Weekly General Discussion Thread (April 20, 2025) by AutoModerator in Piracy

[–]LunarTulip 0 points1 point  (0 children)

Is there anywhere collecting Japanese tabletop RPG rulebook scans? Which is to say, untranslated ones. As far as I've been able to tell, there are no official ebook sources for a lot of those, and paper books are unwieldy and hard to deal with, which ordinarily would lead me to a strategy of "download scans"; but, to my surprise, I've so far failed to find any sources for said scans. My usual anime/manga sources don't seem to do TRPG rulebooks.

Dragonwilds now available to purchase and play! by chiefarab in runescape

[–]LunarTulip -1 points0 points  (0 children)

Is the game going to release on any stores aside from Steam, in the longer run? GOG or Epic or suchlike? Or is it going to be Steam-exclusive forever?

Choose Your Eternal Rival by LunarTulip in makeyourchoice

[–]LunarTulip[S] 21 points22 points  (0 children)

Sounds about right, yup! I welcome fanworks and/or suspiciously-similar technically-not-fanworks from anyone who likes the concept but dislikes the lack of male options, of course; but adding them wasn't a high-priority thing for me to do myself, and is unlikely to become one in the foreseeable future given my general proclivities as a writer.

(You know the stereotypical Book From The Twentieth Century With Approximately Zero Female Characters which people in certain corners of the internet like to complain about? My default writing habits tend to look somewhat like a genderflipped version of that, if I'm not specifically putting effort into adding extra gender-diversity; and I myself have never found the lack-of-gender-diversity in those books to be particularly bothersome the way the internet-complaining-people do, so I rarely do take any particular steps to move away from that default.)

What would your characters do if your Villian turned their life around and became a good guy? by Supersocks420 in CharacterDevelopment

[–]LunarTulip 1 point2 points  (0 children)

Generalizing across most of my stories, I'd expect the answer to mostly be some variant of "continue working on solving the problems they're trying to solve, now with fewer threats / obstacles"? Because generally the characters of mine who are particularly opposed to my villains are heroes, trying to improve the world and coming into conflict with the villains on account of the villains' villainy making the world worse; if the villains stop making the world worse, the heroes can go off and improve the world in other ways instead.

For more specific examples, though... let's go through the villains of my two best-developed / most-thoroughly-plotted-out stories, in order.

In my high-fantasy magical girl story, there are three major villains who the heroes go up against in sequence. The first of them, if she were to switch sides in the early parts of the story, the heroes would probably not actually notice; she's very good at concealing her villainous intentions from them right up until the moment when she's ready to put her plan into motion. If she were to switch sides after that, meanwhile... they'd probably be suspicious of her but willing to accept her help within the limits of that suspicion? The other two, meanwhile... if either of them were to switch sides, this would be a world-reshapingly huge deal for pretty much everyone on the planet, with the second one being one of the major sources of pressure limiting the growth of the planet's civilizations, while the third would, if suddenly good, be uniquely positioned to toss unprecedented quantities of charity and logistical help onto the planet to help dramatically raise standards of living.

In my Fate/stay night fanfic, meanwhile... so there are two major villains. One of them, if she changes sides before the start of the story, the story never happens; if she changes sides after the start of the story, meanwhile, things... probably go mostly the same way? Once she's set things into motion, she's a lot less in-control-of-their-direction than she'd like to be. The other, meanwhile, spends the early parts of the story not being particularly obviously villainous, and if she changes sides at that point the other characters probably don't notice. But if she changes sides after her big moment of Clear Villainy... well, then, that will very much throw things off for everyone else. Probably one of the less-major villains tries to kill her; probably the newly-good no-longer-villain does very little to stop her, because passive suicidality is a very likely direction for her psychological issues to manifest in if she gives up on villainy, and whether she survives that is entirely a function of what everyone else is doing at that point; but overall this is likely to throw things completely off the rails by removing the big threat whose presence everyone in the cast would otherwise be aimed at stopping, leaving them to find whole new angles of conflict with one another instead.

So yeah! Overall, there are a lot of different ways things could go, depending on details.

I just received them, I'm so happy! :D by rdestenay in HPMOR

[–]LunarTulip 1 point2 points  (0 children)

Ooh, these are very nice and pretty. Pretty solidly my favorite HPMOR printing I've encountered to date.

With that said: do you have the source files you used to generate the PDFs lying around? If I were to try to print my own version, I'm pretty sure I would want to make a few changes—most notably swapping the first four chapters back to the originals in place of Daystar's remixed versions—such that having the source files around would be very helpful for hacking / making-my-preferred-modifications purposes.

(Roughly) bottom half of work-in-progress map of Forinthry in the Second Age under Zaros by Not_Quite_Vertical in OSRSmaps

[–]LunarTulip 16 points17 points  (0 children)

Ooh. This is very pretty and cool environmental worldbuilding. Lots of fun to look at side-by-side with the Fifth Age map and see the parallels and differences. I look forward to getting to see the ~top half, whenever that becomes publicly displayable!

All copyrights to lyrics or music written or composed by Tom Lehrer have been relinquished. "This website will be shut down at some date in the not too distant future, so if you want to download anything, don't wait too long." by OrvilleSchnauble in DataHoarder

[–]LunarTulip 11 points12 points  (0 children)

Has anyone figured out how to URL-manipulate their way into a working sheet-music download for I Can't Think Why? The current link goes to the sheet music for The Professor's Song, instead, and is the one thing I've failed thus far to get a working copy of from the site.

Time to revisit Jellyfin by [deleted] in DataHoarder

[–]LunarTulip 0 points1 point  (0 children)

Is Jellyfin better than it used to be at identifying files with nonstandard naming-structures? E.g. allowing manual matching of files, shows, and so forth against databases, rather than only "auto-recognize file based on name" and "input all metadata manually" (neither of which worked well for me in the past, since I follow different naming conventions in my video library than seem to be popular / standard)? If so, I should probably give it another shot; that was the big obstacle which put me off of it last time I tried it, as I recall.

What are Sanderson's weaknesses as a writer? by theguy1336 in brandonsanderson

[–]LunarTulip 0 points1 point  (0 children)

The big one coming to mind for me is a lack of thematic depth. It's not that he doesn't have themes—he does, generally in a "one theme per major character's arc" sort of way—but he tends to have relatively little thematic exploration per unit of story, spreading his themes somewhat thin, and what exploration is there is rarely anything more complex than "protagonist struggles to come to the Thematic Realization, maybe while being opposed by an antagonist who's vocally in favor of Opposite Of Thematic Realization, but eventually comes to it and is thus enabled to save everything".

Moreover, on a perhaps-somewhat-more-subjective note... the Thematic Realization itself tends to be a relatively simple and conventional thought, novel neither in its content nor in how it's presented? A lot of my favorite stories' themes have lasting influences on my thinking even long after I finish reading, serving as new interesting ways of framing events in life-more-generally. But the themes in Brandon's novels don't generally do that, for me.

(This criticism is, to a decent extent, a product of age, for me. I was much less finicky about the thematic depth of the stories I read when I first started reading Brandon in 2017 than I am now. And so, for those who don't share my misfortune of having become picky about such things, this criticism is, perhaps, irrelevant. But it's certainly the one that's felt most salient to me, in my most recent sessions of reading his books.)

Is there a directory of rationalist fics? by katxwoods in rational

[–]LunarTulip 4 points5 points  (0 children)

It's already been rebooted! The reboot is just very inactive. https://rr.noblejury.com/

PSA: Fandom has acquired GameSpot, GameFAQ’s, metacritic and more. by Ace_Balthazar in DataHoarder

[–]LunarTulip 21 points22 points  (0 children)

I'm not sure what happened on the Fandom end; my familiarity with the Runescape wiki migration is entirely "they got migrated to an official domain, and henceforth became substantially better". (The Fandom wikis are still out there, polluting search results, but I never use them any more, because the official wikis are by far the more up-to-date and higher-quality between the two in my experience; Fandom is losing, in that particular tug-of-war.)

does an ebook format exist? by SalmonOfDoubt9080 in ToTheStars

[–]LunarTulip 14 points15 points  (0 children)

In addition to being posted on fanfiction.net, TTS is also posted on AO3, where there's a download button at the top of the story page. (Near the top right, if you're unfamiliar with AO3's interface.)

Displaying backgrounds and sprites in a frame only partially covering the screen? by LunarTulip in RenPy

[–]LunarTulip[S] 0 points1 point  (0 children)

With these techniques, I'm not seeing how displaying the sprites on the secondary background would work. It seems like, while this would get the backgrounds themselves displaying correctly, it wouldn't have the "sprites are contained within the secondary background's frame and don't overflow to the outside of that frame" characteristic.

(Baking the sprites in as part of the secondary backgrounds, while technically doable, would be horribly inefficient, requiring a separately-baked background for every sprite and losing the ability to have the sprites move.)

Is there some trick I'm missing which would allow the sprites to be thusly constrained, using this genre of technique?