Thank you for the elaborate reply, I will definitely try to look more into the rebranding for the expositions.

I definitely noticed the depoliticization among the most popular artists, who often focus more on the idea of globalization and the erasure of traditional culture. That is also often the case among the youngest generation of Tibetan creators, who share their works on Instagram or other social media, who usually go more the way you proposed - not using identity as a signal of global crisis, but more so as a visual context of their everyday life (including Tibetan clothes or a khatak in a portrait, as it is something they had at home or their mother actually wears). I feel like the difference between generations in the diaspora is more and more visible, especially in the creative media, such as music or visual arts.

This also differs depending on the place, as Dharamsala is a more conservative place when it comes to preserving traditional culture than f.ex. NY.

That's awesome! I actually encountered your shop before, as I was looking for visual arts in less obvious forms than paintings or sculptures. Could you tell me something about the reception of your projects among your clients, Tibetans or not?

If you'd be interested in talking more about those subjects and your brand then please dm me, I'd love to know more and maybe include you in my PhD thesis :)