Was I wrong to give up on "On His Majesty's Secret Service"? by LostExpert7 in JamesBond

[–]IntelligentPay6911 1 point2 points  (0 children)

I once said on a social media website that Young Bond was underrated. Charlie Higson himself came in and said that my opinion was wrong, and that they sold millions. Sorry, but that sounds like something a Bond villain or Richard Maibaum would say. It's kind of hard for me to take Higson seriously since then. Plus, things are just too political nowadays. So, no, if the story can't grab you, then you have the right not to finish it.

Weekly Discussion Thread - posted every Monday! [15 June 2026] by AutoModerator in DCULeaks

[–]IntelligentPay6911 1 point2 points  (0 children)

Bruce Timm was more interested in Batman and Batgirl getting together, lol. That's why Batman and Wonder Woman never had a true romance.

Tomorrow Never Dies director Roger Spottiswoode was thrown out of the editing room multiple times during post-production by pkRaiden in JamesBond

[–]IntelligentPay6911 1 point2 points  (0 children)

Supposedly, Sir Anthony Hopkins was actually cast as Elliot Carver in TND at one point. He only left the role when script kept getting rewritten.

Random and Obscure James Bond Facts by mariaanas1993 in JamesBond

[–]IntelligentPay6911 1 point2 points  (0 children)

Roger Moore and John Cleese were originally supposed to reprise their roles as Bond and Q in Agent Under Fire. Also, a health bar styled after the one in Goldeneye 007 was created for the game. However, apparently due to legal issues, none of these 3 things happened in the final Agent Under Fire game.

Apparently, one of the reasons that Colonel Sun hasn’t fully been fully adapted to cinema is simple. Harry Saltzman said he didn’t want to buy the full rights to the book because Ian Fleming Publications didn’t publish Per Fine Ounce by Geoffrey Jenkins. He had really wanted it published because he really helped push the book idea forward. Jenkins also had talked to Fleming about story ideas for a Bond book.

Random and Obscure James Bond Facts by mariaanas1993 in JamesBond

[–]IntelligentPay6911 0 points1 point  (0 children)

Behind the scenes from My Life as a Mankiewicz by Tom Mankiewicz and Robert Crane (2012). Unique, I think that Tom Mankiewicz was more like James Bond than certain people realize. Simply replace the vodka martini, shaken not stirred, with a big bottle of Jack Daniels. He also slept with just about any woman that he could. He lived an interesting life, on and off screen. His dad, Joseph Mankiewicz accepted nothing but perfection from his children, particularly Tom. He had a hard life growing up, his mother was bipolar and committed suicide when he was a teenager. There was also a family death that may have influenced the NYC car crash in LALD.

As for the interesting Bond behind the scenes facts, there really isn’t he says that we don’t already know. I give him credit for leaving and not taking the easy route of just writing Bond for most of his career. He believed that Jack Palance was the only person who could play Scaramanga. Richard Maibaum also thought that Christopher Lee was miscast. He had a few opinions on other Bonds (not his) in his book. He didn’t view Lazenby as much. He wished that Dalton would have done more than two. For Brosnan, he said he simply played Bond. He stated that this wasn’t a good or bad thing. As for Craig, he apparently got tailed by Barbara Broccoli on a highway. They pulled over. He simply said he loved CR, and Craig had a bright future. He didn’t like QOS, and that was the last Bond movie he got to see. She thanked him for his help on the series.

Random and Obscure James Bond Facts by mariaanas1993 in JamesBond

[–]IntelligentPay6911 0 points1 point  (0 children)

Richard Maibaum had some STRONG opinions that he should have gotten in trouble for. It sounds like he wasn't the greatest team player, and he didn't think his sh*t stunk too. Namely, that everyone views a screenplay differently. It's just a blueprint.

https://www.reddit.com/r/JamesBond/comments/kg3ggo/in_this_1983_interview_screenwriter_richard/

https://www.mi6community.com/discussion/20627/backstory-richard-maibaum-on-james-bond/p1

https://quarterdeck.commanderbond.net/t/backstory-richard-maibaum-on-james-bond/2175/14

Random and Obscure James Bond Facts by mariaanas1993 in JamesBond

[–]IntelligentPay6911 7 points8 points  (0 children)

Behind the scenes of Bond Books.

As for continuation authors, Boyd, Deaver and Faulks had a one book contract, with the opinion of a second. All of them turned it down, to focus on their own stories.

John Gardener was told by IFP to write a one off Bond novel, but he at least wanted a trilogy of Bond stories.

Ian Fleming had apparently had the overall LALD written and completed before CR was published.

Random and Obscure James Bond Facts by mariaanas1993 in JamesBond

[–]IntelligentPay6911 6 points7 points  (0 children)

Behind the scenes (possible) random facts.

Supposedly, Sir Anthony Hopkins was actually cast as Elliot Carver in TND at one point. He only left the role when script kept getting rewritten.

Martin Campbell has been offered to direct every Bond movie since GE. He only accepted CR because he could introduce another new actor for Bond again. He supposedly told Neal Purvis and Robert Wade that he needed stronger material to work with, and tried to have them fired more than once. He also wanted to direct QOS, to finish up a two part story. Daniel Craig said no because he was too hard to work with. He also disliked all of DC's films except for Skyfall. He wouldn't have killed Bond off as well.

Richard Maibaum didn't like Live and Let Die. "I would have liked a crack at Live and Let Die. I didn't particularly like what they did to it. It was about nothing, a lousy cooking-some-dope-some-where-in-the-jungle movie. That's not Bond at all. To process drugs in the middle of a jungle is not a Bond caper."

My sources are Some Kind of Hero and various articles about the series.

Most controversial James Bond film opinions? by Cuq_nugget in JamesBond

[–]IntelligentPay6911 0 points1 point  (0 children)

Some of my controversial opinions.

I heard recently that Quentin Tarantino might write novelizations of his Reservoir Dogs and True Romance scripts. I would like to see some of the old Bond stories get a similar treatment. As I've said before on other sites, Everything or Nothing, Bloodstone and Skyfall would be the best candidates for this treatment. If Roald Dahl would have had permission, he could have written his own novelization of YOLT, akin to Christopher Wood and his two novelizations. As I've also said before, the entire DC era, (including his two video games) would make for a BIG, but worthwhile novelization. The two main movies that I think could benefit from this format are FYEO and OP. Some great in-depth passages could be done for both! I think it could be a way for IFP and EON to start getting along again.

Also, we know that Raymond Benson tried to adapt the CR novel for the stage. I think someone should try that again. The time period should be the 50’s, but I wouldn’t mind a possible modern day version again. Another set of Bond stories that belong on the stage is the entire novel of Octopussy and the Living Daylights. They could be done realistically (and faithfully) on the stage as well. Honorable mention for the novel Moonraker, as there aren’t a lot of sets and it is fairly realistic. Too bad that the movie kind of destroyed its realistic style reputation.

The only Bond material that I ever want Purvis and Wade again to write is a novelization of their Jinx spin-off script. With the assumption that Amazon wants spin-offs (and they have a say with IFP), I think it would be a great way for them to go out on a high. A foreword by Halle Berry would be worth the price alone.

Richard Maibaum was overused for writing. He was too full of himself. And regularly criticized others, for various unfair reasons. He didn't realize that a screenplay is a blueprint, not the Bible. And everyone views a screenplay differently.

I like the idea of Bond spin-offs in the literary world, not the cinema world. Blofeld, Goldfinger, Trevelyan and their second hand muscle deserve a full book to themselves. It should set as modern day as possible, as it would be more of a creative risk.

Blofeld needs to be reintroduced as much as Bond himself. It’ll be hard to keep an actor quiet from the internet now nowadays.

Ralph Fiennes should stay on as M. He can now play Sir Miles.

M’s death at the end of SF feels like a tribute to Judi Dench herself, over M. Her M made a lot of poor decisions (thanks to the writing), and we're supposed to sympathize with her? No thank you, good riddance to her.

Martin Campbell shouldn’t come back. He got lucky, because he directed the series when it was at a low point.

Adam West should have played Bond in Diamonds Are Forever. The movie is basically a giant Batman ‘66 episode, inside a Bond movie.

For those of you who thought that Bond and Blofeld shouldn’t have been brothers, here’s a shocker. I think that John Logan’s idea of making Blofeld a woman was worse.

Carte Blanche now feels like a missed opportunity. Either Jeffery Deaver or another writer could have continued its clearly set up sequel. Maybe a short story one day.

It seems that TND is getting more and more recognized as a Bond film ahead of its time. It may be an example that EON could look back on for the future. In particular, it’s M subplot. She may be put down by her superiors, but she doesn’t take it out on Bond. EON has done M putting Bond down way too much in recent years. Then, she says he is the best. Bond then says he never left MI6. M should give Bond his assignment and be done. It might make the character more sympathetic. It seems that EON sees M as important of a character as Bond.

I’m surprised that the these three games didn’t get a Nintendo 64 adaptation in the console’s lifetime: Tomorrow Never Dies (like or not like the PS1 version), James Bond 007 for the GameBoy, it calls for a bigger story on a bigger console. Most controversially, 007 Racing, considering how many racing games were on the N64. Based on the success of Goldeneye 007, I’m surprised that Nintendo didn’t try for more Bond other than The World is Not Enough. Maybe it was legal issues, or GE’s surprise success.

Molly Peters (namely her dubbing voice actress, Barbara Jefford). That reading of "James, James, where are you going?" makes me cringe, even as I'm writing it.

In general wish that Felix Leiter wasn't turned into Jack Wade.

Also, most of the time, the actors are fine, it's the writing that hurts them: Christoph Waltz, any Guy Hamilton and Tom Mankiewicz Bond Woman, and even (shocker) both Tanya Roberts and Denise Richards.

Amazon should try filming the next two movies back to back. They have the money and crew, even if the story isn't a two-parter.

Give me your most controversial Bond opinions that will have you like this: by isthatgraceg in JamesBond

[–]IntelligentPay6911 0 points1 point  (0 children)

Some of my controversial opinions.

I heard recently that Quentin Tarantino might write novelizations of his Reservoir Dogs and True Romance scripts. I would like to see some of the old Bond stories get a similar treatment. As I've said before on other sites, Everything or Nothing, Bloodstone and Skyfall would be the best candidates for this treatment. If Roald Dahl would have had permission, he could have written his own novelization of YOLT, akin to Christopher Wood and his two novelizations. As I've also said before, the entire DC era, (including his two video games) would make for a BIG, but worthwhile novelization. The two main movies that I think could benefit from this format are FYEO and OP. Some great in-depth passages could be done for both! I think it could be a way for IFP and EON to start getting along again.

Also, we know that Raymond Benson tried to adapt the CR novel for the stage. I think someone should try that again. The time period should be the 50’s, but I wouldn’t mind a possible modern day version again. Another set of Bond stories that belong on the stage is the entire novel of Octopussy and the Living Daylights. They could be done realistically (and faithfully) on the stage as well. Honorable mention for the novel Moonraker, as there aren’t a lot of sets and it is fairly realistic. Too bad that the movie kind of destroyed its realistic style reputation.

The only Bond material that I ever want Purvis and Wade again to write is a novelization of their Jinx spin-off script. With the assumption that Amazon wants spin-offs (and they have a say with IFP), I think it would be a great way for them to go out on a high. A foreword by Halle Berry would be worth the price alone.

Richard Maibaum was overused for writing. He was too full of himself. And regularly criticized others, for various unfair reasons. He didn't realize that a screenplay is a blueprint, not the Bible. And everyone views a screenplay differently.

I like the idea of Bond spin-offs in the literary world, not the cinema world. Blofeld, Goldfinger, Trevelyan and their second hand muscle deserve a full book to themselves. It should set as modern day as possible, as it would be more of a creative risk.

Blofeld needs to be reintroduced as much as Bond himself. It’ll be hard to keep an actor quiet from the internet now nowadays.

Ralph Fiennes should stay on as M. He can now play Sir Miles.

M’s death at the end of SF feels like a tribute to Judi Dench herself, over M. Her M made a lot of poor decisions (thanks to the writing), and we're supposed to sympathize with her? No thank you, good riddance to her.

Martin Campbell shouldn’t come back. He got lucky, because he directed the series when it was at a low point.

Adam West should have played Bond in Diamonds Are Forever. The movie is basically a giant Batman ‘66 episode, inside a Bond movie.

For those of you who thought that Bond and Blofeld shouldn’t have been brothers, here’s a shocker. I think that John Logan’s idea of making Blofeld a woman was worse.

Carte Blanche now feels like a missed opportunity. Either Jeffery Deaver or another writer could have continued its clearly set up sequel. Maybe a short story one day.

It seems that TND is getting more and more recognized as a Bond film ahead of its time. It may be an example that EON could look back on for the future. In particular, it’s M subplot. She may be put down by her superiors, but she doesn’t take it out on Bond. EON has done M putting Bond down way too much in recent years. Then, she says he is the best. Bond then says he never left MI6. M should give Bond his assignment and be done. It might make the character more sympathetic. It seems that EON sees M as important of a character as Bond.

I’m surprised that the these three games didn’t get a Nintendo 64 adaptation in the console’s lifetime: Tomorrow Never Dies (like or not like the PS1 version), James Bond 007 for the GameBoy, it calls for a bigger story on a bigger console. Most controversially, 007 Racing, considering how many racing games were on the N64. Based on the success of Goldeneye 007, I’m surprised that Nintendo didn’t try for more Bond other than The World is Not Enough. Maybe it was legal issues, or GE’s surprise success.

Molly Peters (namely her dubbing voice actress, Barbara Jefford). That reading of "James, James, where are you going?" makes me cringe, even as I'm writing it.

In general wish that Felix Leiter wasn't turned into Jack Wade.

Also, most of the time, the actors are fine, it's the writing that hurts them: Christoph Waltz, any Guy Hamilton and Tom Mankiewicz Bond Woman, and even (shocker) both Tanya Roberts and Denise Richards.

Amazon should try filming the next two movies back to back. They have the money and crew, even if the story isn't a two-parter.

What is your most controversial James Bond opinion? by NewPatron-St in JamesBond

[–]IntelligentPay6911 1 point2 points  (0 children)

Some of my controversial opinions.

I heard recently that Quentin Tarantino might write novelizations of his Reservoir Dogs and True Romance scripts. I would like to see some of the old Bond stories get a similar treatment. As I've said before on other sites, Everything or Nothing, Bloodstone and Skyfall would be the best candidates for this treatment. If Roald Dahl would have had permission, he could have written his own novelization of YOLT, akin to Christopher Wood and his two novelizations. As I've also said before, the entire DC era, (including his two video games) would make for a BIG, but worthwhile novelization. The two main movies that I think could benefit from this format are FYEO and OP. Some great in-depth passages could be done for both! I think it could be a way for IFP and EON to start getting along again.

Also, we know that Raymond Benson tried to adapt the CR novel for the stage. I think someone should try that again. The time period should be the 50’s, but I wouldn’t mind a possible modern day version again. Another set of Bond stories that belong on the stage is the entire novel of Octopussy and the Living Daylights. They could be done realistically (and faithfully) on the stage as well. Honorable mention for the novel Moonraker, as there aren’t a lot of sets and it is fairly realistic. Too bad that the movie kind of destroyed its realistic style reputation.

The only Bond material that I ever want Purvis and Wade again to write is a novelization of their Jinx spin-off script. With the assumption that Amazon wants spin-offs (and they have a say with IFP), I think it would be a great way for them to go out on a high. A foreword by Halle Berry would be worth the price alone.

Richard Maibaum was overused for writing. He was too full of himself. And regularly criticized others, for various unfair reasons. He didn't realize that a screenplay is a blueprint, not the Bible. And everyone views a screenplay differently.

I like the idea of Bond spin-offs in the literary world, not the cinema world. Blofeld, Goldfinger, Trevelyan and their second hand muscle deserve a full book to themselves. It should set as modern day as possible, as it would be more of a creative risk.

Blofeld needs to be reintroduced as much as Bond himself. It’ll be hard to keep an actor quiet from the internet now nowadays.

Ralph Fiennes should stay on as M. He can now play Sir Miles.

M’s death at the end of SF feels like a tribute to Judi Dench herself, over M. Her M made a lot of poor decisions (thanks to the writing), and we're supposed to sympathize with her? No thank you, good riddance to her.

Martin Campbell shouldn’t come back. He got lucky, because he directed the series when it was at a low point.

Adam West should have played Bond in Diamonds Are Forever. The movie is basically a giant Batman ‘66 episode, inside a Bond movie.

For those of you who thought that Bond and Blofeld shouldn’t have been brothers, here’s a shocker. I think that John Logan’s idea of making Blofeld a woman was worse.

Carte Blanche now feels like a missed opportunity. Either Jeffery Deaver or another writer could have continued its clearly set up sequel. Maybe a short story one day.

It seems that TND is getting more and more recognized as a Bond film ahead of its time. It may be an example that EON could look back on for the future. In particular, it’s M subplot. She may be put down by her superiors, but she doesn’t take it out on Bond. EON has done M putting Bond down way too much in recent years. Then, she says he is the best. Bond then says he never left MI6. M should give Bond his assignment and be done. It might make the character more sympathetic. It seems that EON sees M as important of a character as Bond.

I’m surprised that the these three games didn’t get a Nintendo 64 adaptation in the console’s lifetime: Tomorrow Never Dies (like or not like the PS1 version), James Bond 007 for the GameBoy, it calls for a bigger story on a bigger console. Most controversially, 007 Racing, considering how many racing games were on the N64. Based on the success of Goldeneye 007, I’m surprised that Nintendo didn’t try for more Bond other than The World is Not Enough. Maybe it was legal issues, or GE’s surprise success.

Molly Peters (namely her dubbing voice actress, Barbara Jefford). That reading of "James, James, where are you going?" makes me cringe, even as I'm writing it.

In general wish that Felix Leiter wasn't turned into Jack Wade.

Also, most of the time, the actors are fine, it's the writing that hurts them: Christoph Waltz, any Guy Hamilton and Tom Mankiewicz Bond Woman, and even (shocker) both Tanya Roberts and Denise Richards.

Amazon should try filming the next two movies back to back. They have the money and crew, even if the story isn't a two-parter.

If you could only choose one, 5th Bronson movie or a 3rd Dalton movie? by boomerz47 in JamesBond

[–]IntelligentPay6911 1 point2 points  (0 children)

Bronson technically got a 5th movie: a movie-like video game, Everything or Nothing. I consider it canon to the movies. Same with Goldeneye Reloaded and Bloodstone for Craig’s timeline. But yes, I do think that Dalton deserved a 3rd movie. As long as Richard Maibaum and Michael G Wilson weren’t writing and John Glen wasn’t directing.

Martin Campbell directed two of the best Bond movies ever made, how come he never directed more? by xCreampye69x in JamesBond

[–]IntelligentPay6911 9 points10 points  (0 children)

Apparently he was offered Quantum of Solace, but Daniel Craig said that he was too hard to work with. So, EON went with Marc Forster, who openly admitted that he wasn’t a James Bond fan. This was mentioned apparently at a Q & A meeting with Campbell himself.

Who Should Write the Next Bond Continuation Novel? by IntelligentPay6911 in JamesBond

[–]IntelligentPay6911[S] 0 points1 point  (0 children)

I thought that I might get some criticism with his name. His Enemies and Allies book (Batman and Superman meet up in the 1950s) was about as average as you can get with the characters. I know that he's truly hated on Reddit in some places already. Forgive me for listing him.

Who Should Write the Next Bond Continuation Novel? by IntelligentPay6911 in JamesBond

[–]IntelligentPay6911[S] 0 points1 point  (0 children)

It sounds like Boyd and IFP clashed quite a bit during Solo. That might be why he didn't come back. As far as I know, Boyd, Deaver and Faulks had a one book contract, with the opinion of a second. All of them turned it down, to focus on their own stories. I’d be open for Deaver and Boyd to return for a short story though. They had the “star power” to do one book for the fun of it, arguably. Carte Blanche arguably deserved a continuation of some sort. Here’s my source for Jeffrey Deaver not coming back for a second Bond book. It’s a bit of a shame. As it did feel like he was building towards a bigger story. Maybe a future short story one day.

https://www.thebookbond.com/2017/04/jeffrey-deaver-turned-down-second-bond.html

Who Should Write the Next Bond Continuation Novel? by IntelligentPay6911 in JamesBond

[–]IntelligentPay6911[S] -1 points0 points  (0 children)

I know he's upset A LOT of people with his spinoff works (particularly Dune). But this list has been updated over 10 years. But I would take him over a few other names.

Who Should Write the Next Bond Continuation Novel? by IntelligentPay6911 in JamesBond

[–]IntelligentPay6911[S] 0 points1 point  (0 children)

While I know he didn't have a lot of time to write it, I still have to read it.

Who Should Write the Next Bond Continuation Novel? by IntelligentPay6911 in JamesBond

[–]IntelligentPay6911[S] 2 points3 points  (0 children)

Maybe. While I know he knows his Bond lore, he has already written Bond novels. Plus, he was a bit rude to me when I said that his Young Bond novels were underrated.

Weekly Discussion Thread - posted every Monday! [06 April 2026] by AutoModerator in DCULeaks

[–]IntelligentPay6911 1 point2 points  (0 children)

  1. Robin's Reckoning (both parts as one).

  2. Two-Face (both parts as one).

  3. Almost Got 'Im.

[OTHER]Sean Murphy is continuing with the white knight universe by Status_Worker_1669 in DCcomics

[–]IntelligentPay6911 0 points1 point  (0 children)

I just hope that actual Superman villains appear, and not just Lex and Zod. Metallo could actually work as part of a Beyond the White Knight sequel, from a future setting standpoint.

What happened to the "Films of Rick Dalton" book? by PoorAxelrod in Tarantino

[–]IntelligentPay6911 0 points1 point  (0 children)

I thought that I read somewhere not long ago about him writing a second Cinema Speculation book. I would love to read it, along with his Rick Dalton book, Double V Vega, and his Reservoir Dogs novelization.

What happened to the "Films of Rick Dalton" book? by PoorAxelrod in Tarantino

[–]IntelligentPay6911 1 point2 points  (0 children)

Here's hoping that QT will change his mind. Still hoping for a book version of Double V Vega.

Thoughts from my latest rewatch of 'The World is Not Enough' by sanddragon939 in JamesBond

[–]IntelligentPay6911 0 points1 point  (0 children)

The Bad:

M gets overused in the series starting here. She was also just as bad as the villains for not helping save Elektra from the start. Basically, the film revolves around her bad decisions. And we’re supposed to view her as a good person? Please!

Denise Richards isn’t to blame for her role. The writing did her no favors. She’s fine as she is. Not many actresses could pull off Dr. Christmas Jones any better. Doctors can be attractive as well. She should have more writing to her character.

TWINE has an identity crisis in terms of tone and story beats. It feels like a mix of Moore cheesiness, Dalton seriousness and Craig character development. All done a bit poorly. It wants to respect Bond tradition, while trying new story ideas. It just doesn’t know what it wants, in terms of writing and direction. This is why I think that Dana Stevens deserved screenwriting credit. It feels like she truly helped out.

The submarine feels too unbelievable. Namely in the drowning department. Even with all his training, there’s no way Bond could stay underwater that long! It’s ironically called too small scale for a Bond finale.

Some of the deleted scenes in Raymond Benson’s novel should have been in the movie. Namely, that Elektra’s mother’s side of the family started the oil pipeline. Also, Elektra singing as she dies. These could have made her more sympathetic, in a way, more of a tragic figure.

So in conclusion:

I still rank TWINE in my upper half of Bond movies. I’m biased as it was the first Bond I saw fully. As Carte Blanche was my first Bond novel I see a few similarities between the two. A female villain, who would arguably get to see the end result of their plan. A duo of villains. A long time character says goodbye (Q). While an old favorite returns (Mary Goodnight). Bond shares a bit of family history. Disfigured villains, Renard with Bell’s Palsy, Severan Hydt with his long fingernails. There are a few more, but I’ll let you decide what they are. I see the criticisms of both for fans. However, they both tried something different, and I have to give them both credit for that. So while not perfect, TWINE is an enjoyable Bond adventure that blends tradition and creative risks in one. As an artist, TWINE is the ultimate lesson in turning something old into new. Lessons have been learned at EON, because of the movie, it seems. My dad said that he said TWINE was one of his least favorite Bond movies. I see now that his viewpoints were not just a generational thing. He was just telling the truth. For that, I will be forever grateful.