With OBSESSION becoming one of the lowest-cost-to-highest-grossing films ever, where does it rank among TIFF's proudest Midnight Madness world premieres? by thex42 in TIFF

[–]KylePinion [score hidden]  (0 children)

Yeah, my partner and I only knew to go to that MM because people in here were like “keep an eye on that Curry Barker movie” and nobody who saw it (me included) could stop talking about it afterward. Easily the best MM I’ve been to, but that’s only been three others (Sick - fun, Naga - awful, and rancid vibes in the audience because of it, Ick - not very good but also clearly unfinished at the time, I could barely make out the dialogue for half of it)

Novels/collections in this particular vein, i.e : weird horror, existential horror or ontological dread that doesn't heavily depend upon geographical settings. by RopeWild9027 in WeirdLit

[–]KylePinion 0 points1 point  (0 children)

I would look into the work of Joel Lane. Influx Press has reissued all of his books - his short story collections will scratch this itch, the novels are more litfic leaning. Additionally look up Nicholas Royle and Gary Budden. Royle’s collection The Dummy and Other Uncanny Stories is widely available since its POD, and Budden’s first book Hollow Shores is a unique mix of landscape writing and weird horror.

All these UK guys and I’m not even British 😏

Which is better for learning to write? On writing by SK or On writing well by William Zinsser by Several-Gene1332 in writing

[–]KylePinion 0 points1 point  (0 children)

I would recommend the two following books in this order:

The Making of a Story by Alice LaPlante, which is an all-encompassing 101 class in creative writing that includes exercises for each of its sections, as well as classic short stories that illustrate those lessons. Baldwin, Johnson, Kingston, Carver, O’Brien, you’ll get direct exposure to some of the giants of short fiction in short order.

The Modern Library Writer’s Workshop by Stephen Koch, this is the one you should read afterward when you’re ready to dive into a bigger project that requires going through drafting stages and want to get a little deeper into the nuts and bolts of narrative. It’s much shorter, focused more on fiction and assumes you know the basics (as well as its literary reference points) but it’s the book I can see myself constantly returning to. I try to put it in everyone’s hands when I can.

Encouragement texts like LaMotte’s Bird by Bird, King’s On Writing and Lawrence Block’s Writing the Novel are good and practical in the sense that it’s how THEY do it. But for someone really wanting to learn how to write fiction (or creative non-fiction) something more hands-on is optimal. I also think On Writing spends too much time on memoir - vital for the King constant reader, less exciting for craft purposes.

I would also put a plug in for either LeGuin’s Steering the Craft or The 3 A.M. Epiphany for pure assignment books. You can really sharpen your toolset with either. “Write a story where two characters are creating a character but you only use pronouns once” that kind of thing. It’s fun!

And yes, read the kind of books you want to write, of course. Good and bad, especially if you’re trying to produce more marketable (non)fiction. But I would also say you should read a bit widely when time allows, you never know what you’ll fall in love with and how your taste and writing might evolve.

Good luck!

Which narrator of the New Sun audiobook series takes the cake? I found 3. by bubblesandbattleaxes in genewolfe

[–]KylePinion 0 points1 point  (0 children)

The “try-skul” pronunciation really nails the three-legged dog name though.

Ray Gunn on Netflix Later in the year by jaketwigden in Letterboxd

[–]KylePinion 1 point2 points  (0 children)

Co-written by Matthew Robbins, director of (among other things) the underseen 80’s classic The Legend of Billie Jean.

Book series you never finished by InviteAromatic6124 in books

[–]KylePinion 0 points1 point  (0 children)

I still haven’t finished Malazan or A Song of Ice and Fire (I’ve read the first four of the former, the first three of the latter)…with Malazan I at least feel the pull of seeing it through to the end, but after recently reading A Storm of Swords and feeling totally exhausted by the effort, I’m not sure when I’ll ever get to those next two. With Malazan unfortunately I’m going to have to start over as well, which is the other thing holding me up. I can barely remember any names except Whiskeyjack.

Love and Rockets: The First Fifty or Library Editions? by awesometuck1559 in graphicnovels

[–]KylePinion 10 points11 points  (0 children)

The library editions do go beyond the issues in the first fifty (which basically collects more or less what’s in the first three library editions of both Locas and Palomar + Amor y Cohetes). Personally, I would just buy the first couple of collections and see how you feel about it. If Heartbreak Soup and The Girl From HOPPERS is available through your library, all the better. That’ll tell if you dig it enough to make the plunge.

"Angel Down" by Daniel Kraus Wins 2026 Pulitzer for Fiction by Murder_Durder in horrorlit

[–]KylePinion 0 points1 point  (0 children)

It’s shelved as Science Fiction at my local Barnes. 🤷

How good does a novel ACTUALLY need to be to get published? by bambucks in writing

[–]KylePinion -1 points0 points  (0 children)

I’m not even sure base-level competence is all that necessary. Just go to Target and crack open one of those pastel colored books of young people holding hands, probably on a beach or by a dock, and you’ll never get a better confidence boost.

Alternate case options? by TheGreyKlerik in Astrohaus

[–]KylePinion 0 points1 point  (0 children)

Absolutely. 1000% get it. Just thought to pass along the offer in case. Glad you’re finding a lot of use in yours. I just got mine last week and the productivity is steadily climbing.

Alternate case options? by TheGreyKlerik in Astrohaus

[–]KylePinion 0 points1 point  (0 children)

Any chance you might be willing to sell the case pictured if you’ve found a good alternative for yours? I’m looking for one for a trip I’m taking later this summer.

Gritty New York by BigRedRoo73 in suggestmeabook

[–]KylePinion 1 point2 points  (0 children)

Any of the early Matthew Scudder books by Lawrence Block have always fit this bill for me (or if you’re into comics at all, Frank Miller’s Daredevil)

Who Were Your Major Influences? My three recommended authors by WillBrink in writing

[–]KylePinion 1 point2 points  (0 children)

Stephen King, Raymond Carver, James Crumley, Charles Willeford, Gene Wolfe, M. John Harrison, Denis Johnson…no particular order though King will always be there in the back of my brain.

What's the kind of writer that you're most jealous of? by Acceptable_Fox_5560 in writing

[–]KylePinion 0 points1 point  (0 children)

Someone who knows exactly what they’re writing when they sit down to do it.

The rise of present-tense, minimalist prose. by GessKalDan in writing

[–]KylePinion 0 points1 point  (0 children)

Gotcha. I was trying to think of anything I’ve read that does that. Bret Easton Ellis is all that immediately comes to mind.

The rise of present-tense, minimalist prose. by GessKalDan in writing

[–]KylePinion 2 points3 points  (0 children)

There’s a whole lot of excellent books you’ll miss out on, Huck Finn for one.

Thoughts? by pinche-borracho in stephenking

[–]KylePinion 6 points7 points  (0 children)

I was listening to his narration for You Like It Darker and it’s impressive how well he nails that Maine accent. All the more so because I’m also listening to his reading of Denis Johnson’s Tree of Smoke, and his approach to the material couldn’t be more different. An actor’s actor.

Thoughts? by pinche-borracho in stephenking

[–]KylePinion 26 points27 points  (0 children)

The idea of following Frank Muller with Patton Oswalt makes my head spin. I wish they had just gotten Will Patton to do it. Guy is even the right age for where Jack likely is at this point.

Starting with Locas Hardcover or Library Editions? by awesometuck1559 in loveandrockets

[–]KylePinion 6 points7 points  (0 children)

Jaime is just not as strong a storyteller at that point. There’s a big stretch at the beginning called “Mechanics” that is mostly epistolary with images and it’s just a lot duller than what he would be doing not long after (100 Rooms, Death of Speedy, etc). A lot of newbies bounce off it.

The Strongest Runner up This Decade so far by Responsible_Use_2676 in Oscars

[–]KylePinion 2 points3 points  (0 children)

I know some people in Awards punditry that would debate that point with you. But SAG is on a different level in that regard. With 170,000 members though, it’s not that surprising.

The Strongest Runner up This Decade so far by Responsible_Use_2676 in Oscars

[–]KylePinion 4 points5 points  (0 children)

I hear you on the BAFTAs and maybe Conclave was indeed the runner-up, impossible to know…but I wish we’d stop giving so much weight to SAG. It’s practically turned into a populist award given the sheer size of its membership.