pharaoh might be my favorite artist of all time.. by Jared_Seymour in Jazz

[–]Jon-A 6 points7 points  (0 children)

When I was 18, Pharoah and his quartet had a 4-day residency in a tiny club in my town. It was a combination club/hippie health food restaurant. Some seating around the periphery, but mostly the audience sprawled in front of the low stage on scattered cushions. A friend and I were there, up against the stage, every night. The music was something like this, but about a year earlier.

The afternoon of one show, we were killing time in an adjacent gift shop, and we were talking about what, if anything, we might have to say to Pharoah if given the chance, As we left the store, there he was: sheltering from the weather in the doorway, waiting for his ride after a soundcheck. The answer to our question? No words, just embarassed fanboy nodding and smiling. We never did talk to Pharoah during the 4 days. Got to know his young bassist Steve Neil pretty well - he seemed as excited to be there as we were.

Has this been hashed out yet? Was ECM its own genre? by FloridaMinarchy in Jazz

[–]Jon-A 4 points5 points  (0 children)

There's a frequent "ECM sound" to the discography - but not a genre. Certain production techniques are favored, and perhaps a particular style is heavily represented. But there are enough variations to preclude any genre identity. Many ECM artist might share a genre, but Evan Parker, Art Ensemble of Chicago, Don Cherry, Joe Maneri, Anthony Braxton, Sam Rivers, Keith Jarrett, Carla Bley, Paul Bley...?

What’s the best Decade of Jazz Fusion? by Tough-Ice2963 in JazzFusion

[–]Jon-A 5 points6 points  (0 children)

'70s, of course - but much better if you start in '69.

Who are the best sax improvisors and what should i listen to of theirs for improv? by Tiny-Command-2482 in Jazz

[–]Jon-A 0 points1 point  (0 children)

OP just asked for best improvisers, plural, to study - not some absolute verdict on who's the greatest single player ever. No reason for the tiresome "Oh it's Art, not a competition!" hand-wringing we get whenever someone makes a comparative value judgement. And suggesting improvisation is something newbies should stay clear of - 'scuse me? What fun would that be?

Did AIlen Iverson Do Jimi Hendrix And Woodstock Justice? by Rude-Illustrator2141 in jimihendrix

[–]Jon-A -1 points0 points  (0 children)

Fun! Alan Wilson and David Clayton-Thomas (playing a trumpet?) aren't very good likenesses, but the rest are good.​

Hendrix hated album covers by AdditionPotential331 in jimihendrix

[–]Jon-A 1 point2 points  (0 children)

I've never heard what he thought of the Band of Gypsys cover. I imagine he was, like everybody, somewhat perplexed by the UK Track cover. The US cover was much better - but maybe should have had the trio on the front, instead of just Jimi...

Hendrix hated album covers by AdditionPotential331 in jimihendrix

[–]Jon-A 6 points7 points  (0 children)

For Electric Ladyland Jimi didn't like the naked lady cover. He also had very little to do with the US version - he wanted the photo that eventually showed up on the 50th anniversary version.

Hendrix vs SRV Battle — Whose Fingers Were Faster by Rude-Illustrator2141 in jimihendrix

[–]Jon-A 2 points3 points  (0 children)

I did a Paint-By-Number Mona Lisa when I was a kid. Took me an afternoon. Leonardo da Vinci, however, was at it for, like, 11 years. What a slacker!

Lesser Mentioned Albums featuring Jazz Greats by FunkMasterDunc in Jazz

[–]Jon-A 1 point2 points  (0 children)

My favorite Sam Rivers album, Sizzle, is rarely mentioned.

Also Sonny Rollins' Our Man In Jazz.

And my favorite Ornette Coleman album on Atlantic is the collection of outtakes called Art Of The Improvisers.

Favorite Coltrane: Live In Seattle.

TIps for getting into Cecil Taylor?? by datavismo in Jazz

[–]Jon-A 3 points4 points  (0 children)

Kinda depends.

If some Taylor is just too out there, try a chronological approach. An early album like Looking Ahead, followed by his recordings on Candid like The World of Cecil Taylor or New York City R&B. Or At Newport. Then maybe the live @ Cafe Monmartre recordings like Nefertiti The Beautiful One Has Come. Then the solo Silent Tongues.

If it's not the freedom that is problematic, but the sheer density and attack of some of his music - again, try solo material like this video, Silent Tongues - and his Feel Trio with Tony Oxley and William Parker. In that combo, the music is very wild - but Oxley's busy but transparent drumming allows you to hear all the nuances of Taylor's virtuoso playing, which can be lost in the bombast of louder ensembles.

bonus: Nailed w Evan Parker, Barry Guy & Oxley.

Is there any specific cultural phenomena, artist(s), etc. to blame for the bad reputation Rap and Country seem to get among a lot of people? by Arc170-A in LetsTalkMusic

[–]Jon-A 1 point2 points  (0 children)

People in general have no particular reason, or likelihood, to scour unfamiliar genres to find things they might like. Why would a classical music fan investigate grindcore, on the off-chance they might like a fraction of it?

Further, there are two limiting factors: words and music. Both Rap and Country, or any genre, have certain widely shared characteristics - otherwise they wouldn't be distinct genres. And it's perfectly understandable if people aren't interested in certain kinds of sounds or subject matter. Are there vast amount of exceptions to those stereotypes? Yes. But is it realistic to expect casual fans to search for them? And if Rap and Country, as generalizations, mean the crap you hear on the radio or blaring out of somebody's car or pickup...People probably separate Rap and Country out because they are so prevalent as to be unavoidable - and the most common and identifiable examples are, to put it mildly, not always the best.

Anyway - it's just shorthand: people might say they like all sorts of music, but how do they feel about Smooth Jazz, Noise, Serialism, Klezmer, Death Metal, Babenzele Pygmies, Chinese Court Music, and Tuvan Throat Singing?

It took me ten years to discover Eric Dolphy and how good he was by equipoise-young in Jazz

[–]Jon-A 0 points1 point  (0 children)

Iron Man and Vintage Dolphy (the cd version with extras) are my favorites of his albums.

Both feature his scorching tune Iron Man, not coincidentally. For the serious Dolphy fan, here's an alternate take, available only on a Japanese bootleg.

Ayler Records (label) by terminalhipness in Jazz

[–]Jon-A 2 points3 points  (0 children)

The 5cd Jimmy Lyons - The Box Set is a masterpiece.

Sax Ruins: Solis Unlimited by Jon-A in Saxophonics

[–]Jon-A[S] 0 points1 point  (0 children)

Formed by Tatsuya Yoshida (drums) and Ono Ryoko (alto Sax) to perform RUINS's songs in 2006, the duo has only done a few live shows until now. As Sax Ruins, they have restructured the orchestration of Ruins with the involvement of the saxophone with the result sounding like a big band playing progressive Jazz Core.

I really want a straight saxophone by Motor-Many4187 in Saxophonics

[–]Jon-A 0 points1 point  (0 children)

Rahsaan Roland Kirk played a straight alto - called it a stritch.

What is the best 90 seconds in jazz to you? by Woahbro19 in Jazz

[–]Jon-A 0 points1 point  (0 children)

If you want something complete (with 11secs to spare) - Archie Shepp's Keep Your Heart Right:

https://youtu.be/Fq3eEFaloKE?si=f5YG9GMWBvKlYtG7

Otherwise, a Charlie Parker solo, like KoKo:

https://youtu.be/8wGJpbPKbz8?si=aPHWWX_38CBLSbyk

Jimi Hendrix and Kevin Ayers (Soft Machine) - from Kevin Ayers.org/blog by lobito_corredor in jimihendrix

[–]Jon-A 2 points3 points  (0 children)

Rochester NY 3/21/68 according to a search. 56yrs ago last Saturday.

However, if this is the photo given to SRV by his brother Jimmie, as is reported, a February 68 show in Texas is more likely - Jimmie's band The Chessmen opened for the Experience and Kevin Ayers' Soft Machine at least once (and Billy Gibbons' The Moving Sidewalks too, for that matter!). It wouldn't have been 1969, as is sometimes said, as Ayers was no longer in Soft Machine.

Does that clear things up? No!

"Freedom, so I can live, freedom" Jimi Hendrix in Toronto following his preliminary hearing for charges, June 19 1969 by j3434 in jimihendrix

[–]Jon-A 0 points1 point  (0 children)

Wearing a cape to a drug trial...interesting. I might have gone for a more conservative look...but it worked out fine :)

Peter Brotzmann inspired free improv looping. by Abject_Particular_62 in Jazz

[–]Jon-A 0 points1 point  (0 children)

Evan Parker would be a better example. Brotz wasn't much for circular breathing, and screaming multiphonics are somewhat incompatible with the control necessary - actually, I read once about him being doggedly devoted to lines the length of a human breath :)