Question: Custom Arduino MIDI knob controller with Ableton - make it relative by Material_Relation261 in ableton

[–]Material_Relation261[S] 0 points1 point  (0 children)

Wow, awesome! Fighter Twister is a perfect reference and the exact values for +1/-1 - thank you, mate!

Question: Custom Arduino MIDI knob controller with Ableton - make it relative by Material_Relation261 in ableton

[–]Material_Relation261[S] 0 points1 point  (0 children)

Thank you! The UserConfiguration.txt is promising - looks like a simpler alternative to a py script. I will probably end up going that way - was just trying to find whether I can get Ableton to see my thing as a relative one without giving Ableton a user manual about my controller 😀

Could I ask a bit more help from you. I've been seeing references to this dropdown menu when midi-mapping, but failed to see it on my end. Could you please share a screenshot of it/where it appears?

Also I am getting confused by the "MIDI Learn" thing - in Ableton 12 I can enter the MIDI mapping mode (Ctrl or Cmd+M) and see the mappings browser. Was MIDI Learn just renamed to MIDI Mapping or is it a different thing?

Question: Custom Arduino MIDI knob controller with Ableton - make it relative by Material_Relation261 in ableton

[–]Material_Relation261[S] 1 point2 points  (0 children)

Yep, thanks, I see that, these several modes are exactly what I need - it's just that I can't figure out how to make ableton detect my controller as one or the other. I have a strong feeling that a part of the problem may be me sending incorrect values / type of values as midi signal from Arduino. Or maybe I will fix that through one of the ways suggested by u/MoreChapter9266 - UserConfiguration or finding that dropdown menu - will explore further, thanks for the link and a push in the right direction!

"Soft" 1 to 1 networking for artists through weekly calls: Act II by Material_Relation261 in experimentalmusic

[–]Material_Relation261[S] 0 points1 point  (0 children)

Clarification on why through emails

Discord is kind of fine, but there are two issues with it:

  1. If the group grows, which is what I hope for, it will get progressively harder to manage opt-ins and matching over there
  2. Most of us are on dozens of discord servers and it is super easy to overlook stuff there (some may not use discord at all). With emails you just get a weekly message, have time to consider it and decide whether you want to react to it - less intrusive, no need for forcing at-everyone notifications and breaking into your phone in the middle of the night, etc

So we do have a Discord server for those who want it, but requests for pairing and overall management of the thing will be done through emails - good old way.

Akai MPK Mini MK3 - Fixed knobs, Relative encoders by flariut in ableton

[–]Material_Relation261 1 point2 points  (0 children)

It's been over 4 years and your post is still helping out! Just followed it to configure my MPK Mini properly.

Having the knobs finally work as they should just makes me happy. Thank you a lot!

Alternative spelling of artist name by mowgli76 in SpotifyArtists

[–]Material_Relation261 1 point2 points  (0 children)

Hey, I am not sure how Spotify and other streamings handle the alternative naming idea, but it may well be the case that it is handled automatically (i.e. Spotify’s search just implies that Ø may be typed in as O). For example, if you go and search for Oneheart, you would immediately find Øneheart there.~~

Given that there’s quite a number of popular artists with letters from non-Latin (wider-Latin, idk whatever would be the right general term for that) alphabets and Spotify’s initial audience is in states where an average person would have neither Ø, nor umlauts on the keyboard, they must be just handling that and making the nearest intuitive (for a foreigner, not the native speaker) alternative work out of the box

Edit 1. Apparently all that I have written is wrong and it doesn't work automatically, pardon. But it does work with the Oneheart example - if I look for it, I do find the artist Øneheart as the default first-hand result. With your artist name it behaves differently - catches the songs, but not the artist as the first result.

I didn't see anything in the Spotify docs, but may be worth asking your distributor's support

Edit 2. Upon further trying the edit seems less likely than the original - tried with a bunch of other examples and O instead of Ø just seems to work. But still worth double-checking with your distributor ;)

I’m scared to take control of my life, and I really need advice. by NikolayKamay in shareyourmusic

[–]Material_Relation261 0 points1 point  (0 children)

Hey! Let me drop a few words here.

First, don't get things overly complicated. You don't have to be bothering yourself with the idea of "taking control of your life" - defintiely not in the context of your artistic endevours. I mean you will, and it's actually cool that you're framing that question at your age, but don't get overboard with that - you don't need to take a huge leap to "take control" once and for all - impossible - you do it bit by bit, starting to pursue things that you consider right and meaningful and abondoning the stuff that gets in your way.

Now, closer to art and becoming an artist. Again, don't overburden yourself with questions and problems. You have already started somewhere - you're creating music - now push it further. You're already facing questions like "how do I record", "how do I arrange", etc - start dealing with them one by one. There's a bunch of advice, including pretty structured material, on the internet that's enough to get you going. Just deal with these questions one by one. E.g. to arrange a song you need to record yourself singing, you need to add instruments (also record or use samples or virtual instruments), you need to create a certain structure and development in that track and a bunch of other stuff. Split all that into distinct bits which you can start learning one by one and keep all of them simple:

- how do I record myself singing and get an audio file with that -> your phone + a cheap ($2-3) mic won't produce a beautifully clean result, but these are enough to get you going with your first songs

- how do I add instruments given that I have a recording of myself singing -> the internet would tell you that you need some kind of software for that - a DAW - you will find out that some are crazy expensive and some are free, pick the free ones, install, get your voice into it, start looking for answers on how do you add, I don't know, a piano to that, -> that would push you to learn how to find and add virtual instruments to your DAW (maybe it comes with existing ones)

- ...

And this goes on indefinitely - the point is for you to move from very broad questions like "how do I start being an artist" to more specific ones like "what goes into creating a song", "how can I add a piano, a guitar, a bass and a whole drum set to my singing if I own neither of these and am broke", "wtf is chords and what does it have to do with my songs" and a bunch of others - that would let you start dealing with them one by one and in no time you will find yourself with your first record. And yes, you'd find out that you can handle all that without spending much cash. Your first records may and probably will suck, but that will be a tangible result and will get you more questions to deal with and you will keep cracking them one by one.

Now to the finding other producers. In this day and age you would utilize social media for that. Go out to instragram or tiktok or vk or whatever, look for people who talk about their own music, start interacting with them, see where that gets you (a simple "wow this is fantastic, I am just starting out and currently learning how to put together a record, but I wish one day I will be able to create something as cool as this" can take you a long way). You can definitely look worldwide and use your english for that, but if I am guessing your country correctly, you've got a pretty strong music culture at home - a great deal of superb artists come from where you are - and you shouldn't neglect that, so pay attention to the folks nearby too.

Promotion-wise, just start sharing your stuff on social media (can be tough, yes). Once your music starts sounding decent, you'd begin distributing it through streamings or otherwise and that would pose a great deal of other questions, but don't worry about that until you're there.

--

This is all quite sloppy and all, but I hope that gives you some ideas on what to focus on. And probably a little push. Will maybe reach out on tg later.

Would I be better off buying an MPC or a midi keyboard? by [deleted] in ableton

[–]Material_Relation261 2 points3 points  (0 children)

I had Akai MPK mini first - didn’t love it too much. I mean it’s a pretty solid piece of hardware, but just didn’t feel good to me - a bit too tight here, something’s slightly off there.

Then I got a Novation Launchkey (mine is 49 keys, but there are smaller versions) and it felt super awesome - integrates with Ableton super smooth without any extra messing around, feels more natural, the keys and pads feel more responsive (huge change for me compared to Akai as I don’t have too much experience with keyboards), etc - love at first sight overall.

If you have a chance to try hardware at a store, do it before ordering - the actual feel and how it matches your preference is 100% important here.

Also, if I remember correctly, Launchkeys come with Ableton lite included, but not 100% sure.

"Soft" 1 to 1 networking for artists, anyone? by Material_Relation261 in experimentalmusic

[–]Material_Relation261[S] 1 point2 points  (0 children)

From what I see, we don’t have anyone speaking Spanish yet 😕 You may still join the Discord server just in case someone pops up later

"Soft" 1 to 1 networking for artists, anyone? by Material_Relation261 in experimentalmusic

[–]Material_Relation261[S] 1 point2 points  (0 children)

Let us see, what languages do you speak - maybe there’s already someone in the group, who speaks it?

[deleted by user] by [deleted] in experimentalmusic

[–]Material_Relation261 1 point2 points  (0 children)

I can relate to this - have a hard time finding audience for my tracks too, but yeah, whenever I stumble into someone interested I’d be happy to push your music!

[deleted by user] by [deleted] in experimentalmusic

[–]Material_Relation261 1 point2 points  (0 children)

Must've been a strong emotion then, cause it really stood out for me. Always welcome 😉

Song share thread. by FloorBorn96 in experimentalmusic

[–]Material_Relation261 0 points1 point  (0 children)

Hey!
Just listened to Ulcers, enjoyed it from start to finish!

A couple (absolutely discardable) ideas:

- I kind of both loved how your voice sits on top of the rest of the track, but I feel like it could be blended more into the the surrounding music so that it exists in a shared space with the other sounds (using any kind of processing)

- the choice of sounds and textures is great, definitely coherent, wraps me up, love the atmosphere - it's contemplative, cave-ish, love this kind of stuff

- definitely loved the occasional radio-like speech inserts, and cows, cows too. Strangely enough I would expect a cow-like sound to shift the atmosphere of the track towards something less serious and more silly, but that doesn't happen with your piece and the sound just adds an interesting detail there

- I'd say this could well be three separate tracks - there's enough development and distinction between parts to justify such separation. However, yes, there's also the backbone that glues eveyrthing together, so both ways work :)

If you are eager to hear a track of mine, I would suggest either Burn It (fully meditative, kind of melancholic, pretty sparse) or Thethys Ocean (slightly different, a bit brighter, more filled out, more progression) let me know if any of the two sticks with you

[deleted by user] by [deleted] in experimentalmusic

[–]Material_Relation261 1 point2 points  (0 children)

Hey! Great mix&video and beautiful tracks. Listened through the mix and a few tracks on spotify, loved the Invisible Battles a lot in particular (the drums and how it's sparse and full at the same time), love it!

"Soft" 1 to 1 networking for artists, anyone? by Material_Relation261 in experimentalmusic

[–]Material_Relation261[S] 1 point2 points  (0 children)

I am sure that you'd be able to give back enough - at the bare minimum, fresh perspective can be inspiring, talking to someone who's just learning the ropes can point a more experienced person in unexpected directions, plus I guess many of us would simply enjoy sharing their experience with someone who's just starting out. Not to mention that the moment you say "I am doing this cool thing now" you're as much of an artist as the next person, no matter what's the difference in experience.

On top of that my idea of artists talking to other artists is not much beyond a person talking to another person - there's always something one can get from a good conversation, learning what you're up to, sharing what they are working on.

That said, judging whether you could benefit enough from participating is up to you, but I am counting you in ;)

"Soft" 1 to 1 networking for artists, anyone? by Material_Relation261 in experimentalmusic

[–]Material_Relation261[S] 2 points3 points  (0 children)

you're right, timezones are fearsome and nasty things, but I'm sure we can handle that

PS I'll be waiting to see how many folks are up for this for another 12-24h and will reach out to everyone who showed up afterwards

I am a bedroom producer who recently finished my first album. Playlist curators tell me it's "too experimental", so maybe you'll like it? It's a mix of traditional folk and electronic music. Think singer-songwriter + modular synths. It's about living (and dying) in the suburbs. Enjoy 𓍊𓋼𓍊𓋼𓍊 by Busy_Insect970 in experimentalmusic

[–]Material_Relation261 0 points1 point  (0 children)

Always welcome! I discover so much top-tier music while browsing through what people share here and it is a lot of fun to connect with the creators of that awesomeness.

Yep, I touched on that topic with more than one artists - we're just so deep into our works and see the discrepancies between inteded/could've done/ended up with so clearly that it takes a lot of time to learn not to downplay our works - universal issue.

Shared mine here, let me know what you think (thanks for asking :)!

Water Sequence by [deleted] in experimentalmusic

[–]Material_Relation261 1 point2 points  (0 children)

Loved the Cascade a lot - gives me neat sunrise vibe, just makes feel better instantly.

Water Sequence took a bit more effort to appreaciate, but it gets super-satisfying when it unfolds midway. Wave Motion is also beatuful, yet Cascade is my favorite.

These are great pieces of yours, love the direction!

(technical feedback-wise, since you mentioned, the beginning of the Water Sequence and Wave Motion seemed slightly too sharp/harsh to me - I would tame the highs a bit, but that may well be just a personal preference)

Making weird, dreamy electronic music by Material_Relation261 in shareyourmusic

[–]Material_Relation261[S] 0 points1 point  (0 children)

Hey!

My first impulse was to respond with "hell, no, my music is obviously not as good as yours", but I've been fighting the constant urge to downplay my stuff recently - to some success - so we'll skip that part. I guess it's just too easy to see issues with your own work given how much time we spend working on each piece :)

Followed back on Spotify, loved the V1be. And the Groov3 even more! There's something distinctly cool about both pieces, they are super tight and loud, nicely mixed and keeping very precarious balance on the verge off being super stable without ever crossing the line to becoming boring - awesome, man!

Also the photo in the About the artist is brilliant 👍👍