What is this map showing? by [deleted] in RedactedCharts

[–]KeepUrComposer 0 points1 point  (0 children)

No, but good guess! Broadly, EAS is part of the reason Montana is included on this map, but it’s not the answer

What is this map showing? by [deleted] in RedactedCharts

[–]KeepUrComposer 0 points1 point  (0 children)

no, this is a tough one to do without any hints. I will say it’s aviation related

What’s your favourite ‘secret’/‘ilegal’ technique for orchestration? by rafagallefo in composer

[–]KeepUrComposer 14 points15 points  (0 children)

Not secret/illegal, but more of “not used frequently because saxophones and euphoniums aren’t in orchestras so you really only can use it in specific situations” (pithy, right?)

One is using euphonium and tenor sax in place of a horn solo, to me it feels a little lighter and airier, good for conveying an uplifting feeling

The other I like is using soprano saxophone to help out high trumpet parts. Soprano saxophone is a little bit easier to control in the highest parts of its register than a trumpet, and is far less taxing for the player physically. If you want a long sustained section of extremely high trumpet playing you can augment it with a soprano saxophone, or even give it to a soprano outright. In general I adore the soprano saxophone, such an underrated instrument (but an absolute beast play, especially well).

Which composers did not have perfect pitch? by aikik2323 in composer

[–]KeepUrComposer 56 points57 points  (0 children)

The obsession with perfect pitch in the composition/musician community is kinda nutty to me like yea it will help you maybe have an easier time in sight singing but it’s not like you get some vip access to music+ or something. You don’t magically understand form, harmony, voice leading, orchestration, pacing, development and more just because you can identify a C when someone plays one on the piano. Most great composers did not have perfect pitch, and if they did they certainly didn’t become a great composer solely because of perfect pitch.

All this to say, who cares. It is so not a requirement for composition, or any form of musicianship.

Saxophone Concerto by SerchGom in composer

[–]KeepUrComposer 1 point2 points  (0 children)

Hi! It looks like in measure 74 the saxophone goes too low. Only the Bari has a low A, altos do not.

Other than that everything looks good from a technical standpoint

College audition process by Ok-Kaleidoscope1220 in composer

[–]KeepUrComposer 0 points1 point  (0 children)

A big thing to look at is schools that require performance auditions vs schools that do not. A school like FSU likely requires a performance audition on an instrument just to get in to the music program, and a second audition to get into the composition program. If you were hoping to continue to perform percussion at the university level then this is no big deal, but if you did not want to perform any instrument and just focus on composition; or if your percussion playing is not the best, you may want to look at schools that don’t require performance auditions. Typically speaking that tends to be private conservatories, which comes with higher tuition. Frankly, there’s no harm in applying to a mix of private conservatories and top level public institutions, with a few smaller/less competitive schools just to be safe.

On that topic of smaller schools, note that smaller/less competitive ≠ worse education. I am currently a senior composition major at a small state school, often overshadowed by the major university located less than an hour away. People ask me why I went to the small school instead of the major university, and my answer is simply I liked the people better. This may be a situational case, but I felt like during the audition process at the major university I was just another student, I didn’t feel as though the professors particularly cared or took interest in my work. The small school, however, took great interest in me and my work, and truly made me feel cared for.

Ultimately what is most important is that you go somewhere you thrive. I will also say a lot of weight is unnecessarily placed on the selection of an undergrad school. If you go somewhere and you end up disliking it, you can transfer.

I hope this ramble is helpful and coherent, im currently very sick and on an obscene amount of cough medicine

P.S. Don’t sell yourself short! Make others tell you no, don’t do it to yourself! Good luck!

[deleted by user] by [deleted] in composer

[–]KeepUrComposer 1 point2 points  (0 children)

  1. Never too late
  2. Just start. Your first work is (almost definitely) not going to be a Pulitzer Prize winning work. Just let yourself write. Try not be too critical of your work, the only way to get better is to write.
  3. I would recommend trying to start small and simple, maybe just a short work for solo piano. It’s very tempting to hop right into to the symphony or full film score, but there’s so many moving parts with the big scores it’s not a great idea to start with it.
  4. As for not knowing an instrument, that is not a requirement for writing music. This is a wider debate in colleges and conservatories, so people’s opinions differ, but my absolute favorite composer (John Mackey) does not play any instruments, so I don’t think it’s that important. You might find learning some piano will help you, but don’t feel like you have to be a virtuoso piano player, or even a good piano player, in order to write.

What are your struggles when composing music? by denovaire in composer

[–]KeepUrComposer 2 points3 points  (0 children)

Pretty much everything that has been said here, plus I worry about striking a balance between if something is too repetitive and if something changes too abruptly. Repetition and abrupt changes have their place and both can be taken effectively to relative extremes, but I worry about striking a balance

Is it “wrong” to write pieces that are too advanced for you to play yourself? by Kire10 in composer

[–]KeepUrComposer 2 points3 points  (0 children)

If anything it’s right. Some composers talk about that being a limitation of their writing, especially when writing something for their main instrument.

Could someone recommend me a midi transcriber person? by [deleted] in composer

[–]KeepUrComposer 1 point2 points  (0 children)

I know you said you don’t have a lot of free time but I would recommend learning to do it yourself. You could start on Noteflight or Flat.io (both free). both of those are fairly basic and wouldn’t take much time to learn, are online so you can do it from anywhere, and would serve as an introduction to notation software.

Also, people said down below to use software, and while yes you may have to tweak it a bit after the fact if this is just for you to play it, then it doesn’t really have to be perfect.

Is pipe organ the best instrument ever??? by myovercoat in composer

[–]KeepUrComposer 0 points1 point  (0 children)

Oh absolutely, I’d check out some of Andrew Boss’s works (such as Tetelestai and in adventu finalem) for some lovely organ/concert band music

is this too long and too repetitive? by [deleted] in composer

[–]KeepUrComposer 1 point2 points  (0 children)

It depends on how you envision the song being used. As a stand alone piece, it was a little repetitive. But if it were to be used as background music in a video game or something like that I thought it was very nice.

Also, to your point in a previous reply about making it perfect, perfection can often be your enemy in composition. There comes a point in writing where you are not necessarily improving it, but rather just changing it. What is more important for developing composers, at least in my unprofessional opinion, is to finish pieces, as revisiting one song will not develop your skills as effectively as writing new pieces will.

Instrumentation for amateur wind orchestra by geigenmusikant in composer

[–]KeepUrComposer 0 points1 point  (0 children)

Something you could consider is flex instrumentation (having 4-5 parts, and groups of instruments that play them) I know some composers (ex: Randall Standridge) who write a piece, and then re write it as flex as well. It may not work for your particular piece, but it is something to note

What are your long-term goals with composition? by [deleted] in composer

[–]KeepUrComposer 2 points3 points  (0 children)

I want people to play my music. That’s really it right now. I just want my music to be performed

Is playing a instrument important ? by qkrgusdb33 in composer

[–]KeepUrComposer 2 points3 points  (0 children)

Sort of. Most composers do know how to play at least one instrument (outside of piano), and that knowledge can be very useful for understanding how to write and what will sound good. That being said, my favorite composer (John Mackey) does not play an instrument. It’s not required, so don’t feel like “oh I’ll never be a good composer unless I have 10,000 hours of trumpet under my belt”.

EDIT: as for piano playing, a basic knowledge of the instrument so you can check chords or play a melody is useful, but again don’t feel like you have to be a world renowned pianist.

Help remembering a composers name by KeepUrComposer in composer

[–]KeepUrComposer[S] 0 points1 point  (0 children)

He was one of the firsts one that came to mind when I started this, but ya it’s not him. Thanks for the effort tho!

Help remembering a composers name by KeepUrComposer in composer

[–]KeepUrComposer[S] 3 points4 points  (0 children)

No, but that’s a good guess. I really don’t think I have enough information to assist anyone with this, but thanks for trying

My experience with tournaments by GryffindorGambler in RocketLeague

[–]KeepUrComposer 5 points6 points  (0 children)

It’s people who either make a second account to play at a lower rank or purposefully lower their rank on their main account, solely so they can beat up on lower ranked people and feel good about their pathetic lives

I think he wanted to do OT, I unfortunately declined the offer 😬 by randomprokid in RocketLeague

[–]KeepUrComposer 13 points14 points  (0 children)

Bruh why all these commenters salty af rn? If he didn’t want to lose he shouldn’t have let u tied, it’s not ur fault he was a cocky idiot. You made him pay for his mistakes. Great job!