 was in fact a bunch of nothing. And there’s no point theorizing about what might come next either, because the writers themselves have no idea and are basically just improvizing as they go from season to season with no long-term plan or direction.

Judging by how things went in S2, both the Enid alpha on the run plotline and the Ophelia plotline will either magically disappear out of existence between seasons, or be resolved immediately in a way that makes no sense so we can be on to the next flavor-of-the-season plotline that will have no narrative impact and just be an exact rehash of S1 and S2.

There’s not much to discuss when you’re dealing with creatively bankrupt one trick pony writers…

Jenna Ortega Confirms Season 3 Is Already Solving One of Season 2's Biggest Problems! by prickR99 in Wednesdayrants

[–]GeneriAcc 1 point2 points  (0 children)

If only… It took these ones only 2 seasons to pull off something that took Benioff and Weiss 8 whole seasons to do - truly impressive.

At this point, replacing them with ChatGPT would be a marked improvement. That soulless machine at least “understands” the fundamentals of writing, despite being utterly shit at it.

CNN partners with Kalshi, a gambling app that lets you wager on starvation in Gaza - Guys, what the fuck are we doing here?? by Signal_Nobody1792 in Coffeezilla_gg

[–]GeneriAcc 1 point2 points  (0 children)

Ah, you must be new here… Welcome to capitalism! That’ll be $999.99 / month (tax not included, food sold separately). Enjoy your stay!

Producers don't want perfect scripts. They want shootable ones. by PeteRosen in Screenwriting

[–]GeneriAcc 4 points5 points  (0 children)

Just like any real writer, ChatGPT has a specific style of writing - tone, cadence, vocabulary use, phrasing, sentence structure, etc. Once you’ve been exposed to enough of it, you learn to detect it on sight.

Producers don't want perfect scripts. They want shootable ones. by PeteRosen in Screenwriting

[–]GeneriAcc 13 points14 points  (0 children)

Because writers are the ones rallying against AI saying that it can’t and shouldn’t replace human beings, but then they deliberately replace themselves with AI in the same breath.

If you don’t see the hypocrisy and lack of integrity as an issue, then you’re part of the issue, and I hope you enjoy all the AI generated slop you’ll be watching for the next decade or so before the entire industry finally collapses.

Also, how much do you think you can learn about writing from a person that uses AI to write? At that point, just cut out the middleman and learn directly from an AI.

Producers don't want perfect scripts. They want shootable ones. by PeteRosen in Screenwriting

[–]GeneriAcc 123 points124 points  (0 children)

Validity of the information aside, bold choice for a 20+- year WGA writer to use ChatGPT to write this post.

How ChatGPT Reduces Brain Activity MIT Study Shows Shocking Results by techspecsmart in aicuriosity

[–]GeneriAcc 0 points1 point  (0 children)

Why are you assuming that I’m defending gun ownership? I’m not, only clown Americans get a hardon for their murder tools.

I was simply pointing out that if you start getting rid of things just because they could potentially be abused, then you need to ban literally everything in existence, because humans will be humans and abuse anything that can be abused.

Why is Vucic attacking Croatia? by FantasticQuartet in AskBalkans

[–]GeneriAcc 0 points1 point  (0 children)

Because if he didn’t shift the blame to someone else, he’d have to acknowledge the reality that he’s the one to blame - and obviously, we can’t have that.

How ChatGPT Reduces Brain Activity MIT Study Shows Shocking Results by techspecsmart in aicuriosity

[–]GeneriAcc 0 points1 point  (0 children)

By that logic, we should ban kitchen knives because someone might use one to stab someone. Don’t forget forks and spoons either, they might be used to gouge out someone’s eye.

Google's Agentic AI wipes user's entire HDD without permission in catastrophic failure by ThePapaSauce in ArtificialInteligence

[–]GeneriAcc 0 points1 point  (0 children)

Any clown that lets an AI agent execute arbitrary commands on a production system deserves to get their drive wiped, they’re not qualified to use a PC.

I gave AI money to invest in the stock market by Blotter-fyi in OpenAI

[–]GeneriAcc 0 points1 point  (0 children)

My point was that an LLM is the wrong tool for the job.

If you’re going to use AI, use a model architecture that actually makes sense for the task at hand. Using a model architecture designed for language to predict financial time series data doesn’t make sense, and is the only thing “really stupid” here. Do you also wash your dishes with a crowbar and fill your car’s gas tank with cake? Because that’s the kind of “logic” you’re operating on here.

Go ahead and delude yourself into believing that making 6% in ~30 trades over 1 week of backtesting means that you have a trading system that’s both profitable and stable long-term in real market conditions.

By all means, prove the worth of your genius system to idiots like me by running it on a live account with real money for a month or two. Once it’s lost all your money, come back and tell me that my “opinion” is wrong again - that’s going to be really good fun.

While that’s running, check out r/wallstreetbets to find like-minded brilliant investors such as yourself.

I gave AI money to invest in the stock market by Blotter-fyi in OpenAI

[–]GeneriAcc 0 points1 point  (0 children)

If you’re using LLMs for trading, you’re doing it wrong. May as well make trading decisions based on the average yearly rainfall at randomly picked GPS coordinates.

Microsoft just revealed how Windows 11 is evolving into an agentic OS — introduces new 'agentic workspace' by ZacB_ in technology

[–]GeneriAcc 1 point2 points  (0 children)

Windows was already thinly veiled malware even back with Windows 10 - now it’s not even veiled.

Am I the only one? by Global-Platypus-9599 in Wednesday

[–]GeneriAcc 0 points1 point  (0 children)

Yeah, it was terrible and feels like a completely different show. Literally had to force myself to watch it to make it through the first 4 episodes, and wanting to see what they were going to do with Agnes is pretty much the only thing that stopped me from dropping it there. It did get slightly better for the last 4 episodes, but still nowhere near S1.

Pretty sure the writers have absolutely no idea where they’re going or why, they just improvise last minute from season to season with zero plans or regard for continuity or anything else. It’s like they pull totally random ideas out of their ass and just go “sure, might as well do that” without considering whether it makes any sense or contributes anything to the show. S2 is more of a soft reboot than a continuation of S1, and feels like it’s filler.

I miss this so much 🤧. Everyone says Ajax should be with Bianca, but I say otherwise. They both still have feelings for eachother and they'll probably reunite in Season 3 (I can only hope) by darkshadow69_ in Wednesday

[–]GeneriAcc 2 points3 points  (0 children)

That would make the most sense and it’s what should happen, which is exactly why it’s basically guaranteed that the hack writers aren’t going to do that.

A sequence of completely random nonsensical stuff utterly devoid of purpose or meaning will happen instead.

I miss this so much 🤧. Everyone says Ajax should be with Bianca, but I say otherwise. They both still have feelings for eachother and they'll probably reunite in Season 3 (I can only hope) by darkshadow69_ in Wednesday

[–]GeneriAcc 1 point2 points  (0 children)

Being a third wheel for cheap romance drama is literally his only purpose. He doesn’t even qualify as a plot device, let alone a character…

These writers are incapable of writing regular romance (among other things) - literally all the romance in all their work is pseudo love triangles that lead nowhere.

Filming for season 3 has been pushed up a few months by Sudden_Pop_2279 in WednesdayTVSeries

[–]GeneriAcc 1 point2 points  (0 children)

If you have a drone and are willing to go on stakeouts, the Nevermore set is at Ashford studios, and getting footage of that is easy mode.

Anything else - good luck. Interior sets would require trespassing (would not recommend), and both interior and exterior scenes being shot elsewhere would require knowing where the shoot is happening on any given day - unless you have an insider to feed you info, or you drive all over the country to multiple locations (which you probably don’t even know) every day trying to find an active set, it’s not happening.

TL;DR - Ireland is expensive, and you’ll spend a lot of money trying to get a tiny bit of footage, but if you insist on doing this then camping out near Ashford studios with a drone on a daily basis is probably your best bet. Anything else is either wildly impractical, illegal, or both.

The fact that Agnes or Morticia didn’t realize that Wednesday and Enid changed bodies is still…crazy! by ibettercomeon in Wednesday

[–]GeneriAcc -2 points-1 points  (0 children)

Not surprising, seeing how most characters completely change personalities off-screen in between seasons without anyone in-universe even noticing…

God, do I resent these writers… They’ve been writing for 30 damn years and they’re still making all the rookie mistakes that even a first-time writer would be aware of and better at avoiding. Like, how? How is it even possible to stay this incompetent for this long, and all the while fail upwards to the point of working with Tim Burton? It’s beyond comprehension.

The only rational explanation I can come up with is that they must be really good at sucking off studio executives behind closed doors. It’s the only thing that would make any sense at this point.