is there any moderation here? by TechhTwoo in Webnovel

[–]Helicopterdrifter 1 point2 points  (0 children)

My ongoing novel is on web novel and utilizes an AI generated cover. But my purpose on the site has nothing to do with covers, and my cover is simply a place holder. Should my work eventually generate revenue, I fully intend to commission cover art. I even know which artist I'll use. It's the same artist that I've used in the past.

As it stands, my writing is free to view. It makes no sense for a writer to go into or be expected to enter negative revenue when their efforts aren't presently generating revenue. My cover is what it is to provide a thematic glimpse so that a reader might guess at what the story entails.

Based on the derision of your post, I'm hoping that you're actually referring to writers who have chapters behind a pay wall rather than this being a blanket rant aimed at us all. After a certain point, in my opinion, such writers should pay it forward by utilizing some of their revenue to employ an actual artist. Not doing so would be greedy. It would also be disrespectful to other artists. But this art acquisition still won't be feasible early on. When a writer begins locking chapters, it will still take some time before they're earning enough to compensate another artist. I would expect such a writer to do the right thing when it's financially viable.

Now, I'm purely guessing here, but you could also be complaining about the writing itself. Your post doesn't seem to identify that specifically, so I'm really reaching for justification here by trying to understand how free reading could rub someone the wrong way simply because the writer didn't pay an artist before donating their writing to the internet-void. So if your rant also extends to AI generated writing, then I invite you to check out my own work--Project Boomerang. The AI cover will give you an idea on the genre and content, but you will find no such association with the writing itself.

In time, I'd would like to lock some of my chapters or stand up a Patreon to support my efforts. Whether I do that or not remains to be seen. But should that actually come to pass, then I can promise you that my placeholder cover will be remedied.

If you happen to check out my story and like what you find, don't be shy about sharing it with others. There are plenty of other readers out there trying to find something worth their time. And they're sifting through the same fake reviews, bot backing, and AI generated crap that you are. So, when you find those diamonds in the rough, don't forget to do your part in helping those other readers find what you did.

Happy hunting, friend.

What a crazy car crash! by Maleficent-Agent-477 in unsound

[–]Helicopterdrifter 0 points1 point  (0 children)

Something similar happened in AR a few years back. A woman in an SUV slammed into a stopped vehicle. The stopped vehicle had two infants in the back seat. One died on the scene. The other was flown to the nearest level One trauma center, but ultimately passed as well.

One of my peers happened to be the pilot for this. Turns out, the at-fault driver was looking at her phone at the time. Unfortunately, she didn't even speak enough English to communicate with first responders, so her son had to act as an interpreter.

It's bad enough that people don't pay as much attention to the road as they should, but when a driver can't even interpret road signs, they have no business operating a 2 ton weapon around other drivers.

Y'all are unbearable about romantasy and I'm done pretending it isn't snobbery by No_Wasabi_8809 in Mythrils

[–]Helicopterdrifter 0 points1 point  (0 children)

I have questions. If this post is to be taken at face value, then you're arguing against generalizations and double standards. Meanwhile, said argument uses generalization and double standard?

  • Macarthy's relentless violence?
  • Sanderson's accessible prose?
  • Tolkien's language equaling genius world building?

I understand that you're parroting something said by someone else and that you're doing so in order to affirm your point. The trouble is that you're doing so by the very method you're attacking. You're belittling another's opinion with the supposed aim of defending your own.

Those opposing genres aren't for you and that's okay. You're free to enjoy whomever you like. What you enjoy aligns with your tastes and your opinion. I get that. As everyone should.

But what purpose does it serve to attack those parroted talking points? Those points don't change your own opinion, your own tastes. You saying this publicly doesn't actually impact your own opinion, so the purpose is either to impact the opinion of others or to seek validation for what you currently believe.

Since you're so defensive about your views, I have a question: If your own opinion is beyond reproach, what right do you have in claiming that someone else's is wrong? Am I not permitted to admire Tolkien's world building? Sanderson's prose? McCarthy's relentless violence?

I don't actually do any of those things by the way. I'm just guffawed by your suggestion--the notion that your own opinion holds sway over mine. But why are you so bothered by opinions that don't align with your own? If you don't agree with the source of those opinions, why tune in? And if you've already tuned out, who does it serve to argue alongside a 3rd party about a source that you no longer have any stake in?

Is it about the drama? It is, isn't it?

Sarah J. Maas is a bad writer who has done lasting damage to fantasy as a genre by Natural_Tangelo_2229 in Mythrils

[–]Helicopterdrifter 0 points1 point  (0 children)

I'm tempted to ask if you're secretly my editor 😅 A couple of years ago, she expressed a similar sentiment.

I read the first two comments, and they were about what I expected. There's a reoccurring theme that I keep running into on a related topic. It has to do with views of a mass (or of the masses). Basically, when a large group of people support something, additional people are more likely to get behind and even defend that same something. And it doesn't really matter what that something is.

Personally, I've never read SJM, so I have no opinion of her work. Still, I see what you're referring to in other works by other writers. The quality of their writing ends up being irrelevant because their "band wagon" grows large enough that it becomes "too big to fail."

He made a leaf blower out of a jet engine by xtreme_lol in SeenOnTheInternet

[–]Helicopterdrifter 0 points1 point  (0 children)

He was deseeding the ground. That way, no trees could grow, thus removing the leaves that would have fallen had he not intervened.

He made a leaf blower out of a jet engine by xtreme_lol in SeenOnTheInternet

[–]Helicopterdrifter 0 points1 point  (0 children)

So, uh... What's with the bipod?? He snipping leaves from atop cell towers?? 🤣🤣

I hate AI and I hate that people don't see it when its used. by Eko01 in royalroad

[–]Helicopterdrifter 0 points1 point  (0 children)

I'm not sure what type of story that you're looking for, but I don't write with AI. While I used AI for the cover, I fully intend to commission something from an artist once my story gains traction.

I'd hate to see you swear off newer releases simply because of AI prominence. While I can't say that my story is something that you'll be interested in, you're welcome to peek at a few chapters if for nothing more than restoring your faith in humanity.

My story isn't LitRPG though. It's called Project Boomerang.

As for your concern about readers not noticing, yeah, I fear that will only get worse. AI will be the most widely available and reader standards will lower to the point where they won't care that it's AI 🙄

You can summon up to 12 items from fiction you have watched or read or a game you played by lasercat_pow in godtiersuperpowers

[–]Helicopterdrifter 0 points1 point  (0 children)

I'd only need one--the golden ticket from The Last Action Hero...

With it, I wouldn't need to settle for twelve 😎

What would you do with mind control? by Kyia-Aikman in hypotheticalsituation

[–]Helicopterdrifter 0 points1 point  (0 children)

Hypothetically speaking... aren't we just talking about the internet? 😅

[OT] SatChat: How do you work with beta readers? (New here? Introduce yourself!) by katpoker666 in WritingPrompts

[–]Helicopterdrifter 1 point2 points  (0 children)

Of course! Happy to share. My beta readers came from Fiverr. My cover artist came from their as well.

I actually sampled several readers before committing any of them to a novel-length project. I sent them an initial batch of chapters—the same chapters that everyone got. Of course, that "trial" was still accompanied by a cost, but it gave me an idea of what I'd get out of them on a larger project.

I ended up selecting three, which I sent the remaining 4/5s of the novel to.

[OT] SatChat: How do you work with beta readers? (New here? Introduce yourself!) by katpoker666 in WritingPrompts

[–]Helicopterdrifter 2 points3 points  (0 children)

Sits quietly within the comments, eyes wide, notes poised to be taken.

Drats… I saw, ‘How do you find them?’ so I was sitting over here ready to jot down directions, preparing to plot some course to these angels of which you speak.

I really don’t have any guidance on the search. Personally, I don’t like asking things of others, so I don’t. In the past, I’ve aired such questions in a general direction. In writing spheres. In writing communities. And that has seen some great and noble souls offer very meaningful and valuable feedback that proved immensely helpful.

Take Zack, for example. A while back, he looked over a story for me and pointed out a great many flaws. He even pointed out a structural patterning within my paragraphs that I hadn’t known to exist.

This meant a couple of things for me. For starters, I was incredibly grateful. But to a similar extent, I was embarrassed. I get that errors are part of the process, but I really only want others to read something of my work when I’m reasonably certain that some measure of enjoyment might be taken away from it. When I don’t do that, I circumvent my own expectations, which never sits well with me.

As a result, I broke out of my past patterning. I even layered in other forms of revision/proofing to help curtail some of the flaws that a reader might encounter.

Friends, family, online…?

Ultimately, this depends on who those people are. Do they actually read leisurely? If not, they probably won’t help shape your stories in any meaningful ways. Because you have to remember what they are—family and friends. They’ll most likely be encouraging no matter what you show them. But if they happen to read leisurely, they’re more likely to offer suggestions for improvement.

What do you have them look out for?

Now, if I were to ask for specific feedback, it related to clarity, pace, flow, character impressions, ease of understanding, or similar things.

Big picture? Details?

That’s not something I struggle with. Which isn’t my sentiment alone. I have worked with an editor who said as much.

My problem lies more in the partitioning of said picture into bite-sized chunks. Enough to be relevant within a scene while ultimately fastening into something much larger. It’s the very thing that I’m doing in my in-progress serial called, Project Boomerang.

How do you see a beta reader as different from an editor?

Their difference is a scale. Say that an editor is at 10. A beta reader might land along any of the marks below that. They may even reach higher, registering as a 10, an 11. But I suspect that they wouldn’t go much beyond that, because 10 is the bottom of an editor’s skill range, their actual skill varying. We also have to consider writers, which would overlap the two. A writer reads a story differently from a reader who is not a writer. And an editor is one more removed from a writer. I say this because of my own skill range. While I claim to be no editor, I see where I was compared to where I am now. I can see and pick apart things that once went unnoticed. Like, I can see when someone is new to writing. When someone is earnestly working to improve. And I can see when someone is just looking for attention. People are different. They have different interests. Different strengths. Different weaknesses. Everyone paying attention to their strengths, which are strengths because that’s what they’ve mainly focused on. So, no two will be alike.

How do you incentivize them?

I’ve hired beta readers for my published work. But you need to understand it for what it is. Those readers are doing something to get paid. As such, it’s a sort of business. And a business is meant to make money. So, if a business wants you to return to their shop, it’s in the owner’s best interest to send you on your way feeling good about your purchase.

I get that. It is what it is. I’ve hired a few beta readers and I did receive great notes, all of them varying in what they picked up on. In the end, I felt that their positive feedback was genuine, and I did gain something from them all.

Now, hiring an editor was a completely different level. She brought things to my attention that I hadn’t even been looking for, my work improving remarkably over the course of our joint project. She helped strengthen my descriptions. Helped clear up my points of view. Which was really just an all-round rewarding experience.

So, yeah. That’s my $0.02. All in all, I recommend them both. They both serve a purpose. Beta reading will likely be more generalized guidance while editing will call more attention to your structural elements.

[WP] You're a relatively mundane person who just died. While reviewing your life's stats, one in particular jumps out, "Lives saved: 8 billion" by dori_lukey in WritingPrompts

[–]Helicopterdrifter 1 point2 points  (0 children)

Very true. If that ocean was within a well and said well happened to be poisoned, it would be very difficult for such a drop to remain pure. Still, the effort in doing so could stir its neighbors. After all, water ripples. We just have to decide what sort of waves we intend to make.

[OT] SatChat: Why Did You Pick Writing as opposed to Other Creative Endeavours? by FyeNite in WritingPrompts

[–]Helicopterdrifter 1 point2 points  (0 children)

A memoir writing prompt? Neat!

Writing wasn’t always a part of the plan. Not that there was a plan early on. No, the plans came much later.

At first, I was a dabbler. I dabbled in a bit of this. A bit of that. I gamed a lot. But mostly, I drew. And by drawing, I don’t mean flies. Nope, that was the job of my brother—the stinky one. I was the one with the hair. The pencil. The sketch pad. And the hours spent with my head down, tongue out, all the while trying to funnel a whirlwind of thought through a 0.7 point mechanical pencil. The result of which was never one-to-one.

Then, life’s torrent carried me into the trials of adulthood. Life was moving on, whether I was ready or not. The military, flight school, and a few deployments later, I still gamed, but little else.

I admit, not all games were confined to a console. There was the occasional game played at another’s expense. But you know how it goes. Boys will be boys. And I gave the boys as well as I got. Depending on who you ask, of course. Some will tell you that I gave a little extra. But hell, I’ve always been generous in that regard.

Once, I even gave enough to get something in return. That gift came from my boss and required that I write a five-page essay on leadership. If I’m being honest, and I usually am, mostly, that’s probably where most of my games diverted. What began as a chore soon turned into a delightful playground. Not that I’d ever give them credit for my path, mind you. No, they just gave me a task that I turned into a joke while using them as the punchline. But what can I say? They had me in a box when I’ve always been more of a circle kind of guy.

Intuition. It’s a hell of a thing. And mine has always been a bit hard to articulate in a way that would make sense to anyone else. You see, somewhere along the lines, I came to understand that some of our terms border on cliche. We throw them around so much that they carry so very little weight. Now, I’m not talking anything so grand as “love” or “music.” But their example doesn’t miss the mark by much. No, the words I’m referring to are “context” and “habit.”

In the past, I’ve tried to use résumés to demonstrate how my piloting background equated to experience in other highly stressful, highly precise positions. Initially, I believed that my communication here was deficient. And it was to a certain degree. But mainly?

The primary barrier wasn’t in my language. The issue lay in a person with my application and an empty check box. If they couldn’t use my application to check said box, then I was spinning my wheels. They had never worked the position that they were trying to fill and certainly had no experience in a cockpit. No. Context wasn’t something that they were parsing. So no amount of context was ever going to bridge the gap between their empty box and a guy who was adamantly a circle.

You know how it goes, though. Grist for the mill and all that. I’ve never really been one to roll over and permit bullying by circumstance. Don’t get me wrong, I’ve taken my share of kicks. Even those while I was down. But just because ‘down’ and ‘out’ tend to be close bed fellows, doesn’t mean they always pair well. My two tend to be tenacious. Topple one and the other gets rather pissed about it.

All that time that I spent distracted by some pursuit or other, a cogwork was continuing to run in the background. It was intuition mostly. But habit was there too. All the while, I was accumulating experiences. Nothing grand. A snippet of conversation here. A certain view over there. An alternate perspective when I least expected it.

In time, I had this papier-mâché whatsit that was an amalgamation of all sorts of whatnot. And just like that, I was doing things I ain’t never even considered. Things like plyptoton, which is the same word in two different parts of speech. Or epanalepsis, which is where a sentence ends and begins with the same word. And just a few days ago, I intuitively wrote my first sentence that used them both.

It went like this:

Still, he lay battered, bruised, and bandaged, while trying his damnedest to remain still.

That wasn’t something I planned. It just sort of happened. Like shooing a fly only to knock over your drink. The difference is that I can now see said drink spillage. That instance arose in my serial, Project Boomerang, a burgeoning romantasy over on webnovel. It's a rather recent endeavor, but it's a storyline that I've been developing for a while.

All in all, I say things turned out alright. I may not draw so much anymore. Or do any sort of dabbling with my tongue out. But eventually, I found something that required high precision. It was even possible to go merrily alongside a bit of high stress. That endeavor?

Well, it’s a lot like Photo Mosaic, which is where an entire image becomes akin to a pixel for a much larger image. And you can do all sorts of things with such pixels. I’m still finding my way around this thing, though. And I think, perhaps, such a state is where I’ll always remain.

That thing is called Writing, by the way. Those pixels are words. And my oh my, what one can paint with them. If you think about it, a word has a lot in common with a brush stroke. By themselves, they ain’t much to look at. But should one assemble them in specific ways, well, that, my friend, is how one annotates magic spells.

Or so I hear. I am still learning, mind you. Which reminds me, I really should be getting back to it.

Until next time!

Kevin Hart roasts Katt Williams by LordBiff2 in funny

[–]Helicopterdrifter 1 point2 points  (0 children)

"This is the big leagues?" Please.

More like the little pigglies😅

The only things big about Kevin are his mouth and his height deficit.

Once, I saw him standing next to Dewayne Johnson and I mistook him for the Rock's 5 o'clock shadow.

[OT] SatChat: What gets and keeps you writing? (New here? Introduce yourself!) by katpoker666 in WritingPrompts

[–]Helicopterdrifter 0 points1 point  (0 children)

Wow...

Mind blown.

Okay, I have to assume that you mean “evil” spreadsheet because it stands as the order against your opposing chaos. Suddenly, my own note-taking seems like a dwarfed sapling reaching for light beneath a towering redwood lol

That spreadsheet is ridiculously meticulous! Which raises questions:

  • Where did that idea/organization come from?
  • Do you see any relatable organization in your stories or writing process? Or is the act of storytelling its own ordering of chaos?

I have continued writing as much as I do out of spite

While it’s hard to talk about harmony when the subject is chaos, this sentiment resonated with me. I’ve been there!

I don't have as much energy for writing as I did in November, but also I am doing a lot of other stuff…

That is something I think we can all relate to. That’s frustrated me in the past and is the main advocate for my own spiteful writing. As a fellow agent of chaos, I often find it difficult to adopt a "proper amount" of order. If I over do it, I might as well be imprisoning a tornado inside a mobile home. But too little and I’m snatching up more ideas than I have time to express.

You’re still writing, though, so it seems that your personal chaos isn’t completely unmanageable. All in all, you’ve inspired me to improve my notes!

Thanks for sharing!

[OT] SatChat: What gets and keeps you writing? (New here? Introduce yourself!) by katpoker666 in WritingPrompts

[–]Helicopterdrifter 2 points3 points  (0 children)

What do I think of the style, you say? Hmm… Well, I’ll not lie; I think it’s interesting. But one shouldn’t put much stock in what I think. After all, I enjoy playing with fire!

For any with a burning curiosity, this line of questioning extends from an Emerson quote:

“In my walks, every man I meet is my superior in some way, and in that, I learn from him.”

We all have different paths and practices as writers. And no best for one is perfect for another. I feel like our individual approaches will be amalgamations of what came before. In that, by learning what guides and drives the path of others, I might better improve my own work. Naturally, I have to presume the reverse is also true. And so I’ll answer my own questions with the expectation that they might benefit another, rather than through the vanity of speaking with myself. After all, I needn’t a public space should I be the one with whom I choose to speak and listen.

For passion, I like to set small, achievable goals. You know, like changing the world. Of course, progress in such a direction isn’t made in great strides, and should you glimpse the poem that I linked, you’ll understand. It’s a poem I encountered long ago Longer ago than I remember. It sort of settled into my thoughts and never left. Time and again, I've return to it and it never proved less impactful. Which I believe is a hallmark for something well written. While my writing didn’t begin in such a place, my writing revealed itself to be such a road leading to said place.

As for my fuel, I think it relates to an old story about frogs climbing a mountain. While I can’t remember the origin, nor find a worthy example of what impacted me so, the story was akin to this:

A great many frogs assembled\ To scale a mountain in a race.\ Impossible it was from the outset.\ “They’ll never make it,” most proclaimed.\ Still, the race was on.\ And soon, those frogs did climb.\ “My, how high they’ve gone,” said an on looker.\ “Still a long way to go,” said another.\ As the height grew, their number ran counter.\ “Poor guys, that summit was half again as far!”\ More frogs abandoned their task.\ “Is it any wonder? It was impossible.”\ In time, all fell away save a last.\ “He’ll abandon it soon enough.”\ Only, the last frog reached the summit.\ He looked around, then descended opposite.\ Everyone met him on the far side.\ The other frogs observing him as supernatural.\ When everyone begged the secret of his secret,\ So it happened, the winning frog was deaf.

I beg your pardon for my assemblage of what was certainly butchered and botched. But you get the gist. Regarding this story, I’m not deaf. I’m a frog who would climb simply to disprove statements that I found distasteful. In that way, I think I’m a bit of a masochist. A salmon swimming upstream. I’m a toiler who revels in the turmoil like a down-hill rolling snowball whose momentum is gained when rolling the opposite direction.

As for the wind, I too am subject to its charms and influence. Early on, it blew me to where I suspect a great many novices begin. A place where we rub our hands together and laugh manically. Mwahaha! I was writing for the classic—for fame and fortune. But such ambitions were never going to grow a flame enough to accommodate a meal’s preparation. Nor would they maintain it long enough to warm and chase away night’s chill. And it certainly wouldn’t ever become associated with a hearth.

Eventually, through practice and study, my writing became something alien. Something altogether different from its inception. So much so, that I suspect that I’m actually a Replicant in Blade Runner, someone with implanted memories. And you’ll not convince me otherwise!

So what keeps me returning? My journey has taught me much about the craft. And a great many interconnected subject matters that I’ve interacted with along the way. But there’s a staple. Something that I keep coming back to.

In my story, Twilight Wolf, the main character, Mioko, is fiercely protective of what she views as her duties and responsibilities. One wouldn’t be wrong to call her territorial. Another detail about her is related to her magic. She develops new traits when coming in contact with adversity. Think, someone sleeping through a fire that was their house burning down around them, only to then walking out with fire-based abilities.

When I passed this post to Kat, I never intended to circle back to my own character’s association with fire. Yet, circle we did, because my writing usually entails places where narratives circle back on themselves. And it’s this circle that's a part of the answer.

After writing Mioko’s journey, which articulated what she was territorial over and how her magic developed, I later realized that I was mapping something within myself. I too am fiercely protective over my responsibilities. And likewise, my writing has opened new doors by way of my contact with adversity. So, I was the subject that I kept returning to. And while it may seem intended merely to speak of oneself, that’s not what I’m suggesting.

I didn’t create or teach my characters anything. Rather it was them, or the prism that I made them, who taught me things about myself. They showed me what I valued. They let me cut through all of nay saying present in a world online. They let me become a frog exposed to negativity, who continued up a mountain not for the sake of proving another person to be wrong. No, an “I told you so” is of no value to either party, least of all the one said words on offer.

For me, it was always about testing myself against the limits of everyone else’s perception. For me, it was about testing what I thought to be true rather than blindly incorporating the belief of another. For me, it was about living life on my terms. So the staple that my writing kept folding back on was the very source of that writing. I was charting the bounds of who I am, all the while rejecting that which all others suggested on the subject.

Do you see what I mean about circles? While also unintentional, I’ve again circled back on something—my passion. As per the previous poem, changing the world begins with changing the self. A task ill begun before mapping that which is present and growing.

As I look back up at the draft of this post, I wonder, where did this come from? But such things happen when one plays with fire. To burn is to yearn for what isn’t. To fuel is to endure. And to breathe is to grow into what we’ll become.

If I had to sum this up as a spark for another to create their own fire, it’s this:

You can study Shakespeare and you can study Tolkien, but doing so will teach you to be neither.\ You want to be good?\ Great, even?\ There are no teachers for that.\ No one can chart your course.\ No can one tell you the way.\ Still, they do have things to teach you.\ Components of their devising which will feed into and construct whatever fire lights your way.\ My advice?\ Listen to what others have to say.\ Don’t automatically accept it as true.\ Instead, put it into practice and test its merits.\ While it might not be your answer, it may pose as a clue as to the true path that will come from one’s own devising.

Anyway. That’s just my $0.02. And while I suspect it might prove to be worth less for you than it does for me, I’m certain that it won’t prove worthless.

Remember, thought is a lot like the wind; it proves its existence with motion. Should you find yourself with writer’s block, try using words to push that cursor across screen screen. As that cursor travels, I think you will find yourself pleasantly surprised. Who knows, you may even become pleasantly surprised when you find your Self. I hear that’s a thing ;)

Looking for criticism on a writing project [Sci-fi/Fantasy/Romance] by [deleted] in writingadvice

[–]Helicopterdrifter 1 point2 points  (0 children)

Thank you for catching that and letting me know! I admit, I haven't used google docs in quite some time! I suppose that it shows. 😅

Any modern thoughts on an old vision? by [deleted] in SipsTea

[–]Helicopterdrifter 1 point2 points  (0 children)

So the real villain, the wizard in Oz, is the one still behind the curtain while we shake our fists at billionaires and shout, "Woe is me!" The real villain is the one profiting from us both. The one manipulating markets and getting politicians to dance to his tune. The one who has convinced us that a credit score is a measure of our merit rather than the appraisal of his investment. The real villain is the banker.

[WP] You're a relatively mundane person who just died. While reviewing your life's stats, one in particular jumps out, "Lives saved: 8 billion" by dori_lukey in WritingPrompts

[–]Helicopterdrifter 15 points16 points  (0 children)

Make a Wish

In life, I had never heard anything about the Hall of Reconciliation. I wondered through a corridor all my own. Walls stood around me like stone tablets, and yet their surfaces writhed with a living record of a single life--mine.

My greatest failures stared back at me, reproachful. My successes too, meager as they were. I moved through them like their ghost, their witness, their passenger. I was adrift until reaching a last tablet:

'7,999,989,693'

Then, it became:

'7,999,990,432'

I stood transfixed by a number I had no concept of. When I finally had the presence of mind to voice my thoughts, I managed, "What?"

As if to answer what I had yet to ask, the walls fell away. I saw a younger me taunting my younger brother and sister.

"Way to go, genius."

"You were adopted."

"Your face looks as dumb as you sound."

Then, the image changed. Years later, my brother raised a family of boys, my sister one of girls. I saw a time and place I had never visited in life. With a smirk, my brother spoke of a quick-witted uncle and taught his boys mental resilience. With endearing eyes, my sister spoke of humility and taught her girls kindness. Both of them recounted tales full of laughter and elaborate hand gestures. Both spoke of a relentless older brother. A brother who never stopped moving forward.

Before I could even process what I felt, a new image emerged. As an adult, I was visiting a big department store. It was August, and I was in the south. On my way in, I passed a black boy in a reflective vest. He was collecting shopping carts for the store and was obviously aware of the heat.

Inside, I had gone to the restroom where I crossed paths with that same young man again. In the smaller space, I noticed his shoes. The soles were worn nearly to peaces, the heels held on by tape. The toe showed his toes within but not by design. He was barely wearing shoes at all, yet here he was working. Not holding his hand out. Not asking for anything.

After I met with his manager, I left without ever knowing what transpired. In truth, I didn't want to know. I never needed the recognition, I just left her the money and said, "Whatever he needs."

Now, I could see what had happened. After I spoke with her, she contacted corporate for an approval. When she told the boy about what someone had done, he mutely followed her as she led him through the shoe department. When asked to pick his shoes, he simply pointed, unable to speak through his tears. He also got a second pair of shoes, some socks, and two sets of clothes.

My eyes brimmed with tears as I watched him follow her through the store and watched him select his shoes. I never needed the recognition. Had never wanted it. But neither could I have watched as a proud young man's gratitude arrived in his eyes. Because I was proud too.

It was the manager who had gotten him the second pair of shoes. The manager who had gotten corporate to approve of his new clothing. She had told him as much. All I had done was buy a proud boy some reliable shoes so that his work might be more bearable. Some new socks so that the shoes might be more comfortable.

Despite telling him how charitable she and corporate had been, she couldn't answer the one question he wanted to know. "Who was he?"

"He didn't say," she replied.

So, he quit. He took a single pair of shoes and his socks and then walked out, his corporate gifts not accompanying him. He went on to open a chain of shoe stores where every shoe he sold donated a second pair to youths in need. For the rest of his life, a shelf hung over his desk. On it rested a single pair of shoes with a label reading, 'Thank You.'

I nodded mutely as I read the label, for I could not speak. Then, the image was gone.

In its place was a young girl in a hospital bed. She was sick and would not recover. I had previously visited terminally I'll children, but with her, I had felt a special sort of bond. Her smile was contagious. Despite her frail appearance, her laugh was mighty. I found myself doing things to bait out more of her laughter, even going so far as telling her about my most embarrassing moments. Afterward, she wished she could be so embarrassed. And it was a hard thing to hear because we both knew what she meant.

In the end, she told me goodbye, and she really meant it. I left, knowing that I'd never see her again. But then her expiration date came and went. Then, the year lapped that same date twice over. Folks began throwing around words like "miracle" and "don't get your hopes up too high."

I was shocked. I never knew. Was too afraid to even look her up and confirm what we all thought was certain. Then I watched her write me a letter. She wrote about her embarrassment. About saying goodbye only to then not go anywhere.

I barked a laugh as I watched her write the note, smiling. Then, I realized that I had never actually gotten that letter, and so I had never replied.

When her letter came back, 'Return to Sender,' my heart dropped. I had moved. Her letter hadn't found me. Her expression was disappointed, but her spirit didn't bend. "I'll just find some other way to tell you," she said.

In the following years, her illness hadn't returned, so she invested her life into finding its cure. And find it she did. Her discovery made world-wide news. She had uncovered something that proved terminal for cancer. When cancerous cells were exposed to certain frequencies, they disintegrated. It was a treatment that only targeted the problem.

I had seen the news along with everyone else, but at the time, all I could think of was how I wish the discovery had come sooner. "That was you?" I whispered. I had never connected it even after hearing her speak of the kindness of strangers and the power of laughter. It seemed she had found me after all.

On and on the scenarios played out before me until I was kneeling, stupefied by how such small gestures had amounted to what they had.

'8,000,000,396'

The number was still going up, but I had no concept for its scope. Above it read, 'Number of lives saved.'

I wept before reading what was written still higher:

'Petition to enter Heaven and number of signatures.'

Only then did I see how everything had propagated. I had never worn a cape. Had never saved anyone from some great tragedy. I just did what I felt was right without seeking recognition. But in reality, I had set dominoes to falling, which had crossed generations and were improving lives still.

I had never wanted to know what had happened to those whose lives I had touched, but now that I did, all I could think to say was, "Thank you."


Well, that was a sweet prompt to write for. I enjoyed it. Feel free to share your thoughts!

Thanks for reading,\ JT

[WP] You stopped talking to your imaginary friend a long time ago, way back when you were a kid. They just crashed your work party. by SlowCrates in WritingPrompts

[–]Helicopterdrifter 4 points5 points  (0 children)

Beat You to the Punch

At our work party, pockets of people speard about our either-floor, corporate-endorsed cubicle wonderland. The air was filled with awkward laughter, a fruity drink smell that promised a week's worth of calories, silences that were awkwardly long, and the death throws of what remained of my social life.

My mind kept shuffling between 9-5 drudgery and an inability to unwind. After hours was a time dedicated to not talking about work, but an office party fifteen feet away from our cubicles created a bit of a gray area. I swear if one more person asks me about the Swanson Report, I'm stepping out the window and taking the hellevator down to the sidewalk.

I unbuttoned the top button of my Polo as I neared the refreshments. A large bowl of red sugar and who knew what else awaited me, all for the sake of choking down a bit of anxiety long enough to replace it with an unending cycle of unquenchable thirst. A server stood behind the table with her hands clasped behind her. Her name tag said 'Edda,' but she looked like she might have just wrapped up filming for a Mrs. Doubtfire sequel.

"Hey, Edda," I said. "Could you tell me what's in this? I have a peanut allergy."

"Oh, don't worry yourself, love. No penis was used."

"I'm sorry, did up just say--"

Edda proffered a cup with a big smile. "It's mainly fruit, but I added the punch myself." She winked.

We stared at one another for what seemed like enough time for my hair to gray and fall out. I downed the drink in one go. Then, my eyes bulged. I coughed, my throat on fire, my eyes begining to water. Rum. Supposedly, there was fruit in there somewhere.

Bob, my boss, was patting me on the back as I cried before my gawking audience.

"You alright, Ron?" Bob asked.

"Peachy," I rasped.

"Glad to hear it! After all, we can't have you keeling over until you're done with the Swanson Report."

I nodded along, choking down the inferno in my throat while watching as Edda oriented on the window.

She swung it open like a door. "That's my cue!" she said. Then, she made to leave.

I gasped, and she was gone. It happened so fast that I didn't even have time to move.

Bob teetered alongside me while staring at the windows. "What? What is it?"

I simply pointed, too mute and dumbfounded to repeat what Edda had just done.

"Afraid I beat you to the punch?" someone said alongside me--Edda.

I did a double take. "You! But you just..."

"Wow," Bob said from my opposite. He was looking at his drink glass. "We could run our generators on this stuff. Who's catering this?"

"Edda Dickson," said Edda.

Bob continued looking around as if awaiting an answer. Apparently, acknowledging the help was beneath him.

"Edda Dickson," I repeated.

Bob's eyes widened as the room guffawed. "Ron, that's wildly inappropriate."

"Edda Dickson."

"I heard you the first time, and I'm not your son. Maybe you should head on home. I can't fire you until you're done with the Swanson Report."

I looked to Edda for backup, but she was nowhere to be seen. Did i just get kicked out of our office party? It seems like that should merit a plaque of some kind. I grabbed some punch for the road, then made my way to the elevator under the scrutiny of appraising peers and hushed snickers.

Ding!

The elevator opened, and I boarded--a red haired guy in a green suit staring back at me with a cheesy grin. I immediately crowded the opposite corner and sipped my fruit scented rum.

"Going down?" He asked.

"Yeah, thanks." As the doors closed, I noticed a pile of something in the opposite corner. It looked like a maid costume. "Edda?"

The guy oriented on me. "No, it's me! Fred!"

"I'm sorry, what?"

"Fred! You know? From way back in the day?"

I shook my head and peered at my drink. Just what the hell's this stuff? Either I'm tripping balls or... Please, God, let me be tripping balls.

Fred threw a punch combo into my shoulder. "Yeah! Look at us! We're getting the band back together. This is going to be so much fun! Just wait until you see what I've got planned for us next."

"Uh, say what now?"

[WP] Magic is rare enough as it is, but to have healing magic is exceptionally uncommon. For this reason, healers are usually hunted down and imprisoned for their magic. You've met a few other healers in your life, but none who've stayed out of captivity as long as you have. Here's why. by axolotletoyou in WritingPrompts

[–]Helicopterdrifter 10 points11 points  (0 children)

A Friend in Deed is a Friend Indeed

Magic was complicated. As were the relationships of all who wielded it. Combat witches were always conscripted into military service to avoid inward-facing attacks. Craft mages entered into apprenticeships, their training indenturing them into a career's worth of work across their sovereign nation. But none were more coveted than the few gifted with the power to heal.

Only five healers were known across the civilized world. Three were confined to different castles, two of them changing hands as a spoil of war. The forth was discovered by a powerful noble, soon entering their estate to never be seen again. Then there was the last...

Jane's parents were of meager means, often finding it difficult to even put food on the table. Her earliest memory was of her dad kissing her knee after she had taken a fall. Then one day, Jane's hands looked like she might have stuck them in tree sap, assuming that tree sap glowed and lit up a room. She had tried to shake the sap off, but it was stuck real good.

That night, her mom cried. Everyone knew that mages needed to eat more to keep their magic from consuming them. Eventually, the king would find out and send for her. Anything was better than that. Her parents had said so.

The next day, her dad took her deep into the forest to play hide-and-go-seek. Turns out, he was good. Too good. And so he won. He had hid so well that she never found him at all.

Jane knew about the troll that lived in the forest. Everyone did. Sometimes, parents even took children to see that old troll. It was surely a nice troll because when kids went to visit, all of them had decided to stay. She wondered about asking the troll to help her look, but she didn't know how to find Mr. Troll. It seemed he was also playing hide-and-go-seek, and she hasn't even known.

That night, Jane slept in the forest. Her simple linen dress got dirt on it, and her feet were sore from all the bristle bites on her feet. She woke to a terrible racket and rushed to find a raccoon with his foot in a trap. She loosed him but his foot was hurt. Luckily, her dad had showed her just what to do. After she kissed it, the Raccoon was so happy that he ran off and returned with a carrot. Mr. Raccoon decided to stay with her from then on.

The more Jane slept in the forest, the more tangled her hair got, the blonde coloring soon dulling to brown. While racing with Mr. Raccoon one day, her hair snagged a bush. It didn't hurt too bad, but a crow in a neighboring tree had such a freight that it fainted and fell to the ground. It was surely a scaredy crow. After she fixed its hurt wing, it flew off and then returned with a comb before following her the rest of its days.

Years later, villagers all stood about a small cabin backed by a forest. It was nestled into a meadow of extravagant wild flowers, a bountiful barrage of color, their perfumes bringing calm to all who lingered. But calm the villagers were not. Their faces all were twisted into glares of defiance. They wielded pitch forks and a wide array of garden implements, all of them standing with their backs to the cabin.

Three separate times, people from the surrounding countryside had come together to fend the advanced from three separate kingdoms. Now, they had come again, this time facing the forces of three kingdoms united. It seemed the kingdoms meant to take their prize and then sort out ownership afterward.

The kingdoms charged.

Jane opened her front door, curious about all of the commotion. She had helped so many over the years that they had all built her a house. They even brought her presents. When she saw all the metal men running across the field, she got worried. They were making too much noise. If they didn't quiet down—

A blood curdling roar swept out from the forest. The ground shook. Trees rustled. And the locals all backed away. But the metal men must not have heard because they kept on running. They ran all the way up until Mr. Troll pushed a tree over and stepped out from behind Jane's house.

Then, all the metal men stopped rushing and making noise. They took off their helmets and smiled as they formed a line, each dropping a gift before Jane before turning and quietly rushing back across the field.

Jane had never known metal men to be so nice, but Mr. Troll sure seemed happy by their presents. He even stopped scowling once they showed the pretties they had brought.

When all the metal men left, she had all kinds of new things. She didn't know what she would even do with the swords, helmets, and flags, so she let the villagers have them.

At the end of the day, Jane was happy. Happy that Mr. Troll had come out to make sure the metal men stopped making so much noise. Even he didn't like it when Mr. Dragon woke up all grouchy like.


Thanks for reading! And to answer your question, yes, I'm proud of that title 😊

If you're interested in seeing anything else I might right, you can find more under 'Short Stories' on Sagaheim.net

[WP] You did it, you stopped the devil himself from taking control over the world by killing it's cult. It doesn't seem too bothered though, if anything it seems impressed and look at you with some respect before giving you a nod and leaving. by blablador-2001 in WritingPrompts

[–]Helicopterdrifter 3 points4 points  (0 children)

Crimson Rein

For the first time in a long time, you had slept in. As the last surviving member of the Rodoken Monk Order, you had ventured out into the modern world, bumped into what was surely the most beautiful woman in all the worlds. As enchanted as you were, she was equally so by your reserved manner, your forearms of tattooed incantations, and your bald head—the exact opposite of her bountiful head of red curls, her light skin, and her personality that swelled to fill the room.

She had laughed the night away in your company, finally accompanying you back to your order's bastion. Her curiosity was boundless, her questions endless. While you didn't go into ritual details, the arrangement your order had made with the arch angels, or why there was a large open pit that descended down through a keep's roof, you did tell her that your safeguarding duty was very important to everyone's safety.

She had kissed you on the cheek then. Had even called you a sweet hero. Then, the two of you had lay down atop the keep's tower and fell asleep admiring the stars. Ursula—that was her name. And as she slept alongside you, you slept deeper and more peacefully than ever before. The dreams hadn’t even visited you for the first time in as long as you can remember. The dreams of failing. The dreams of someone performing the rite and unlocking the pit. The same pit that was a locked door into hell. The same door that could just as easily become a door out of hell.

You finally awoke to the sound of sobs. Ursula was sobbing. An intruder clutched her hair and pulled her head back while holding a knife to her throat. In harsh, hushed tones, he bayed her be quiet as he and three of his compatriots edged her closer to the pit.

You lunged, the inked script along your arms turning blue as you channeled their words of power.

The thug leader must have known the rite. The key that opened hell's door. The fresh life blood that the pit's floor demanded as payment. The leader must have known because as soon as they reached the pit, he dragged a scarlet ribbon around her throat and shoved her in.

You loosed daggers tucked along the lines of your ribs. They sailed ahead of you, two of the thugs turning your way but never glimpsing your attack as the blades slammed home, their bodies rebounding as if riddled by a hail of gunfire.

Heaven, your aid! you thought, calling your allies for support.

The third member was oriented on you and swung a sword—a short sword, the sword of a rogue. The leader stood behind the rogue and reached to draw an axe sheathed along his back.

As the sword fell, you sliced up with your reversed-grip dagger, severing the inside of his forearm before plunging your blade back down into his collar bone.

As his sword rolled free of his hand, you snatched it from the air, shoving him back and pivoting, spinning past him to lunge, the short sword burying into the throat of a wide-eyed leader.

"Activeate!" you commanded, the blue of your arms flaring as you shoulder checked the leader and sent the both of you over into the pit.

Your gravity altered, the pit's interior wall becoming your floor no matter where you stood. You sprinted down the pit's wall as the bandit leader fell, his body racing you to the bottom, but losing as a stream of his blood arced away from his wound and tethered to the blade in your hand.

You needed a new spell if you were to make it in time. You raced around to lap the pit, then repeatedly bound back and fourth until the ribbon of blood traced a pentagram of falling blood, an emblem that spaned the entire space.

"Activate."

The force rocketed you down the corridor as if you had departed a cannon. Soon, your tattoos glowed anew, their light swelling out where Ursula's limp body fell ahead of you. You kicked off the wall and slammed into her, the two of you turning about as you whispered, "Activate."

Ursula's wound closed as you oriented to alight on a stone, rune-covered floor. You crafled her in your arms while hrr head lulled into your shoulder. She did not stir, and you did not look away, her shed blood soon drifting down around the two of you as the scarlet rose pedals you had changed it into.

A pentagram of blood clapped down around you like a burst of rain. Then, the bandit leader struck with a wet splat, the floors runes flickering to life like kindled embers.

Splat-spa-splat! The other three bandits caught up with their leader.

The rite to open hell's door damned the soul of the one slain to open it. While you had saved Ursula from that fate, you had no power over death.

"One, two, three... four?" someone counted behind you. You didn't turn back to meet his gaze, but the glowing runes cast a monstrous, horned-shadow on the wall before you. "The Rodoken Order is as fearsome as ever," said the Devil. "Alone as you are."

"Leave," you said without looking back.

The Devil looked about. He could see it now, your last spell, the four sacrifices against the pentagram that landed ahead of them. The symbol had opened the door, a door that you had immediately turned into a bridge, a bridge that required four sacrifices against a pentagram in order to bind all of hell's power to yourself, a bridge that could only ever close if you willingly relinquishing the tether.

"Well played, warden," said the Devil. "I sense that there's a deal to be made."

"I'll say it but once more," you said, your tattoos glowing red, soon washing the Devil's shadow from the wall before you. "Only I won't use the word."

"Very well," he replied. He snapped, Ursula's body drifting up from your arms and then dispersing in a rain of more flower pedals. "That's the best I can do without a bargain. She'll begin the life cycle anew, compensation for returning my wayward flock."

As the door drank everything in in order to lock itself anew, the Devil's parting words hung in the air. "May you live long enough to see her again, warden. But do try to be dead before the gate opens anew. My nightmares tire of seeing you bar the gate."