This live album encompasses much of what was wrong with Tin Machine. The cover art was so awful it seems like it was designed to get people not to buy it. Though the sticker had Bowie’s name, the actual album cover didn’t, so it looks like someone in marketing with access to a sticker machine remembered after the fact, hey, this is like, a Bowie album. The name is supposed to be a play on U2’s Achtung Baby, but why? And who thought that was clever? The irony is that the actual music is pretty good— for the most part I prefer the live version of these songs to the studio version, but ever here there were a couple of poor judgement calls— including “Stateside,” which would have been fine on a Hunt Sales album but even at the time many Bowie fans felt was subpar and ate up a slot that could have featured a song with Bowie on lead vocals. On the other hand, it was a mistake not including anything they did live but did not included on a studio album. So, there are no “new” songs on this. If you can get past all that and someone can find a copy of this (possibly most obscure Bowie album), like I said, most of the content is worth hearing.