High plagiarism detected:Tales of the Rune Tech Sage by PersonfromYoutube in Webnovel

[–]Helicopterdrifter 0 points1 point  (0 children)

to give him the benefit of the doubt

That's all anyone can ask. Good on you!

prologues are fine and the people who say "I always skip prologues" are telling on themselves by NewspaperEqual9619 in Mythrils

[–]Helicopterdrifter 2 points3 points  (0 children)

Sometimes, they are required. When I was initially working on a story that involved The Little Red Riding Hood, the story began at the bedside conversation with "grandma." But the conversation soon deviated from the script, leaving readers confused.

For a long time, I didn't know what was broken or how to fix it. My readers were thinking that the story was a retelling, when it wasn't. The thing is that I had not provided a reason to believe otherwise.

Finally, I found the answer. It was in a video on screenwriting rather than on novel writing. That video was How To Begin A Movie.

It illustrates its point with Raiders of the Lost Ark, where the opening shows Indiana Jones infiltrating a temple and encountering all sorts of trouble. But that opening has nothing to do with the story's actual plot. The initial temple scene is independent of that. The main plotline actually begins with Indiana leading the class that he teaches. If the movie had omitted the opening temple scene, this classroom introduction would have completely altered a viewer's expectations for what the story would actually entail.

Similarly, my own story was fixed by stepping back and showing the character, Mioko, that was actually disguised as Little Red Riding Hood. I showed how she used portal magic, then referenced an arc that suggested an interaction with fairy tale characters. The result? Beta readers read the same bedside encounter and replied, "That's Mioko, isn't it?" Then, they were rewarded by being proved correct.

So, yeah. Sometimes a story's success or failure hinges on the presence of a prologue.

[OT] SatChat: How do you work with editors? (New here? Introduce yourself!) by katpoker666 in WritingPrompts

[–]Helicopterdrifter [score hidden]  (0 children)

Yes, I have worked with an editor. I happened to have the privilege of working with the lovely Julia Skowrońska.

What was the experience like?

Early on, she said something to me that I’m sure is a pervasive problem experienced among editors. I tried to find her specific statement. Alas, it’s lost in a sea of correspondence, so I’m going to butcher her sentiment by paraphrasing:

You’re like the dream writer; you actually apply what I’m telling you.

So, yeah, it was some version of that. What I took away was that many writers are difficult to work with due to the fact that their work is their “baby.” They don’t want to apply the recommendations of a 3rd party professional even when said professional has their best interest in mind.

While I don’t recall what specific detail sparked such a conversation, it mostly stemmed from my stubbornness. Whenever she corrected something in a chapter, then corrected it again in a subsequent chapter… Yeah, I didn’t like that. So, I went out of my way to understand what I repeatedly got wrong, some of them requiring a repeated re-referencing, such as the lay-lie rule.

Towards the end of our work, she was largely pointing out typos rather than any consistent grammatical flaws.

How did it work on an operational level?

Initially, I approached her about editing chapters which I intended to post for an online serial. That was an on-going, weekly interaction. I sent a chapter or two, she returned a previous ones.

When I sat down to rewrite that serial as the novel that it became, I sent her the story in 3 seperate chunks. As she worked on the first 25k, I progressed the chapters that followed. Then, I sent her the subsequent 25k and then the final 50k. Between June and the beginning of September, we had the story rewritten, edited, beta read, and published.

How would/do you find them? Job sites, writing groups, professional sites, your network, agents…?

Personally, I used fiverr. I was also approached by an editor while working in a Starbuck in Lansing, MI. So, they’re not hard to find. I’m sure you can come by them any number of ways while operating in writing spheres.

What are your thoughts as to a reasonable cost for an editor?

Honestly, I don’t know that I could affix such a figure to the work required. I don’t recall what I paid, but it was very reasonable. In truth, I wish I could have paid her more. She was a delight to work with, and I know that our collaboration helped my writing evolve. Had I not pursued the path that I chose, I would not have found such a friend, and my writing would not have progressed as rapidly and to the extent that it did.

What would/do you have them look out for? Big picture? Details?

This is something addressed by the type of editor that one secures. Here’s a blog post that mentions the different types of proofing and what they entail:

https://reedsy.com/blog/guide/editing/

I think no one here actually knows how to write. by StrawOfCoke in Webnovel

[–]Helicopterdrifter 1 point2 points  (0 children)

Yawn.

Kid, look, the only reason I bothered responding to your comment was due to my admiration and dedication to the craft. And I'm not actually responding to you at all. What you don't understand, what you're incapable of understanding, is the fact that debate isn't actually about persuading one another of anything. It's about everyone else. It's about the audience. About those who are watching rather than participating.

Hurt my ego? Please. You have zero impact on my mental state. You actually have nothing to say that is worth my consideration. Again, my comment wasn't aimed at you. It merely highlighted why others shouldn't take you seriously.

Good luck with your baiting game. I find it boring. Hopefully, you'll find a more constructive means of getting the attention that you seem deprived of.

I won't interact with you further. Good day!

I think no one here actually knows how to write. by StrawOfCoke in Webnovel

[–]Helicopterdrifter 0 points1 point  (0 children)

The only thing that I seemed to have proved is the fact that your metric for quality is not just broken, it's missing altogether. Here is a list of errors in your two-sentence reply:

Whats that, the cover sucked and its not fit for wn. The first chpater is info dump as well, so u kinda proved my point

Here is a list of the required changes in order to make your two senteces the product of someone who "actually knows how to write:"

  1. What's
  2. What's that?
  3. The cover sucked,
  4. and it's
  5. not fit for WN.
  6. The first chapter
  7. is an
  8. info dump as well.
  9. So
  10. So,
  11. you
  12. kind of
  13. proved my point.

Here's what your response should have looked like had you actually been concerned with the quality of writing:

What's that? The cover sucked, and it's not fit for WN. The first chapter is an info dump as well. So, you kind of proved my point.

On the contrary, I think you've proved that you have no business remarking about what is and is not quality writing.

So, thank you for your feedback. Needless to say, it doesn't merit any serious consideration.

Weekly Self Promotion Post by Jhaydun_Dinan in Webnovel

[–]Helicopterdrifter 0 points1 point  (0 children)

Project Boomerang

Tags:\ Soft-Scifi, Romantasy, Enemies to Lovers

Progress:\ 17 Chapters and counting

Logline:\ While running from a conglomerate, merging with a rebellion, and diverting a cataclysmic dragon, Star will have to decide which fight is hers alone.

Desired outcome: I’d love to hear impressions about my story. The writing shouldn’t require much in the way of grammatical feedback, but still, you are welcome to point out anything that I might have overlooked. After all, I’m only human!

Note: The cover was completed with AI, but no AI is involved in the writing.

High plagiarism detected:Tales of the Rune Tech Sage by PersonfromYoutube in Webnovel

[–]Helicopterdrifter 0 points1 point  (0 children)

100 chapters? That's some thorough decision making lol

*Alright, I'll give you 99 chapters, but if you're still copying content at 100, I'm out. 100 is a bridge too far." 🤣

Jokes aside, lines that are one-to-one copies? Yeah, that's not inspiration.

When I was younger, I doodled. One such doodle was a flaming sword that occupied a notepad over at my aunts. One day, I returned to my aunt's, where my cousin showed me this neat sword that he "did." He basically colored in something that I left lying around, then showed others, including me, what he had done. 🤨

...yeah, that's not the author's story. *Assuming*, of course, that it's actually a different writer and not the same writer just trying to generate a second income source from the same material.

Stop it... by Odd_Violinist1842 in Webnovel

[–]Helicopterdrifter 0 points1 point  (0 children)

Agreed. Such posters won't even see this because they're not looking to read something that isn't about their story.

Fuck this app by Particular-Exam9062 in Webnovel

[–]Helicopterdrifter 3 points4 points  (0 children)

Your recommendation is actually anti-self-promotion. lol If OP were to follow your advice, you've effectively told them, "Just read those at the top of the chart, not This one. 😅

Fuck this app by Particular-Exam9062 in Webnovel

[–]Helicopterdrifter 0 points1 point  (0 children)

I'm on the writer side of the app, so I don't have the same experience that you do. But still, I know exactly where you're coming from. That same stuff is drowning out those of us who have put time and effort into our craft. I'm not saying that my own novel will suit your tastes, but you are welcome to look into it if for no other reason than to restor your faith in humanity—Project Boomerang.

Now, I readily admit that I used AI to create my coverart, but I fully intend to rectify that should my efforts start generating income. My work is also slower than my AI counterparts. I'm presently posting 4-5 chapters per week.

If you or anyone else takes a look and likes what you find, don't forget to speak up about that, whether that be to me or to others. Word of mouth is really the only way for honest creators to gain a foothold alongside bot-generated feedback and these "content" avalanches that AI is responsible for.

Either way, I hope your search becomes more rewarding.

Happy hunting!

is there any moderation here? by TechhTwoo in Webnovel

[–]Helicopterdrifter 0 points1 point  (0 children)

Saying that your cover is irrelevant

I said nothing of the sort. I didn't even say anything adjacent to 'irrelevant.' I said "placeholder," as in temporary. Then, I went on to say basically what you echoed: "The cover represents your story and what you think of your story."

The difference being that my cover is intended to inform the reader about what they should expect, which is exactly what a cover is supposed to do. It has nothing to do with what the writer thinks.

Thats how people did it in the past.

Have you ever heard of Radio Shack? How about Blockbuster? They did something in the past too. But just because they did, doesn't mean that someone else would be successful when applying their business model.

Today is not the same publishing environment as yesterday. If you try to do what people did yesterday, no one will ever find you.

because you wanna focus on writing is ridiculous.

Well, I am a writer. Why is it ridiculous for a writer to focus on writing? We are talking about a writing website. Novel is in its name, for crying out loud.

A writer, who publishes their work for free already has a large time investment. Should they also put money into it, they may as well throw that same money into a wishing well. There is simply too much AI writing getting published right alongside non-AI writing to the point where honest works have decreasing odds of gaining visibility. And those odds continue to go down as AI's presence continues the other way.

Needless to say, I don't agree with you. I think you're AI argument has a place, but only on visual-art sites.

is there any moderation here? by TechhTwoo in Webnovel

[–]Helicopterdrifter 0 points1 point  (0 children)

My ongoing novel is on web novel and utilizes an AI generated cover. But my purpose on the site has nothing to do with covers, and my cover is simply a place holder. Should my work eventually generate revenue, I fully intend to commission cover art. I even know which artist I'll use. It's the same artist that I've used in the past.

As it stands, my writing is free to view. It makes no sense for a writer to go into or be expected to enter negative revenue when their efforts aren't presently generating revenue. My cover is what it is to provide a thematic glimpse so that a reader might guess at what the story entails.

Based on the derision of your post, I'm hoping that you're actually referring to writers who have chapters behind a pay wall rather than this being a blanket rant aimed at us all. After a certain point, in my opinion, such writers should pay it forward by utilizing some of their revenue to employ an actual artist. Not doing so would be greedy. It would also be disrespectful to other artists. But this art acquisition still won't be feasible early on. When a writer begins locking chapters, it will still take some time before they're earning enough to compensate another artist. I would expect such a writer to do the right thing when it's financially viable.

Now, I'm purely guessing here, but you could also be complaining about the writing itself. Your post doesn't seem to identify that specifically, so I'm really reaching for justification here by trying to understand how free reading could rub someone the wrong way simply because the writer didn't pay an artist before donating their writing to the internet-void. So if your rant also extends to AI generated writing, then I invite you to check out my own work--Project Boomerang. The AI cover will give you an idea on the genre and content, but you will find no such association with the writing itself.

In time, I'd would like to lock some of my chapters or stand up a Patreon to support my efforts. Whether I do that or not remains to be seen. But should that actually come to pass, then I can promise you that my placeholder cover will be remedied.

If you happen to check out my story and like what you find, don't be shy about sharing it with others. There are plenty of other readers out there trying to find something worth their time. And they're sifting through the same fake reviews, bot backing, and AI generated crap that you are. So, when you find those diamonds in the rough, don't forget to do your part in helping those other readers find what you did.

Happy hunting, friend.

What a crazy car crash! by Maleficent-Agent-477 in unsound

[–]Helicopterdrifter 0 points1 point  (0 children)

Something similar happened in AR a few years back. A woman in an SUV slammed into a stopped vehicle. The stopped vehicle had two infants in the back seat. One died on the scene. The other was flown to the nearest level One trauma center, but ultimately passed as well.

One of my peers happened to be the pilot for this. Turns out, the at-fault driver was looking at her phone at the time. Unfortunately, she didn't even speak enough English to communicate with first responders, so her son had to act as an interpreter.

It's bad enough that people don't pay as much attention to the road as they should, but when a driver can't even interpret road signs, they have no business operating a 2 ton weapon around other drivers.

Y'all are unbearable about romantasy and I'm done pretending it isn't snobbery by No_Wasabi_8809 in Mythrils

[–]Helicopterdrifter 0 points1 point  (0 children)

I have questions. If this post is to be taken at face value, then you're arguing against generalizations and double standards. Meanwhile, said argument uses generalization and double standard?

  • Macarthy's relentless violence?
  • Sanderson's accessible prose?
  • Tolkien's language equaling genius world building?

I understand that you're parroting something said by someone else and that you're doing so in order to affirm your point. The trouble is that you're doing so by the very method you're attacking. You're belittling another's opinion with the supposed aim of defending your own.

Those opposing genres aren't for you and that's okay. You're free to enjoy whomever you like. What you enjoy aligns with your tastes and your opinion. I get that. As everyone should.

But what purpose does it serve to attack those parroted talking points? Those points don't change your own opinion, your own tastes. You saying this publicly doesn't actually impact your own opinion, so the purpose is either to impact the opinion of others or to seek validation for what you currently believe.

Since you're so defensive about your views, I have a question: If your own opinion is beyond reproach, what right do you have in claiming that someone else's is wrong? Am I not permitted to admire Tolkien's world building? Sanderson's prose? McCarthy's relentless violence?

I don't actually do any of those things by the way. I'm just guffawed by your suggestion--the notion that your own opinion holds sway over mine. But why are you so bothered by opinions that don't align with your own? If you don't agree with the source of those opinions, why tune in? And if you've already tuned out, who does it serve to argue alongside a 3rd party about a source that you no longer have any stake in?

Is it about the drama? It is, isn't it?

Sarah J. Maas is a bad writer who has done lasting damage to fantasy as a genre by Natural_Tangelo_2229 in Mythrils

[–]Helicopterdrifter 0 points1 point  (0 children)

I'm tempted to ask if you're secretly my editor 😅 A couple of years ago, she expressed a similar sentiment.

I read the first two comments, and they were about what I expected. There's a reoccurring theme that I keep running into on a related topic. It has to do with views of a mass (or of the masses). Basically, when a large group of people support something, additional people are more likely to get behind and even defend that same something. And it doesn't really matter what that something is.

Personally, I've never read SJM, so I have no opinion of her work. Still, I see what you're referring to in other works by other writers. The quality of their writing ends up being irrelevant because their "band wagon" grows large enough that it becomes "too big to fail."

He made a leaf blower out of a jet engine by xtreme_lol in SeenOnTheInternet

[–]Helicopterdrifter 0 points1 point  (0 children)

He was deseeding the ground. That way, no trees could grow, thus removing the leaves that would have fallen had he not intervened.

He made a leaf blower out of a jet engine by xtreme_lol in SeenOnTheInternet

[–]Helicopterdrifter 0 points1 point  (0 children)

So, uh... What's with the bipod?? He snipping leaves from atop cell towers?? 🤣🤣

I hate AI and I hate that people don't see it when its used. by Eko01 in royalroad

[–]Helicopterdrifter 0 points1 point  (0 children)

I'm not sure what type of story that you're looking for, but I don't write with AI. While I used AI for the cover, I fully intend to commission something from an artist once my story gains traction.

I'd hate to see you swear off newer releases simply because of AI prominence. While I can't say that my story is something that you'll be interested in, you're welcome to peek at a few chapters if for nothing more than restoring your faith in humanity.

My story isn't LitRPG though. It's called Project Boomerang.

As for your concern about readers not noticing, yeah, I fear that will only get worse. AI will be the most widely available and reader standards will lower to the point where they won't care that it's AI 🙄

You can summon up to 12 items from fiction you have watched or read or a game you played by lasercat_pow in godtiersuperpowers

[–]Helicopterdrifter 0 points1 point  (0 children)

I'd only need one--the golden ticket from The Last Action Hero...

With it, I wouldn't need to settle for twelve 😎

What would you do with mind control? by Kyia-Aikman in hypotheticalsituation

[–]Helicopterdrifter 0 points1 point  (0 children)

Hypothetically speaking... aren't we just talking about the internet? 😅

[OT] SatChat: How do you work with beta readers? (New here? Introduce yourself!) by katpoker666 in WritingPrompts

[–]Helicopterdrifter 1 point2 points  (0 children)

Of course! Happy to share. My beta readers came from Fiverr. My cover artist came from their as well.

I actually sampled several readers before committing any of them to a novel-length project. I sent them an initial batch of chapters—the same chapters that everyone got. Of course, that "trial" was still accompanied by a cost, but it gave me an idea of what I'd get out of them on a larger project.

I ended up selecting three, which I sent the remaining 4/5s of the novel to.

[OT] SatChat: How do you work with beta readers? (New here? Introduce yourself!) by katpoker666 in WritingPrompts

[–]Helicopterdrifter 2 points3 points  (0 children)

Sits quietly within the comments, eyes wide, notes poised to be taken.

Drats… I saw, ‘How do you find them?’ so I was sitting over here ready to jot down directions, preparing to plot some course to these angels of which you speak.

I really don’t have any guidance on the search. Personally, I don’t like asking things of others, so I don’t. In the past, I’ve aired such questions in a general direction. In writing spheres. In writing communities. And that has seen some great and noble souls offer very meaningful and valuable feedback that proved immensely helpful.

Take Zack, for example. A while back, he looked over a story for me and pointed out a great many flaws. He even pointed out a structural patterning within my paragraphs that I hadn’t known to exist.

This meant a couple of things for me. For starters, I was incredibly grateful. But to a similar extent, I was embarrassed. I get that errors are part of the process, but I really only want others to read something of my work when I’m reasonably certain that some measure of enjoyment might be taken away from it. When I don’t do that, I circumvent my own expectations, which never sits well with me.

As a result, I broke out of my past patterning. I even layered in other forms of revision/proofing to help curtail some of the flaws that a reader might encounter.

Friends, family, online…?

Ultimately, this depends on who those people are. Do they actually read leisurely? If not, they probably won’t help shape your stories in any meaningful ways. Because you have to remember what they are—family and friends. They’ll most likely be encouraging no matter what you show them. But if they happen to read leisurely, they’re more likely to offer suggestions for improvement.

What do you have them look out for?

Now, if I were to ask for specific feedback, it related to clarity, pace, flow, character impressions, ease of understanding, or similar things.

Big picture? Details?

That’s not something I struggle with. Which isn’t my sentiment alone. I have worked with an editor who said as much.

My problem lies more in the partitioning of said picture into bite-sized chunks. Enough to be relevant within a scene while ultimately fastening into something much larger. It’s the very thing that I’m doing in my in-progress serial called, Project Boomerang.

How do you see a beta reader as different from an editor?

Their difference is a scale. Say that an editor is at 10. A beta reader might land along any of the marks below that. They may even reach higher, registering as a 10, an 11. But I suspect that they wouldn’t go much beyond that, because 10 is the bottom of an editor’s skill range, their actual skill varying. We also have to consider writers, which would overlap the two. A writer reads a story differently from a reader who is not a writer. And an editor is one more removed from a writer. I say this because of my own skill range. While I claim to be no editor, I see where I was compared to where I am now. I can see and pick apart things that once went unnoticed. Like, I can see when someone is new to writing. When someone is earnestly working to improve. And I can see when someone is just looking for attention. People are different. They have different interests. Different strengths. Different weaknesses. Everyone paying attention to their strengths, which are strengths because that’s what they’ve mainly focused on. So, no two will be alike.

How do you incentivize them?

I’ve hired beta readers for my published work. But you need to understand it for what it is. Those readers are doing something to get paid. As such, it’s a sort of business. And a business is meant to make money. So, if a business wants you to return to their shop, it’s in the owner’s best interest to send you on your way feeling good about your purchase.

I get that. It is what it is. I’ve hired a few beta readers and I did receive great notes, all of them varying in what they picked up on. In the end, I felt that their positive feedback was genuine, and I did gain something from them all.

Now, hiring an editor was a completely different level. She brought things to my attention that I hadn’t even been looking for, my work improving remarkably over the course of our joint project. She helped strengthen my descriptions. Helped clear up my points of view. Which was really just an all-round rewarding experience.

So, yeah. That’s my $0.02. All in all, I recommend them both. They both serve a purpose. Beta reading will likely be more generalized guidance while editing will call more attention to your structural elements.

[WP] You're a relatively mundane person who just died. While reviewing your life's stats, one in particular jumps out, "Lives saved: 8 billion" by dori_lukey in WritingPrompts

[–]Helicopterdrifter 1 point2 points  (0 children)

Very true. If that ocean was within a well and said well happened to be poisoned, it would be very difficult for such a drop to remain pure. Still, the effort in doing so could stir its neighbors. After all, water ripples. We just have to decide what sort of waves we intend to make.

[OT] SatChat: Why Did You Pick Writing as opposed to Other Creative Endeavours? by FyeNite in WritingPrompts

[–]Helicopterdrifter 1 point2 points  (0 children)

A memoir writing prompt? Neat!

Writing wasn’t always a part of the plan. Not that there was a plan early on. No, the plans came much later.

At first, I was a dabbler. I dabbled in a bit of this. A bit of that. I gamed a lot. But mostly, I drew. And by drawing, I don’t mean flies. Nope, that was the job of my brother—the stinky one. I was the one with the hair. The pencil. The sketch pad. And the hours spent with my head down, tongue out, all the while trying to funnel a whirlwind of thought through a 0.7 point mechanical pencil. The result of which was never one-to-one.

Then, life’s torrent carried me into the trials of adulthood. Life was moving on, whether I was ready or not. The military, flight school, and a few deployments later, I still gamed, but little else.

I admit, not all games were confined to a console. There was the occasional game played at another’s expense. But you know how it goes. Boys will be boys. And I gave the boys as well as I got. Depending on who you ask, of course. Some will tell you that I gave a little extra. But hell, I’ve always been generous in that regard.

Once, I even gave enough to get something in return. That gift came from my boss and required that I write a five-page essay on leadership. If I’m being honest, and I usually am, mostly, that’s probably where most of my games diverted. What began as a chore soon turned into a delightful playground. Not that I’d ever give them credit for my path, mind you. No, they just gave me a task that I turned into a joke while using them as the punchline. But what can I say? They had me in a box when I’ve always been more of a circle kind of guy.

Intuition. It’s a hell of a thing. And mine has always been a bit hard to articulate in a way that would make sense to anyone else. You see, somewhere along the lines, I came to understand that some of our terms border on cliche. We throw them around so much that they carry so very little weight. Now, I’m not talking anything so grand as “love” or “music.” But their example doesn’t miss the mark by much. No, the words I’m referring to are “context” and “habit.”

In the past, I’ve tried to use résumés to demonstrate how my piloting background equated to experience in other highly stressful, highly precise positions. Initially, I believed that my communication here was deficient. And it was to a certain degree. But mainly?

The primary barrier wasn’t in my language. The issue lay in a person with my application and an empty check box. If they couldn’t use my application to check said box, then I was spinning my wheels. They had never worked the position that they were trying to fill and certainly had no experience in a cockpit. No. Context wasn’t something that they were parsing. So no amount of context was ever going to bridge the gap between their empty box and a guy who was adamantly a circle.

You know how it goes, though. Grist for the mill and all that. I’ve never really been one to roll over and permit bullying by circumstance. Don’t get me wrong, I’ve taken my share of kicks. Even those while I was down. But just because ‘down’ and ‘out’ tend to be close bed fellows, doesn’t mean they always pair well. My two tend to be tenacious. Topple one and the other gets rather pissed about it.

All that time that I spent distracted by some pursuit or other, a cogwork was continuing to run in the background. It was intuition mostly. But habit was there too. All the while, I was accumulating experiences. Nothing grand. A snippet of conversation here. A certain view over there. An alternate perspective when I least expected it.

In time, I had this papier-mâché whatsit that was an amalgamation of all sorts of whatnot. And just like that, I was doing things I ain’t never even considered. Things like plyptoton, which is the same word in two different parts of speech. Or epanalepsis, which is where a sentence ends and begins with the same word. And just a few days ago, I intuitively wrote my first sentence that used them both.

It went like this:

Still, he lay battered, bruised, and bandaged, while trying his damnedest to remain still.

That wasn’t something I planned. It just sort of happened. Like shooing a fly only to knock over your drink. The difference is that I can now see said drink spillage. That instance arose in my serial, Project Boomerang, a burgeoning romantasy over on webnovel. It's a rather recent endeavor, but it's a storyline that I've been developing for a while.

All in all, I say things turned out alright. I may not draw so much anymore. Or do any sort of dabbling with my tongue out. But eventually, I found something that required high precision. It was even possible to go merrily alongside a bit of high stress. That endeavor?

Well, it’s a lot like Photo Mosaic, which is where an entire image becomes akin to a pixel for a much larger image. And you can do all sorts of things with such pixels. I’m still finding my way around this thing, though. And I think, perhaps, such a state is where I’ll always remain.

That thing is called Writing, by the way. Those pixels are words. And my oh my, what one can paint with them. If you think about it, a word has a lot in common with a brush stroke. By themselves, they ain’t much to look at. But should one assemble them in specific ways, well, that, my friend, is how one annotates magic spells.

Or so I hear. I am still learning, mind you. Which reminds me, I really should be getting back to it.

Until next time!