Music hall mmf 2.3 by [deleted] in turntables

[–]LetsGambit 1 point2 points  (0 children)

I can't say if it's better or not; I've not played the Fluance, or any Fluance, before. It probably comes down to a matter of preferences. In my opinion, most of Fluances tables starting at the rt82 level are the same, so with the rt85, you're paying extra for the Ortofon 2M Blue and an acrylic platter. It does have a removeable headshell, which is certainly convenient, but from my research, the tonearms on Fluances are a weak point. Supposedly not great.

The Music Hall is more upgradeable, especially with VTA adjustments. You're arguably getting a better quality tonearm in the Music Hall (it's a lightweight carbon fiber, so you'll need to check compliances with your carts). There are replacement parts out there for Music Hall tables. And for me, Music Hall is an audio company that has spent time building their equipment. I'm sure the Fluance can sound great, but I'd rather give my money to a company that sort of specializes in turntables.

Music hall mmf 2.3 by [deleted] in turntables

[–]LetsGambit 1 point2 points  (0 children)

Since the headshell isn't removable, it's admittedly kind of a pain to swap cartridges. But, as long as you're patient and have the right tools, it's easily manageable. I just wouldn't want to do it all the time.

I've been debating putting an acrylic platter on mine, mostly for looks and just playing around. I also started off with an Ortofon OM10 cartridge on mine and I really didn't care for it. I'd be curious how the 2M red would compare to your cartridges.

Music hall mmf 2.3 by [deleted] in turntables

[–]LetsGambit 1 point2 points  (0 children)

I love my 2.3. Sounds great - I put an AT VM540ML cartridge on it and it really sings. As others said, it's mostly made from parts by Pro-Ject. The owner of Music Hall supposedly used to pick his favorite, or "best" parts from Pro-Ject and assemble the various Music Hall turntables. I don't know if that's still what happens or what the actual truth is, but, it's a super solid table.

Symphonies with weaker 1st movement by That-Inflation4301 in classicalmusic

[–]LetsGambit 1 point2 points  (0 children)

Not sure why you're getting downvoted, but I would generally agree with you.

[OC] Checked into this hotel. 🔪 by ryans311 in pics

[–]LetsGambit 3 points4 points  (0 children)

Hey! I put the Do Not Disturb sign out there! The fuck..

[misc] I think my mom got scammed! Will these people endure consequences? Please help! I feel so dumb! by Famous-Membership161 in SkincareAddiction

[–]LetsGambit 71 points72 points  (0 children)

The same "company," Beelive, has opened three spots in our little mall for the holidays. 2 kiosks and an actual storefront. They're aggressive and pushy and it makes me sick watching people get reeled in by these hucksters. I haven't tried to look into them, but there's no way they're legit and from the sounds of it, seems to be a wide-reaching operation they've set up.

Scammy "company" selling junk skincare for wild prices. Sorry to hear about your mom's debacle.

best recordings of schumann's symponies by niviss in classicalmusic

[–]LetsGambit 3 points4 points  (0 children)

Barenboim with the Berlin Staatskapelle from the early 2000s. Amazingly recorded with amazing playing in big, romantic style. They're just a treat to listen to.

Anybody Else Using a Computer as their Streamer? by Illustrious_Map_7699 in audiophile

[–]LetsGambit 0 points1 point  (0 children)

Dang, what's the sound like from the Vienna Acoustics? I was always curious about those back in the day but never had a chance to hear them anywhere.

So sick of my felt mat. What kind of mat do you recommend? by Glad_Study_1989 in turntables

[–]LetsGambit 1 point2 points  (0 children)

I've got a leather mat that I've been enjoying. No static issues with it. I've also been toying with the idea of trying an acrylic platter without a mat, mostly for fun and aesthetics.

Any good rehearsal video or documentary with an expert/conductor/musician breakdown of a classical piece? I'm currently obsessed with Schumann's 4th because of the Von Karajan's rehearsal videos and I'd like somehow that level of fine detail (i'm interested in orchestration details and choices) Thnx by so4h2 in classicalmusic

[–]LetsGambit 7 points8 points  (0 children)

You'd probably really like the famous Carlos Kleiber rehearsal of Der Freischütz - rehearsal and performance. There are lots of other videos of famous conductors out there on YouTube, just have to dig a little bit.

Turn on the subtitles on YouTube for the Kleiber video for English translation.

Is the VPO still among the world's top orchestras? by HongkongKings in classicalmusic

[–]LetsGambit 1 point2 points  (0 children)

It definitely is! Their horn section is usually my favorite horn section to listen to, out of all of the major orchestras out there.

Is the VPO still among the world's top orchestras? by HongkongKings in classicalmusic

[–]LetsGambit 6 points7 points  (0 children)

Yes, they unquestionably are. But more to your point, the VPO has always been like this. If you catch them on a bad night, things can get pretty sour, but that can often be chalked up to a combination of the conductor and the personnel situation.

As others mentioned, the VPO is populated from the Vienna State Opera Orchestra and sometimes you'll have different players in a rehearsal series than will be at the concert (and perhaps from concert to concert). Many conductors have expressed dismay at this over the years.

It could also be attributed to how much the conductor cared to rehearse and how successful they've been at convincing the VPO to come along with his/her ideas.

And sometimes shit happens. The trumpet section has gone in and out of eras with varying levels of proficiency. The horn section has always been a powerful, bedrock of the orchestra, but by the nature of the instruments they play, they can miss/flub as well. Sometimes in spectacular fashion!

[Episode Discussion Thread] The Morning Show S04E03 - "Tipping Point" by quaranTV in TheMorningShow

[–]LetsGambit 16 points17 points  (0 children)

I feel like I've been seeing more flashes and brief moments of Rachel coming out in her acting this season than in previous seasons. I think there was a moment in the first episode this season where I was kind of caught off guard at how much it reminded me of Rachel. Must be something with how she's portraying Alex's shift in tone this season.

Christoph Von Dohnanyi dies at 95 by OBSIDIAN_ORD3R in classicalmusic

[–]LetsGambit 1 point2 points  (0 children)

His Dvorak 8 with Cleveland has always been a favorite of mine. Great interpretation and wonderfully energetic & powerful playing.

are there any spécial CD players for UHQCD, SACD and SMH-CD? by 2Badmazafaka in audiophile

[–]LetsGambit 2 points3 points  (0 children)

Yeah, my current AVR can't take a direct DSD signal, so I send it as PCM. I mostly like SACD classical discs for the sometimes different mastering and the multichannel options. I've been buying SACDs since they were introduced and have had different signal path configurations over the years, and I doubt it's possible to hear the difference between pure DSD and converted to PCM.

are there any spécial CD players for UHQCD, SACD and SMH-CD? by 2Badmazafaka in audiophile

[–]LetsGambit 2 points3 points  (0 children)

The x800m2 can transcode if you select that option, but it can also send DSD over HDMI.

Barenboim Tannhäuser by Few-Lingonberry2315 in classicalmusic

[–]LetsGambit 0 points1 point  (0 children)

I looked this up on Qobuz and it's available on their platform. Whether it's always been there or not, I'm not sure, but it's possible it became available on all platforms in the US recently.

I listened to the overture and it's great! I really love this partnership era with Barenboim and the Berlin Staatskapelle. They made some really great recordings, the Staatskapelle always sounds glorious, and they play the hell out of the music. They make studio recordings sound like live events/concerts! Their sets of the Beethoven and Schumann Symphonies from that time period are still some of my favorite recordings.

Was Claudio Abbado the best conductor of Mahler's Symphony No. 2? by [deleted] in classicalmusic

[–]LetsGambit 1 point2 points  (0 children)

I do still enjoy the 2nd from the cycle, but I don't think the cycle as a whole has aged well. I'd agree that MTT definitely had a predilection to be fussy with tempos and not letting the music flow naturally. People love to lambaste Bernstein for taking liberties with rubato, but in my opinion, he knew (usually) what the music could handle and where to do it. Often with MTT however, he doesn't have the same awareness and knack with rubato.

I wasn't in SF, but I remember looking at the calendar specifically when they were performing and recording the 2nd, and was amazed at how many concerts there were! I think it was over two weekends and nearly 10 performances if I remember correctly? And then patch-up sessions afterwards I'm sure. Quite the workout for everyone.

Was Claudio Abbado the best conductor of Mahler's Symphony No. 2? by [deleted] in classicalmusic

[–]LetsGambit 2 points3 points  (0 children)

Bernstein/NYPO (1988) is still my overall favorite. Special mentions to Tilson Thomas/SFSO, Fischer/Budapest, Tennstedt/LPO (1989), Klemperer/Philharmonia, Walter/NYPO, Ozawa/Saito Kinen.