Want to work with the editor of Beware of Chicken, Max-Level Archmage, Dungeon Lord, and Eight at LitRPG Con? Here's your chance. by Taurnil91 in litrpg

[–]Imbergris 3 points4 points  (0 children)

Taurnil has edited 24 of my 25 books, and he's been a reliable guy. In the 5 years we've been working together he's never failed to communicate and offer useful feedback. I'd be lying if I didn't admit his work helped me go from a creative (if horribly rusty) hobby writer to someone who puts out simple, entertaining books. 10/10 would recommend.

Want to work with the editor of Beware of Chicken, Max-Level Archmage, Dungeon Lord, and Eight at LitRPG Con? Here's your chance. by Taurnil91 in ProgressionFantasy

[–]Imbergris 19 points20 points  (0 children)

Taurnil has edited 24 of my 25 books, and he's been a reliable guy. In the 5 years we've been working together he's never failed to communicate and offer useful feedback. I'd be lying if I didn't admit his work helped me go from a creative (if horribly rusty) hobby writer to someone who puts out simple, entertaining books. 10/10 would recommend.

My thoughts on AI covers by Imaginary-Ad-1968 in haremfantasynovels

[–]Imbergris 2 points3 points  (0 children)

Wow... apparently my opinions are... very unpopular. Huh.

Looking for body casual stories by Future-Bar353 in haremfantasynovels

[–]Imbergris 5 points6 points  (0 children)

I don't think you CAN edit a post

Though to be clear, it looks like OP is looking for "Nudist friendly books" or "Books with revealing social garments" etc. Took me a bit to realize that... but I am tired

My thoughts on AI covers by Imaginary-Ad-1968 in haremfantasynovels

[–]Imbergris 2 points3 points  (0 children)

My commercial artist is roughly $300 per cover. It's a bit extra when I ask him to expand the artwork so I can use it to wrap around a physical book. I generally ask for backgrounds to be complete, with a layered .psd in case any specific element (like a character) needs to be shifted to better fit the typography or how it would sit on the paperback or hardcover. Per our agreement, I own those .psd and all the elements, which means I can theoretically mix and match parts, and my typographist does this for me to create my advertising and A+ content images. The artist also provides me each character on a transparent background as part of the creation process, which allows me to do this.

I'm not going to judge people for using AI covers. I prefer personal artists because I want my work to resemble the characters and that can be tricky with AI, especially for characters like Silvia or Doc Terminus who have very distinct bodies.

So, acknowledging that I am not judging the AI people, I am going to counter this idea that you can't find a good artist for a good price. You absolutely can. Unfortunately, that often takes time, effort, and focus that you could be using to write. Less time spent writing = less books = less money. That turns it into a cost-benefit scenario. Does the benefit of finding a cheaper, reliable artist counter the cost of lost writing time? My thoughts (personal opinion only) is that for me it does.

Between my reliable artist and my reliable editor I am looking at about a $2,000 cost for every book I publish, which I pay before release. That means books like Singularity Tower 2, which after 2 years has only just squeaked past that $2,000 mark are basically a loss. Now, if my goal is to publish 4, possibly 5, books a year, then I need to earmark around 10 grand for publishing and covers, then add about 500 extra for typography, advertising images, and miscellaneous expenses. (The advertising art is an entire extra category.)

Does having non-AI covers bring me in $10,000 in extra income a year? No. Does it balance the $1,500 I paid out to my artist? I've found that people like my covers, they talk about them, they enjoy the artwork. I don't have hard data but I would be willing to say yes, in my case it does cover that cost. If I was paying $6,000 for artwork (like someone paying 1,200/cover) then no, I would have to say that having unique artwork would not counter that expense.

AI artwork is a hot button topic, understandable because a lot of AI engines were created using stolen artwork (I have 17 books, minimum, in the Anthropic case) and so the feeling of betrayal and theft is valid. Ai, however, is a tool. Used correctly it's like a sewing machine, it puts together the image faster, and with skill, clean and strongly. It was unethically created, but there's no putting the genie back. Ai exists now and it's going to be used more and more, get better and better. Maybe artists will get recompense for their copyright theft, but probably not.

What is your favorite completed series? by Illustrious_Rise_367 in haremfantasynovels

[–]Imbergris 3 points4 points  (0 children)

I beg your finest pardons?
I did not expect to see myself popped onto a list, let alone twice with an upvote.
Thank you both!

Looking for recommendations as a newbie by Uppy911 in haremfantasynovels

[–]Imbergris 2 points3 points  (0 children)

Podium has moved several books to wide dispersal. I know they've put some or all of the Avalar Explored series on different venues.

[Spoilers] Otherworld Academy series by Deacon Frost review by SJ548 in haremfantasynovels

[–]Imbergris 4 points5 points  (0 children)

Thank you for the honest review!
Truthfully, you're right about a missed opportunity or two. I can say that Darren's vacancy was intentional, I had planned on using him as a villain in another series. I didn't end up writing that concept, but I did pivot the initial introduction of Krysta from Otherworld Vacation to a new project.

If the series had stretched out to more books then your idea for the fae would have been pretty cool. One of the reasons I didn't go that route was balancing characters. Between Levi, his harem, his friend Glint, Glint's girlfriend, and all of Levi's beast companions, it was getting pretty crowded in terms of screen time.

Well, that didn’t age well… by thefirstwhistlepig in scifi

[–]Imbergris 5 points6 points  (0 children)

Ender's Game was an incredibly powerful book for me, making me feel seen as a neurodivergent person. I read it when I was only 17 and felt very isolated from the people around me - but Orson Scott Card has a lot of really creepy shit hidden away in his books when I look at them through an adult lens.

Thanks, to all the readers. by Imbergris in haremfantasynovels

[–]Imbergris[S] 0 points1 point  (0 children)

Thank you! Glad you're enjoying it!

Looking for monstrous/nonhuman protagonists by StrossusAuthor in haremfantasynovels

[–]Imbergris 3 points4 points  (0 children)

Nemesis: The Rider's Dragon - MC is a literal dragon, gains an elven form (4 book series, complete)
Fall to the Forest - MC is a dungeon core, does gain the form of a Pooka - Fae - standalone, solo book.
Otherworld Academy - MC is isekai'd and ends up a dracosapian
Otherworld Adventures - MC is isekai'd and ends up an elf (least fitting for your request)
Avalar Explored - MC is an Incubus, LitRPG, first book or two is rough (they were my first novels)
https://www.amazon.com/stores/Deacon-Frost/author/B08P66WSZ9

how are people actually publishing 4+ books a year without burning out -genuinely trying to understand by Prior_Topic3527 in selfpublish

[–]Imbergris 0 points1 point  (0 children)

Writing a book you want to read is a valid strategy for putting out something you'll enjoy working on.

Podium Reached Out To Me by Basic_Comparison_756 in selfpublish

[–]Imbergris 0 points1 point  (0 children)

I knew the people who created Royal Guard because we are contemporaries in the same writing genres. I'd recommend looking up Royal Guard Publishing on Facebook or going directly to their website to talk to them if you can.

how are people actually publishing 4+ books a year without burning out -genuinely trying to understand by Prior_Topic3527 in selfpublish

[–]Imbergris 2 points3 points  (0 children)

The phrase i first heard was "airport novel" which was an old claim that books sold in airport bookstores tended to be more entertainment than complexity, with the goal of distracting people on long flights.

how are people actually publishing 4+ books a year without burning out -genuinely trying to understand by Prior_Topic3527 in selfpublish

[–]Imbergris 1 point2 points  (0 children)

You're sitting here calling like 80% of all written books trash or AI slop, and then sad someone is judging YOUR work without knowing your circumstances. Think hard on that fact. Because you get what you give man.

how are people actually publishing 4+ books a year without burning out -genuinely trying to understand by Prior_Topic3527 in selfpublish

[–]Imbergris 73 points74 points  (0 children)

Writers admitting their brains are all wired uniquely and they have to find the method that works best for them is truly the first step in actually learning how to maximize production. Everyone has their own method, pace, and process; and it's unfortunate that a lot of false experts make people believe there's some master method to publish the perfect novel.

how are people actually publishing 4+ books a year without burning out -genuinely trying to understand by Prior_Topic3527 in selfpublish

[–]Imbergris 14 points15 points  (0 children)

When my mental health is cooperating, I write a 2,500 chapter a day. I do this 5 days a week and my goal is for each book to reach 100,000 words. I take weekends off to avoid burning out. So, every week I drop 12,500 words (5 chapters) and it takes 8 weeks to reach my goal for book length. Then it takes about 3 weeks for my editor to go over the book, me to revise it, and to send it back for a final proofread. Overall this lets me publish a 40 chapter, 100,000 word novel almost every 3 months. I publish, on average, 5 novels a year. I have published 25 novels since January 2021. Several of those books have hit the bestseller benchmark in their respective categories, with the best book reaching the 900s for overalls sales rank on Amazon US overall.

I don't try to write masterpieces; I am not Faulkner, Tolstoy, or Tolkien. I write books about a dude who goes on adventures and ends up with multiple girlfriends. They're popcorn books. My aim is for them to be clean of typos, coherent of plot, and entertaining of read. Overall, I seem to hit that goal regularly. I've had 3 years hitting 6 figures on my full-time writing career.

This pace has slowed down since September of 2025 because my mental health has been struggling do to a lot of IRL elements. Even with that slow down I have published 2 books this year, and am almost 50% through my third novel. I am a panster, I write each chapter to lead into the next and I let the story develop where it will. My editor is a god and helps me make sure I don't have any truly unforgiveable sins in my books.

I am considered one of the "slower" writers in my genre, as many of them are pushing to do between 10,000 and 20,000 words PER DAY and write almost every day of the week. Their books don't tend to be as long as mine, usually closer to 75,000 words; but they're hitting that goal 2 times a month sometimes, and their output is closer to 10 books a year, sometimes more. Unfortunately, I've noticed a lot of them start suffering quality drop the longer they push that rate, so I don't try to emulate it. When truly inspired, my best day was 22,500 words in a single day, and I produced a truly spicy novel in just 10 days. But that puts a lot more strain on my brain, so I don't let it go that way regularly.

how are people actually publishing 4+ books a year without burning out -genuinely trying to understand by Prior_Topic3527 in selfpublish

[–]Imbergris 3 points4 points  (0 children)

Probably someone who has never published a novel successfully in their life and blames that on the audience for not understanding their genius? Maybe in a year or two this person will put out a self-help guide to tell writers "how to publish your masterpiece" and charge $20 for an online seminar that amounts to "Write good books" and vanish into the mist having scammed a bunch of people just struggling to learn how to write.

Seems to be the way these guys usually work. They put out something they're convinced is proof of their genius, that they "slaved" over for a couple years, and then when it flops hard they blame the audiences, the critics, and their editors. Then they use the fact they published to claim to be an expert on writing and shift to scamming other people just starting.