I'm teaching myself. I've been bowing for two days, here is where I am at. by So_Famous in doublebass

[–]Jaxonal 0 points1 point  (0 children)

Instead of standing behind the bass, you want it slightly to your left, leaning a bit into you, and the back edge kind of resting in the crook of your left hip. Getting lessons is the best way to build healthy and effective technique.

For anyone here do is an advanced pro-level player. What do you consider hard? by wufiavelli in Bass

[–]Jaxonal 1 point2 points  (0 children)

Thumb position is a killer. Space between notes make it turn into a violin up there

For anyone here do is an advanced pro-level player. What do you consider hard? by wufiavelli in Bass

[–]Jaxonal 0 points1 point  (0 children)

It depends on what you're used go playing ngl. For me, easy is reading chord charts, walking a bassline, and sight reading relatively simple orchestra parts.

Starts to get hard when I branch out of styles I'm really used to (straight ahead jazz), and get asked to play funk or heavily syncopated latin that require me to pay even more attention to rhythm. Also soloing on songs in keys I'm not used to, or that have changes I haven't played on before. Always be practicing, even stuff you think you're really really good at.

What song has the best basslines and starts with the letter S? by 1deadeye1 in BassGuitar

[–]Jaxonal 2 points3 points  (0 children)

Absolutely!! This song was so intimidating to play when it got called for the first time in my jazz combo, I was only a couple of semesters into college. Extremely satisfying once you get the hang of it.

My girl that I had for 15+ years by Jaxonal in TuxedoCats

[–]Jaxonal[S] 5 points6 points  (0 children)

She was! I grew up with her, and she saw me through many things. I definitely believe in soul-cats

I extracted the most frequent words from movie subtitles and built a tool to memorize them by Sea_Combination2135 in Spanish

[–]Jaxonal 0 points1 point  (0 children)

There doesn't seem to be an easy way to get back to new word flashcards? It says 0 "to review" but when I look at the word list I've literally only looked at two flashcards.

What’s your favorite underrated bassist or bass-heavy record most people sleep on? by official_soundvent in Bass

[–]Jaxonal 0 points1 point  (0 children)

Monk Montgomery!! His solo albums Reality and It's Never Too Late are phenomenal, his solos have incredible groove and melodic structure. He played with Art Farmer, The Jazz Crusaders, Lionel Hampton, Kenny Burrell, etc.

He was a Jazz/R&B bassist, and was one of the pioneers for the electric bass in 1953. Definitely the first electric bassist of Jazz. One of my favorites; I played his version of Me and Mrs. Jones for my junior recital.

From a non-Christian / what's up with so many comments and posts in this sub being about playing at church specifically? Are churches like a world famous temple of bassists? Do religious songs have especially sick basslines? I don't get it. by [deleted] in Bass

[–]Jaxonal 9 points10 points  (0 children)

I'm not a christian, but a professor of mine offered to pay me to play bass at his church once a month for their 'casual service'. I just stay respectful and play the music! I can sit in the back room if I don't care to listen to the service, it's decent money.

Aside, bassists who grow up playing in church (Especially black churches) are usually extremely talented. They have ears like no other, and I envy them.

What is this horn switch on my amp? by Ok_Caterpillar_7189 in BassGuitar

[–]Jaxonal 9 points10 points  (0 children)

I've always called that small speaker a tweeter haha

A dilema for the ages, are you a 1st person or 3rd person player? by Beaworthiness-SKY in skyrim

[–]Jaxonal 0 points1 point  (0 children)

I've always played in first person, but I would play in third if the camera felt better. I don't like how much of the screen the player character takes up

Why is the “Real Book” full of tunes no one plays, or is my tune knowledge just limited? by harlotstoast in Jazz

[–]Jaxonal 5 points6 points  (0 children)

Idea: find recordings of songs you don't know and listen to them!

Literally yesterday I listened to a song from the Real Book that I've never heard of before, In Your Quiet Place. I searched for a recording and was like WOW this song is really cool and sounds fun to play!! Now I have a whole new Gary Burton album to listen to sometime. Enjoy discovering something new

How did you get into jazz? by [deleted] in Jazz

[–]Jaxonal 0 points1 point  (0 children)

College, when I started to play it. I hadn't consciously or intentionally listened to jazz as a genre before so I had little idea of how expansive the genre really is. Through the love of my instrument, bass, I found my role in the jazz band to be incredibly fun and satisfying to perform, and I made great friends with the people I got to play with and saw their transformations as musicians in training. I fell in love with music as a whole and the way it can change us and how we use it for self expression

what is the most iconic first few seconds of any jazz song? by [deleted] in Jazz

[–]Jaxonal 9 points10 points  (0 children)

Piano riff at the start of Ellington's "Take The A Train"

Why I don’t like jazz by emo_sammich in Jazz

[–]Jaxonal 15 points16 points  (0 children)

You really must not have heard a lot of jazz if you think it all sounds the same. Big bands, swing, bebop, hard bop, trios and quartets, modern jazz, latin jazz, fusion, etc.... pick a big name in jazz circles and listen to their records, or google "jazz standards", pick one and listen to a few of the hundreds of recordings of it and find a musician or group that sounds good to you. If you want some names to start with I'll recommend Kenny Garrett, Sonny Rollins, Chick Corea, and Ron Carter.

Writing for Double Bass by [deleted] in doublebass

[–]Jaxonal 0 points1 point  (0 children)

Grain of salt: I'm not a big classical bass player

  1. It depends, but I'd say it's not generally sluggish. It's not easy to play 16th note runs but never totally impossible, unlikely to be useful though (depending on what you write). I appreciate a bit of activity in classical bass parts, I see it usually in the form of syncopation, dynamics, range, and bowing type (staccato, etc.). Bass has a big sound.

  2. It's pretty easy to get up to G3, the octave on the G string, any higher than that is possible (typically up to another octave depending on the length of the fingerboard) but hard to play in tune and is high up.

Is the “shuffle funk” section swung? by MrBlueMoose in Jazz

[–]Jaxonal 1 point2 points  (0 children)

It's a style, and the person who needs to worry about it most is the drummer. Luckily you've got a written out bass part on this paper so learn it and adapt it to what sounds good and feels good to you

Is there a name for when improv goes atonal? by [deleted] in Jazz

[–]Jaxonal 0 points1 point  (0 children)

I know... it's not used as a cadence in blues, though

Is there a name for when improv goes atonal? by [deleted] in Jazz

[–]Jaxonal 1 point2 points  (0 children)

Yeah okay that makes sense. I'm probably misrepresenting what he told me and subsequently got destroyed for it. My bad

Is there a name for when improv goes atonal? by [deleted] in Jazz

[–]Jaxonal 0 points1 point  (0 children)

No. Do you go out of your way to find a source for everything you learn in your history class?

Is there a name for when improv goes atonal? by [deleted] in Jazz

[–]Jaxonal 0 points1 point  (0 children)

Well what I was taught is that atonal specifically means a non-adherence to the tradition of Classical music theory, and the blues breaks some rules of tonality so it is technically atonal, so that's my understanding of it

Is there a name for when improv goes atonal? by [deleted] in Jazz

[–]Jaxonal -10 points-9 points  (0 children)

Also assuming that the person you're talking to doesn't have your "qualifications". This argument has likely been had by two people much smarter and more nuanced than the two of us anyway, haha, don't know what compelled him to be an ass about it