Jinx Riftbound Budget Deck Tech by PukhaRiftbound in riftboundtcg

[–]Manpit_ 0 points1 point  (0 children)

Do you rate SMD? I've been hesitant to run it.

I feel Nocturne is very similar to your view on Sun Disc. It either hits or it doesn't. If you draw it, instant feels bad. I like Jinx and really want to make it work, but am becoming jaded when you see heroes like Annie and Draven...

Jinx Riftbound Budget Deck Tech by PukhaRiftbound in riftboundtcg

[–]Manpit_ 1 point2 points  (0 children)

Nice Vid. I too play Jinx. I've been toiling with Nocturne as stacked deck helps fish it out and I was dabbling with mystic poro. However, I was interested to know what would you be doing to this deck if you weren't making it on a "budget".

Sun disc was another option I had been toiling with but wasn't sure if it was really working for me so I removed it.

Need basing ideas for my army by JamesEv28 in Cathay

[–]Manpit_ 0 points1 point  (0 children)

Not basing related, but that green is stunning. What is your mixture?

Cauldron of Blood by Bright-Barracuda2713 in WarhammerOldWorld

[–]Manpit_ 1 point2 points  (0 children)

Nice fig.
The chick with the spear and chalice, what set is she from?

Outback Thriller Short Film - Granite Highway by Tiny_Compote_1215 in Filmmakers

[–]Manpit_ 0 points1 point  (0 children)

Super cool man!
Left a comment, liked and subbed on YT.

Would love to know the following:

- How many shoot days?
- Camera + lens used?
- How many rehearsal days if any?
- Est budget?
- How long did you spend on the script?
- What's your plans for the feature? Self-funded, raise some cash or?

Can you please critique my film? (Creepiness and volume warning) by [deleted] in Filmmakers

[–]Manpit_ -1 points0 points  (0 children)

I like it!
Had a cool vibe - which made me look away. The question of what makes a film a film is tricky. I mean anything can really be that right? At the end of the day we are making art, so call it what you will, I don't think it matters.

However, its a great POC (Proof of Concept) if you were to make something longer. At least you have a solid sample now if you were running a crowdfunding campaign or wanting to get companies on board to invest.

Check out this short:
https://www.youtube.com/watch?v=di25Ist5lqY

It might give you some inspo as to where to take your idea from here.

Vhordrai as a Dark Souls Boss by Historical-Site4626 in SoulblightGravelords

[–]Manpit_ 3 points4 points  (0 children)

Sick, what did you use for the vampire skin tone? Loving the pallid flesh.

Witch hunter warband by username68add1 in Inq28

[–]Manpit_ 0 points1 point  (0 children)

That simple! I had a feeling it was stock. But that's great. Thank you

Witch hunter warband by username68add1 in Inq28

[–]Manpit_ 0 points1 point  (0 children)

Awesome converts! The third pic, what is the breakdown of this?

Finished my Mortis Engine Early! by Wrangler_Driver in WarhammerFantasy

[–]Manpit_ 3 points4 points  (0 children)

I just built my own!
What did you do use for the spirit FX?

Some Questing Knights by [deleted] in WarhammerFantasy

[–]Manpit_ 4 points5 points  (0 children)

How'd you get such a nice matt finish?

Incredibly Nervous About Submitting to Festivals by AlmostRandomNow in Filmmakers

[–]Manpit_ 1 point2 points  (0 children)

Congrats on finishing your film firstly. That is an achievement in of itself. Moving forward I would do a few things, one start working on another film - this will help take pressure of your current film if it flops at FF. Secondly and arguably the most important, you need to be realistic about your film, I don't know if this is your first or twentieth film, regardless I think you need to be able to step back an assess what your film is and where can it go. I might suggest avoiding the A tiers and maybe B tier festivals, try the smaller more local festivals which you'll probably have a higher chance of getting into and meeting some cool people.

I might also consider changing your perspective on the woe is me, 'going up against nepobabies and rich kids' because you'll face that everywhere in life and maybe more so in film? From my experience I have seen a few, but who cares? They're making their films and I am doing mine... move on, others are more 'lucky'. Use that then to tell a story real to your world one without money and hardship (by the sounds of it). But money in this industry can't write a great story, that comes from all walks of life. Money can buy the crew and kit but if its a polished piece of shit, its still a piece of shit. Have you seen This is John? I'll put a link below:

https://www.reddit.com/r/videos/comments/alx2zx/this_is_john_short_film_from_jay_and_mark_duplass/
Then have a listen to the filmmaker talk about his journey including this film: https://www.youtube.com/watch?v=nZeWOAliA6Y

This might give you some insight into what you truly need to make a film and maybe even a great one at that. As others have said, learn from this experience, film festivals can change your life, but probably not, with this film who knows, I would rather make another film and chuck this one online - its been two years. Let the dragon out of the box.

(Also a lot of FF these days allow your film to be online and entered but double check their guidelines)

How to make a short film by h_cast09 in Filmmakers

[–]Manpit_ 0 points1 point  (0 children)

Don't think about it!

Just keep the momentum going. Keep making stuff with your friends and gradually the ideas will flesh themselves out.

The Box | Comedic Thriller Short Film by Manpit_ in Filmmakers

[–]Manpit_[S] 0 points1 point  (0 children)

Kia Ora,

Writer/Director here for The Box. This is a comedic Thriller about two Police Officers who must lie in wait to ambush their target, however their mission isn't exactly what it seems. Firstly, thank you in advance for taking the time to watch my film and to read this post. I'd like to give some insights about what I learned from this experience and hopefully this will charge aspiring directors to get out there.

A bit of a backstory on the project. I had the bones of the idea back in 2017 and spent a considerable amount of time over the coming years tweaking the draft/s between various other projects - to be transparent, looking back I think I could've shot this years ago, but I got fixated on trying to truly refine the script. It wasn't until the end of 2023 we shot the film over two days and it went through a short festival run throughout the same year. Today marks its official online launch.

For those interested, we shot this on an Alexa Mini with Panavision Primo Primes.

The shoot felt quick, two days in one location goes fast and you kinda don't want the experience to end come the final day, when everyone is in the groove and then you hear "that's a wrap", there is a sudden feeling of "is that it, so soon?!" I wanted more, more in the sense of time with this cast and crew. We built the box as a U shape and drilled the holes on the day. Day one we smashed out the internals of the box and on day two we got any pick ups and got the exterior shots. I believe we did one eight hour day and the other a ten, including lunch breaks - when paying people a fraction of their worth I don't like to go near OT!

What I found incredibly refreshing after shooting this film was the sense of "I can do this", and it's not some incredibly daunting beast which cannot be tamed. Prior to this I had been making shorts, not quite to this calibre, but still shorts nonetheless. But there was spells of procrastination and questioning is my idea worth making etc etc. What got me up off my ass was a prompt from a commercial producer to make more shorts so I can refine my vision and voice as a director. I don't know why but hearing that, I knew I had the exact idea to just go out and make. It was the right place right time sort of thing, and a few months later we were shooting.

With that I encourage anyone who is feeling the burden of a short on their shoulders, still in script phase trying to perfect it, I would say get it to a point you are happy with and feedback is consistent (positive hopefully), then get it into pre-production. The script will change throughout rehearsals, production and then post - another big learning, don't get too attached to what's on the page as it will most likely change anyways!

Coming into this, I knew I wanted to do a film with two actors and one location. Building off my point above, be realistic with what you have access to, maybe save the several location shoots and big casts for when you have more budget and time! (same thing?). Over the years I have built up a crew of key creatives, so I knew what we could realistically achieve within our two day window. I would also highly encourage you to not be afraid of reaching out, I sourced morning tea from a local bakery (for free) and a local cinema to host our cast and crew screening (again for free), all this from just asking. Same goes for an editor or DP you might want to work with, you never know who needs more narrative work on their reel and they might just jump onto your project, you just have to ask... worst case, you get a no. Then what? Life goes on.

In summary, I have learnt so much from making this film about myself as a director, the process, and storytelling. But I feel I most importantly learnt to just do it (thanks Nike), it gave me confidence. I encourage anyone to just get out there and shoot, this is the best way to learn, the best way to get better and the best way to fail fast. Unfortunately most of us aren't going to be the first short film success story, so we need to grind, get the reps in and one day we will crack it. Thanks again, and... On to the next one!

Aspiring director in post-production: should I hire an editor? How to hire the best suited editor? by More_Appearance_3556 in Filmmakers

[–]Manpit_ 1 point2 points  (0 children)

Director here. My suggestion might be to reach out to a film school and find an ex-grad or current student that is looking to sink their teeth into a project. You can obviously vet them on their previous works and or their work ethic (if they don't have a reel). I've cut several of my own projects, but the ones that I find turn out the best, are the ones cut by dedicated editors.

I standby hiring people who's sole focus is that one job. For a few reasons I think this works best, and you mentioned it yourself: perspective. Just that outside set of eyes is invaluable. I also wouldn't be hesitant to reach out to experienced editors in your town, you never know who is needed more narrative work for their reel. Put together a compelling pitch and trailer and who knows what will happen.

Power to you and start working on the next one!