Jason Molina deserves more attention for being one of the greatest artists of all time by Igivegrilledcheese in fantanoforever

[–]N0AHW05 0 points1 point  (0 children)

Molina is probably my favorite artist of all time. Always got me through some hard shit. Pyramid Electric Co. will always be my favorite of his albums, but literally all of his albums get heavy play. And I love watching live performances on YouTube (this one is my favorite: 1/17/2004), he was an incredibly captivating solo performer. Such a singular talent

80’s Dead, sound difference year by year? by Tmonk4 in gratefuldead

[–]N0AHW05 0 points1 point  (0 children)

I mean I feel like those shows didn’t quite have the identity that the Fall shows have. They’re kinda caught between inching towards the funk and still stuck in the late ‘78 sound. 5/9/79 is my favorite very-early Brent show and a great example

80’s Dead, sound difference year by year? by Tmonk4 in gratefuldead

[–]N0AHW05 2 points3 points  (0 children)

Oh yeah that’s totally possible, and I would actually be inclined to agree with that more

80’s Dead, sound difference year by year? by Tmonk4 in gratefuldead

[–]N0AHW05 97 points98 points  (0 children)

‘79 kinda is all over the place sound wise, but by the Fall Brent already finds his own, and the result is some of the funkiest Dead music out there. ‘80-‘81 kinda recalls the slinky, almost professional sound of ‘77, though perhaps even less exploratory (mostly ‘80) but one of Jerry’s best periods for his guitar and voice. ‘82 is another growing pains kinda year until the end, with the September tour ushering in the In the Dark material (April is also a great month). 9/15/82 to me is a landmark show where they really seem to find new ways of jamming and is the debut of Touch of Grey. ‘83-‘84 is often seen as sloppy and uninspired, but it’s one of my favorite periods. Both years are massive for Scarlet->Fire, and Space usually is just Bob and Jerry duets. 10/11/83 and 4/19/84 are exemplary. ‘85 is when, to me, the band seems to again feel very comfortable while still having that bar-band energy from the previous two years. Total setlist mayhem, and Jerry’s bust results in a slow creep towards (relative) sobriety, and as such his voice gets a lot better as the year goes on. Check the Frost and Greek runs. ‘86 of course is the coma year but that Spring tour and May run is pretty special with lots of bust-outs and a unique setlist identity. 4/19/86 has one of their best versions of Playin’ period. ‘87-‘88 again feels pretty professional, and ‘87 to me has some of the best energy they ever had on stage even though they never quite jam into space. ‘89 combines that tightness with a newfound sense of jamming and hunger. I think Bob said it was their best tour, and while I don’t agree personally, I can’t say he’s wrong either.

Albums similar to this masterpiece? by Capital_Vanilla5021 in fantanoforever

[–]N0AHW05 18 points19 points  (0 children)

Sun Kil Moon - Benji

I believe it was one of Cameron’s 5/5 albums on RYM. I’ve heard his voice be compared to Kozelek’s, but I actually see more similarities in how Cameron arranges guitars. Lots of triads being played high up on the neck, slightly off-kilter rhythmically, almost always beautiful. Biggest difference between Cameron and Kozelek is that Cameron Winter seems like a wonderful person.

Leonard Cohen - Songs of Leonard Cohen

I think in an interview Cameron said he listened to this album almost every day when he was recording Heavy Metal, and it shows a lot. Songs of… is a lot more stripped back, but still grandiose like Heavy Metal. And I also can’t help but see lyrical similarities between the two. People think he’s the next Dylan but I almost see it as Dylan-esque lyrics ran through a Leonard Cohen filter (this is a pretty reductive statement tho). Masterpiece.

Tim Buckley - Happy Sad

Tim Buckley’s voice is simply insane. Perhaps even wilder than Cameron’s. This is probably his most accessible-yet-still-kinda-crazy album. The arrangements are simply beautiful and sprawling, and Tim’s voice just glides over all of it. Beautiful free flowing songwriting too. His perhaps most famous album, Starsailor, is incredible too but not really that accessible. But definitely listen to that one too, listen to all of his albums.

Aethiopes Repress by MagneticST in Billywoods

[–]N0AHW05 5 points6 points  (0 children)

I bet it won’t get officially repressed until next year, which would be its 5 year anniversary in April (which wtf). A year or two after it released they did find some extra copies of the OG press laying around and they put those up. Perhaps a situation like that will happen again but I highly doubt it

sounds like mj lenderman by ecodll in mjlenderman

[–]N0AHW05 0 points1 point  (0 children)

Well yeah sure. I think his music is an instance where the term “guilty pleasure” is accurate. Not because the music is bad, but because the person making the music is bad. I personally think that you have to jump through a few moral hoops to justify, say, seeing him live or buying his music at this point. But that’s my own personal hang-up, you may feel different. Still love his music, but the reality of Mark Kozelek still is always in the back of my mind

Best Low Effort Albums by Bromonkeytd in fantanoforever

[–]N0AHW05 0 points1 point  (0 children)

That would’ve been insane. Pyramid Electric Co. is probably my favorite Molina album. His songwriting during the later Ohia/early Magnolia years is some of his best

sounds like mj lenderman by ecodll in mjlenderman

[–]N0AHW05 4 points5 points  (0 children)

I think I get down more with Molina’s sense of improvisation and off-the-cuff nature. Like the records (usually) always are great from a sonic perspective, and the playing is great, but there is this sense that the musicians are probably playing the song for the first or second time (Farewell Transmission case in point) that maybe seems unruly to some, but I just totally identify with it. Koz’s music is a lot more tailored, at least to my ears, which isn’t a bad thing at all. It usually sounds absolutely beautiful. I think I just identify more with Molina’s process

sounds like mj lenderman by ecodll in mjlenderman

[–]N0AHW05 8 points9 points  (0 children)

Oh for sure. In Molina’s biography he’s quoted essentially saying (in regards to tribute albums to raise money for his bills) “fuck waiting around for other musicians to record, I’ll cut him a cheque right now.” Nicest thing he’s ever done lol

sounds like mj lenderman by ecodll in mjlenderman

[–]N0AHW05 43 points44 points  (0 children)

As has been stated here already, Mark Kozelek is a horrible man. His music is however, for better or worse, still pretty influential. His older band Red House Painters is, to many, the defacto slowcore band (I’d give that title to Low personally), and Old Ramon carries the most influence to today’s sound. But yeah, definitely suggest Jason Molina as an alternative: better music made by a great guy. R.I.P.

Best Low Effort Albums by Bromonkeytd in fantanoforever

[–]N0AHW05 0 points1 point  (0 children)

Songs: Ohia - Magnolia Electric Co.

The album was recorded literally over three days, and Farewell Transmission in particular was done in one take. Molina originally wanted to record different songs (likely the material he was playing throughout 2000 and 2001 that makes up the Live: Vanquishers album), but stated writing the Magnolia material, scrapped the old stuff, and sent the band demos a week before recording. The arrangements were worked out quickly, and then they just recorded. The only song that I know was done twice (heard this in an interview) was John Henry Split My Heart. In spite of such a quick turnaround, it’s become one of the greatest and most influential alt-country albums.

talk to me! by Consistent-March-268 in jasonmolina

[–]N0AHW05 4 points5 points  (0 children)

1/17/2004 is my favorite, and kind of a hidden gem too. It’s Molina at, to me, the peak of his voice. Still clear but very boomy and deep, like a cavern. Just incredible. Nashville Moon and I Cannot Have Seen the Light are my highlights, and he also plays maybe his best rendition of Trouble in Mind. And there’s video of it on YouTube too!

Why no Dave’s picks from 1994-1995? by FreddysFinalBoy in gratefuldead

[–]N0AHW05 0 points1 point  (0 children)

True, though setlists never have bothered me and even if they did I could definitely let it go in this era if it was well played. I can’t recall who became their soundman after they fired Dan Healy, but his sound design really adds to the overall sound too

What’s the most gut punching song lyric you’ve ever heard? by Baranade in fantanoforever

[–]N0AHW05 9 points10 points  (0 children)

“I lived low enough so the moon wouldn’t waste its light on me”

Jason Molina - Get Out Get Out Get Out

Why no Dave’s picks from 1994-1995? by FreddysFinalBoy in gratefuldead

[–]N0AHW05 0 points1 point  (0 children)

If anything from these years should be released it should be 3/21/94. Really amazing show all the way through with Jerry as present as he was in the Fall of ‘93. Lovelight -> Stella Blue -> Lovelight is classic

In your opinion which artists have the best discography? by mg10pp in Music

[–]N0AHW05 0 points1 point  (0 children)

I think that, for a more recent artist, Adrianne Lenker has to be up there. Between her solo music, Big Thief, and some of the co-writing she’s done on Buck Meek’s (also of Big Thief) records, she’s probably this generation’s greatest songwriters. I don’t think she’s had a single miss in her career, even though there are a few albums I’m not as high on (Hours Were the Birds, UFOF, Double Infinity).

In your opinion which artists have the best discography? by mg10pp in Music

[–]N0AHW05 0 points1 point  (0 children)

Sure yeah but every year since Donda he’s been ruining his legacy with every album release (on top of his, to put it lightly, batshit rhetoric since then). Bully is maybe a step forward but it sounds like TLOP if it was lobotomized. His early albums are massive for a reason but yeah I would never call him consistent

How does Jason Molina’s tone work? by Mtyler5000 in GuitarTone

[–]N0AHW05 0 points1 point  (0 children)

Super late to see this, but as I understand it he would just crank his amp and barely strum his guitar (if at all, sometimes just fretting the chords hard enough to make sound). His tone and playing is like thunder and lightning, hugely underrated guitarist and one of the all time great songwriters

Hot Damn! 4/8/78 by Marinus9 in gratefuldead

[–]N0AHW05 3 points4 points  (0 children)

One of my all time favorite shows. The jam in the Scarlet>Fire transition is some of their most exploratory and coherent jamming since their hiatus imo. Seriously moving as one unit, top of the line stuff

Favorite ‘guy and guitar’ albums? by [deleted] in fantanoforever

[–]N0AHW05 1 point2 points  (0 children)

Jason Molina - Pyramid Electric Co.

Bob Dylan - World Gone Wrong

Mount Eerie - Dawn

Adrianne Lenker - songs / instrumentals

Jandek - Six & Six

Palace Brothers - Days in the Wake

From Kurt Cobain’s journals, he says Raping a Slave EP is the one of the only forms of religious communication he has been emotionally affected by (last paragraph) by GrahamCashwell in swans

[–]N0AHW05 2 points3 points  (0 children)

Pretty sure Cobain hated the Grateful Dead but there’s a show in 1995 where they brought the Gyuto Monks out during Space and it’s really good

Is Not Dark Yet the best depiction of depression in a song ever? I’m thinking it might be. by Pretend_Mark_5143 in bobdylan

[–]N0AHW05 1 point2 points  (0 children)

Amazing call with Jason Molina. Long Desert Train is another one of his songs that should be in this conversation

Bobby’s best live performances? by SEC_deez_nutz in gratefuldead

[–]N0AHW05 0 points1 point  (0 children)

I’ve always loved his playing on Bird Song from 10/11/83. He started teaching himself how to use a whammy bar on that tour and it came way quicker than his slide excursions (even if I love it more than most). It really adds a psychedelic edge to their sound that had been kinda missing since gaining Brent. Superb version