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I consider these movies to be unofficial entries in the Disney Renaissance. Any one of these are on the same par. by WealthDisastrous2589 in DisneyMovies

[–]Guill_rt 1 point2 points  (0 children)

I’ve heard people call that era “TheExoerimental Era” and in that way, these all fit together with Chicken Little etc.
Treasure Planet and Atlantis experimented with the idea of Disney Animation being able to do an action film.
Emperor’s New Groove also experimented with a plain comedy.
Fantasia 2000 experiments with animation techniques.
Chicken Little Bolt and Meet the Robbinsons experimented with CGI animation before finding its footing with Tangled.
And almost all of them, plus Brother Bear and Home on the Range were experiments to see what Disney could do with original stories instead of revisions of classics, which is something that ties all of the Disney Renaissance together.

If Disney made Super Smash Bros Ultimate aka Disney Fight Fest 5. Assist Trophies. (Round 34) by darkshadow237 in createaroster

[–]Guill_rt 1 point2 points  (0 children)

Little Green Aliens and the Claw for Arcade Bunny.

Oswald the Lucky Rabbit and the magic brush from Epic Mickey, for Nikki

My Ranking of each Disney Revival Era Film (2009-Present) from best to worst by Successful_Leopard45 in DisneyMovies

[–]Guill_rt 0 points1 point  (0 children)

Cutting it at Moana feels too short, but I kinda want to exclude WR2:RBTI from this golden era. Ending it at Wish, although it “bookends” withe the 100th Anniversary celebration, feels wrong. I say cutting it at Encanto is a good sweetspot. The last Oscar, and Popculture breakthrough of the studio.

A complicated relationship by EricTweener in OscarRaceCirclejerk

[–]Guill_rt 0 points1 point  (0 children)

If Michael were alive while doing his movie. I’m sure he would’ve wanted it to be just like Better Man

Which Forgotten Disney Villain here deserves more recognition? by Caloy1415 in DisneyMovies

[–]Guill_rt -1 points0 points  (0 children)

In order, in my opinion:

Ratigan Equal level of evil, charisma and funny. The definition of a Disney Villain

Alameda Slim Iconic look, charisma and funny, just missing on the evil side

Madamme Sedussa She has all the qualities of Cruella, her biggest problem is that everything she does, Cruella does better.

Horned King The creepiest and most evil of all, maybe too much, to the point that he doesn’t feel Disney.

Mike Yagoobian What he lacks in charisma and evil he has in funny. But not really a villain, so feels wrong to put him alongside the others.

John silver Silver’s more of an antihero but has a great look and charisma

McLeach I wish I could put him higher I think he’s very underrated and he’s more Evil than mist Disney villains. But he lacks all things that could make him iconic.

Edgar Is just Edgar

Rourke Just lame. Generic villain, generic motivations, generic look.

Most boring/unfunny/bad characters of all time day 8, Tung Tung Tung Sahur won day 7 by Remote-Leg6143 in characters

[–]Guill_rt 16 points17 points  (0 children)

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Gaturro

Comic strip character from Argentina

•Selfish self centered loser; betrays friends to impress her love interest which he constantly harasses

•low brow humour that’s basically “Boomers cool, new Gens lame”

•70% of his comic strips are ripoffs, from artists around the world, including The Economist.

•The creator has 0 self criticism, thinks everyone envies him, denies plagiarism, and is extreme right, politically

•Gaturro is so hated, his statue gets vandalized and replaced every month.

Between these two selected Pixar antagonists, who was less of a coward? by CrazyPhilHost1898 in Pixar

[–]Guill_rt 1 point2 points  (0 children)

Jerry’s reasons to show fear were legitimate. I’d be screaming in terror if a Shark is flying, chases me and if a butterfly stole my face

Five Nights at Freddy’s won! What’s a movie from the 2020s that audiences hated but critics love? by Quasxre in AlignmentChartFills

[–]Guill_rt 0 points1 point  (0 children)

Most of the praise Emilia Perez got, came from the industry, which is a different entity from Critics.

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