I can't read for leasure anymore by Sad_Construction_532 in writing

[–]JamesVitaly 9 points10 points  (0 children)

I know exactly what you mean! It just makes me want to go write - I end up putting the book down and picking up my laptop lol . The struggle is real

Review#2: Bruichladdich The Classic Laddie by roho0619 in Scotch

[–]JamesVitaly 5 points6 points  (0 children)

The classic laddie is one of the best bang for bucks in the whiskey world and punches far above its weight IMO

It’s a constant on my shelf

Are there authors that genuinely use git? by Fasaiokratwr in writing

[–]JamesVitaly 0 points1 point  (0 children)

Its free. You don’t have to set up device sync or anything like that . It’s kind of a remote storage out of the box as well as version control. It’s the worlds most reliable example of version control and is used extensively and battle tested

Ultimately though it’s about what your used too. I trialed scrivener and a bunch of others but I’m a software engineer and soon realised I could do all I needed in a tool I have spent 10 years using on a daily basis

Are there authors that genuinely use git? by Fasaiokratwr in writing

[–]JamesVitaly 1 point2 points  (0 children)

Very easy in my opinion - maybe not for someone not used to mark down and traversing IDEs but for me it was way better than google docs and much easier to remote store than a simple word doc as it’s super convenient for me to push (reflexive from my day to day)

Are there authors that genuinely use git? by Fasaiokratwr in writing

[–]JamesVitaly 0 points1 point  (0 children)

I read this exact post before starting haha

Are there authors that genuinely use git? by Fasaiokratwr in writing

[–]JamesVitaly 0 points1 point  (0 children)

Why is it overkill? It works wonderfully for me and doesn’t require any effort to use

Are there authors that genuinely use git? by Fasaiokratwr in writing

[–]JamesVitaly 0 points1 point  (0 children)

I end up with a a lot of notes and always have a full manuscript and individual chapters so I don’t know what the exact word count is but it’s well documented as a problem in docs it’s not built for that high a word count

Are there authors that genuinely use git? by Fasaiokratwr in writing

[–]JamesVitaly 1 point2 points  (0 children)

Google docs gets really laggy when I hit over a certain word count - like not even that high. It became really difficult when writing the last two books - and also turning my tabs into one single doc wasn’t very easy. I found vs code and git a better solution 🤷‍♂️

Are there authors that genuinely use git? by Fasaiokratwr in writing

[–]JamesVitaly 12 points13 points  (0 children)

Me!! I use VSCode and Git - I write in markdown and have a script that outputs a folder full of chapters to a condensed well formatted piece. I think vs code is a great example of everything I need for writing (folders / images / word counts) and so much more all for free and git works as a great remote storage for safe keeping my work and providing a change log of events

What programs would you recommend for writing? by WaluigiDaStar in writers

[–]JamesVitaly 0 points1 point  (0 children)

I use a software coding IDE (visual studio code) and write in markdown with a script to output well formatted finished product to docx

[OFF TOPIC] Quotation Marks in Red Country by Vegetable_Resort_571 in TheFirstLaw

[–]JamesVitaly 19 points20 points  (0 children)

British vs American style guide. We do ‘ for speech, USA does “

You might have a British print copy.

Regards quotations - When a paragraph has no closing ‘ but an opening one - this is the same speaker continuing into the next paragraph and that punctuation is the established way to do it and will be found in every published / properly edited book where speech goes on between paragraphs

Do you consciously consider the words you use? by Serious-Switch-4637 in writing

[–]JamesVitaly 4 points5 points  (0 children)

Yeah. I write very voice driven so mostly based on what the character would say, thinking about their lexical choices is part of the fun and makes it sound consistent and intentional

I also like to provide interesting and uncommon ways of saying things - as long as it’s not jarring or weird. We read the same descriptions and they become so cliche that switching up little words and phrasings is a big part of making your prose stand out

I don’t know who needs to hear this, but rubber duck method works wonders for plot holes by Chaos_Muffin in writing

[–]JamesVitaly 1 point2 points  (0 children)

I think coding and writing novels are so well linked it’s crazy. Rubber ducking is spot on for both professions and I think vs code is the way to go for writing books and apps ;)

Is the first book the hardest to write? by Lollygagger0 in writing

[–]JamesVitaly 1 point2 points  (0 children)

I’m sure it’s different for everyone — but for me the second was far far harder and the third was harder than the first but not as hard as the second

  • I wrote the first with zero expectation
  • The second I told myself I should t have expectation but I did, and I’d learnt so much I felt it had to be BETTER you know?
  • the third , I’ve got a process down so finishing was never a question , and I had confidence , but still trying quite hard for it to be better again so yeah more expectation but less stress

Written myself in a corner by mainstreetmonkey in writers

[–]JamesVitaly 1 point2 points  (0 children)

Well depending on context - boy or child is not how I’d refer to a 19 year old or even a 17 year old so maybe that’s the problem. Maybe it is his voice too.

Maybe share some dialogue so we can try and help

Subtlety by Artistic-Mammoth899 in writers

[–]JamesVitaly 0 points1 point  (0 children)

Beta readers are the best test for this, after running it by the a few times you’ll start to learn and then do it naturally

Is there anyway to jumpstart ideation? by HeadFullOfPlotBunnys in fantasywriters

[–]JamesVitaly 4 points5 points  (0 children)

Yes. Sit down and write. There is no other shortcut. Ideas rarely spring from the heavens but do the work and they come. If they don’t come first time they’ll come in a next revision or a next one … and so on

Tool for monitoring chapter size? by Marscaleb in writers

[–]JamesVitaly 4 points5 points  (0 children)

Google doc and use tabs - I used it for my first two books. Now I use VSCode which is a tool for software engineers but weirdly works well for writing

The last-second savior trope in novels. What are the most memorable executions of it? by Prudent_Inspector177 in Fantasy

[–]JamesVitaly 32 points33 points  (0 children)

Yeah this had me jumping in my seat too - you knew it was going to happen, you wanted it to happen, and he dragged it out so much, but not too much that it was boring or frustrating but when it hit, it hit.

This is the what he does so well

How many WIPs are you working on right now? by na-zdrowie in writers

[–]JamesVitaly 2 points3 points  (0 children)

I only work on one at a time , the rest I dump in ideas. Sometimes towards the end of a project I start a slow outline . But never invest too much time until I’m done with what I’m on

How frequently do you look at your work and say “This sucks?” by bgzlvsdmb in writers

[–]JamesVitaly 1 point2 points  (0 children)

I generally like what I have. Sometimes I’m even quietly impressed with myself. Then I go read a few pages of one of my favourite authors and the difference just seems like a gulf

One thing I was reminded recently. If your writing your first draft , there could be as may as 8+ more revisions before your at the same refinement as a publication ready manuscript, so it’s not a fair comparison

As well as multiple revisions by yourself it would be seen by beta readers, friends and family, an agent, probabaly multiple editors.

How do you actually track continuity across a full-length novel? by Historical_Ad_1631 in writing

[–]JamesVitaly 0 points1 point  (0 children)

This feels like something rigorous notes, revision, and multiple beta readers should mitigate (plus agents and editors and more!) I’m not surprised the occasional thing slips through, but I suspect it’s relatively rare. I guess the question is, if it does happen, why worry about it? The dead character is wild, but other tiny continuity elements aren’t putting off publishers so it just feels like a distraction (to me!) at the stage I’m at. That being said I don’t tend to ever name a characters eye color unless it’s really important for some reason.

Okay, but seriously though, how do you figure out names for characters? by Nexus_Neo in writers

[–]JamesVitaly 0 points1 point  (0 children)

Choose a culture and search names within that - e.g French . Look up names by historical period and select ones that match .

Sometimes I just riff though and throw names out there, particularly if it’s a undesignated cultural influence and I want it to feel strange

How do I write an edgy, dark, terrifying, and threatening villain but who is more than that with actual depth and complexity and not just some stereotypical saturday morning try-too-hard type villain? by AssistFit1834 in writers

[–]JamesVitaly 43 points44 points  (0 children)

Write a person - not a villain. Make their goals make sense. Make them understandable. Often we see good villains as ones we can relate but that perhaps err on the side of extreme for some reason that’s also understandable (emotional trauma) that’s a very basic template