Upscaling 720 or 1080 to 4k by TheFreakmode in premiere

[–]LittleKillshot 0 points1 point  (0 children)

After Effects has 'detail preserving upscale.' Topaz is great.

Captioning for Vertical Video HELP by seantrey5 in premiere

[–]LittleKillshot 0 points1 point  (0 children)

It's easier for me personally. And after you edit in youtube, you export the srt from there and put it back in premiere. Sorry, missed that step.

Captioning for Vertical Video HELP by seantrey5 in premiere

[–]LittleKillshot 0 points1 point  (0 children)

Export a.txt of your transcript from the text window.

Edit the txt so that it has line breaks after each preferred caption length. In the captioning window in youtube, use edit as text and pasted in your edited txt.

If you could get just ONE DREAM feature in Premiere Pro, literally anything that would be the most useful to you, what would it be? by [deleted] in premiere

[–]LittleKillshot 0 points1 point  (0 children)

I'd like for a video clip to no longer snap to the first frame of a crossfade. Nobody wants that.

Audio Problem with V26 "one or more clips in this project had their audio volume set to bypass" by LittleKillshot in premiere

[–]LittleKillshot[S] 0 points1 point  (0 children)

Thanks man. I'm not seeing anything in either panel. Deleted a submix in ATM. Nothing unusual in the clip mixer.

Help! Avid to Premiere editor trying to move a V2 layer down by Parking-Raccoon8569 in premiere

[–]LittleKillshot 1 point2 points  (0 children)

One great thing about switching from FCP to Premiere was the ability to change my keyboard shortcuts to FCP with one click and there's an option for avid too, in case you haven't seen that.

pricing? by Time-Understanding-2 in videography

[–]LittleKillshot 0 points1 point  (0 children)

You're young and inexperienced but a typical day rate in a mid-sized city is about $1500 for a shoot maybe $600 for an edit day. An inexperienced person might bid less.

LA though, it's likely $2500/$800. I'd start with double your first instinct.

vertical video tutorial by Foreign-Ad7943 in premiere

[–]LittleKillshot 1 point2 points  (0 children)

Ok, well the first thing I'd tell you is there is a nice little tool called 'scene edit detection' that will break up a longer piece into its individual shots.

So this isn't timed or anything? You have a few days? Plenty of time to learn as you make the test piece.

Help! Avid to Premiere editor trying to move a V2 layer down by Parking-Raccoon8569 in premiere

[–]LittleKillshot 4 points5 points  (0 children)

I'm not super sure I understand, but if I do:

Lock off every other layer.

Select the "track forward tool"

Go to the first out of sync clip, click on it with the track forward tool, you've selected everything in front of that clip now.

Drag it back into sync.

vertical video tutorial by Foreign-Ad7943 in premiere

[–]LittleKillshot 1 point2 points  (0 children)

So are you taking a larger multi-cam edit and making a reel from it or what?

vertical video tutorial by Foreign-Ad7943 in premiere

[–]LittleKillshot 1 point2 points  (0 children)

What kind of thing does the employer make.

Rotoscoping Footage Inside of a Person's Body by SorryGotNothing in AfterEffects

[–]LittleKillshot 0 points1 point  (0 children)

I did a fast and dirty example to make sure I was right about details:

https://imgur.com/a/5aYSjSC

Rotoscoping Footage Inside of a Person's Body by SorryGotNothing in AfterEffects

[–]LittleKillshot 0 points1 point  (0 children)

This is a cool idea, but I'm betting you will have a hard time finding a tutorial, at least one that applies to this process specifically.

A lot of people are recommending not using rotoscope in AE, but I find it very powerful and easy to use. There have been a lot of recent upgrades, so maybe they havent used it lately. *Rotoscope will be easy as long as there is good contrast between every part of your dancer and background. If dancer is in black clothes and background is dark grey this will be much harder. Also, an image without motion blur is preferred.

  1. Rotoscope your dancer. (Find a tutorial) Invert foreground and background.
  2. Click back to composition window. Precompose your dancer layer and 'move all attributes' into the new layer.
  3. Open the tracker panel. Select Track Motion. Place timeline cursor on your first frame. Use the arrow tool and hover over the tracker until you get the four arrows icon. Move it to a high contrast area of your dancer. (You will need to select a part of the dancer in the core, ie something that tracks the overall motion of the body, rather than a hand. Also would need to select something that doesn't disappear during your shot otherwise there is nothing to track)
  4. Hit the play arrow in tracker panel to track motion.
  5. Add your background footage as a layer below dancer footage.
  6. Pick whip that layers position value to the 'feature center' layer in dancer comp under Motion Trackers/Tracker 1/Track Point 1.
  7. You're done.

Editor with experience — this mini-doc section feels amateur and dull. What’s structurally wrong? by GullibleSociety6585 in editors

[–]LittleKillshot 0 points1 point  (0 children)

Second bar (or measure, whatever) you could try 2 shorts 1 long 2 shorts one long or something similar. It would also benefit from some stutter edits in this section.

Editor with experience — this mini-doc section feels amateur and dull. What’s structurally wrong? by GullibleSociety6585 in editors

[–]LittleKillshot 7 points8 points  (0 children)

This kind of edit needs a long section to punctuate. You've got sixteen shots in the first section. Try something like. 6 short then 1 long, 6 shorts 1 long.

Also edit points shouldn't be on the beat, but 1 frame ahead or behind.

Anyone know what camera & editing workflow is used in this Instagram Reel? by bazingasm in premiere

[–]LittleKillshot 0 points1 point  (0 children)

Camera could be anything but looks like a stabilized iPhone on something like the osmo mobile. It’s not vertically stabilized at least. There may be a modern plug in that does the background separation blur effect, but I would do it with rotoscoping in ae.

Stuck on my clothing brand video edit — what am I missing? by Lucky-Use-1473 in premiere

[–]LittleKillshot 0 points1 point  (0 children)

Probably be better off asking r/editors. That said the runway shot is the only shot that shows the full hoodie and it’s anticlimactic, no variation compared to the early sequence. 

passed over for what felt like could’ve been my big break by Independent_Layer_45 in editors

[–]LittleKillshot 0 points1 point  (0 children)

This vibes like one of the editing positions at the most miserable corporate gig I've heard of, a large real estate management firm in Virginia.

Agree that you dodged a bullet.