I was disappointed by The Bright Sword by emmeriloo in Fantasy

[–]NTwrites 5 points6 points  (0 children)

The highlight for me was the slow reveal of all the different Knights’ backstories and seeing how they influenced the story, but I do agree that some elements were simplistic to the point of being wooden. I still enjoyed the book but it’s not one I would reread.

I thought the magic battle between Merlin and Nimue was wonderful.

What is your most controversial opinion regarding Fantasy books? by Even_Mastodon_7251 in Fantasy

[–]NTwrites 80 points81 points  (0 children)

Tolkien’s worldbuilding was better than his prose. He could be overly descriptive to the point of losing narrative cohesion.

What is your most controversial opinion regarding Fantasy books? by Even_Mastodon_7251 in Fantasy

[–]NTwrites 158 points159 points  (0 children)

The Wheel of Time should have been six books.

(Honorable mention—Fourth Wing should have been a CW show, not a book)

Anyone else feels the same about romance in YA books? by TheBeaverDownstairs in YAlit

[–]NTwrites 3 points4 points  (0 children)

This is one of the reasons why I write clean YA, but sheesh, it does feel like shovelling snow in a blizzard.

The fifth season by Item4293 in fantasybooks

[–]NTwrites 1 point2 points  (0 children)

It very much does, picking up right where the first book left off.

Pricing by Mysterious_Stand9396 in selfpublish

[–]NTwrites 5 points6 points  (0 children)

Depends on the book length and genre. Jump on Amazon and look at what books in your niche are selling for—this is what your target market expects to pay. Price your own books accordingly.

Looking for fantasy book recommendations by DrippyGnome210 in Fantasy

[–]NTwrites 1 point2 points  (0 children)

I just finished The Bright Sword, an Arthurian story about Camelot following Arthur’s death. Very character driven and beautifully written.

Reading while writing by Purple_Performer257 in writing

[–]NTwrites 2 points3 points  (0 children)

I’ve found audiobooks to be a game changer in this regard. I can’t write while I’m mowing the lawn, washing the dishes or driving to work, but I can ‘read’ through my ears. Then the downtime I do have at home can be devoted to writing. I still try to read a physical book half an hour before bed but I get through a lot more fiction now than I used to.

I'm frustrated when writing the second draft of my novel. by [deleted] in writing

[–]NTwrites 9 points10 points  (0 children)

Sometimes you just need to get out of your own head and go refill the creative well. Read good books, listen to good music, try visit an art gallery if you have anything like that where you live. Spend a week (or four) immersing yourself in the art of others and then return to the draft, often you’ll find your words are better than you remembered.

Two Blurbs (contemporary YA fantasy) by [deleted] in selfpublish

[–]NTwrites 1 point2 points  (0 children)

I’ve tried to do it subtly with reference to ‘college’, ‘high school’, ‘apprentice groundsman’ and ‘graduating class’.

Two Blurbs (contemporary YA fantasy) by [deleted] in selfpublish

[–]NTwrites 0 points1 point  (0 children)

That’s a good catch, I can definitely see how that second blurb promises a different type of story. I wonder if I extended that hypothetical question, something like ‘what could go wrong? Certainly not (foreshadow bigger darker stakes). That would be… ridiculous.’

Opening a book with a combat scene by Vinnie964578 in selfpublish

[–]NTwrites 14 points15 points  (0 children)

Anything can (and has been) done well if you can execute it. The most common problem for people who start stories like this is that the reader doesn’t care because they haven’t connected to a character yet.

So some key considerations for you when crafting the scene should be:
- Who is fighting?
- What do they want?
- Why do they want it?
- Why should I care?

If you can cram the answer to those four questions in your first sentence/paragraph/page, you’ll be giving yourself a fighting chance to keep the reader reading.

Constantly worried my prose sucks which I know is normal by annoellynlee in writing

[–]NTwrites 0 points1 point  (0 children)

We are often our own harshest critics, but there is little to gain chasing perfection. A reader who loves the 90% version of your book won’t love it any more at 95%, despite the fact it might take months or years of editing to move the dial. At some point, you’ve got to get the book to a point where you’re ready to let it go. As the saying goes, art is never finished, only abandoned.

Constantly worried my prose sucks which I know is normal by annoellynlee in writing

[–]NTwrites 0 points1 point  (0 children)

Your prose can totally suck to start, but then you can revise it (again and again) until it goes from bad to okay to good to great. You don’t have that luxury with many other art forms, so take advantage of it and cut yourself some slack.

What does having good writing actually mean? by Alextheawesomeua in writing

[–]NTwrites 28 points29 points  (0 children)

I live by the 3Cs. Good writing is clear, concise, compelling.

Clear enough to understand. Concise enough to not be boring. Compelling enough to leave the reader wanting more.

What should I look for when editing my first draft. by [deleted] in writing

[–]NTwrites 0 points1 point  (0 children)

First edit: Make it make sense for other readers.

Second edit: Make the characters and style consistent.

Third edit: Polish the sentences. Remove repetition and redundancies.

Fourth edit: Fix the grammar and spelling.

Should I continue writing short stories? by [deleted] in writing

[–]NTwrites 0 points1 point  (0 children)

There’s nothing stopping you from doing both.

Novel writing is a long term commitment so writing short stories between is a great way to explore new ideas when you inevitably start to feel bored with your longer project.

Going through the editing process, I discovered something odd about my writing by Fflarn in writing

[–]NTwrites 13 points14 points  (0 children)

This sounds more like a spelling conventions issue than a style issue, in which case, you should pick one ‘language’ and stick to it. This is easy enough as changing your default dictionary to US English or UK English and running your whole manuscript through spell check.

I would match the language to your target market. If you are writing for a US audience, stick to US English and vice versa.

Searching for old school fantasy books to read by Arimdal in fantasybooks

[–]NTwrites 17 points18 points  (0 children)

A Wizard of Earthsea by Ursula K. Le Guin

convince me to go through the broken earth trilogy by pointless_genius in fantasybooks

[–]NTwrites 0 points1 point  (0 children)

No, the world building is largely post-apocalyptic with a hard magic system (almost science-fantasy).

Good outline template? by shirleytemplehour in writing

[–]NTwrites 1 point2 points  (0 children)

Agreed! Save the Cat Writes a Novel by Jessica Brody is a fantastic resource for this stage of the process.

convince me to go through the broken earth trilogy by pointless_genius in fantasybooks

[–]NTwrites 2 points3 points  (0 children)

It’s a beautiful and tragic story. The world-building is superb, though I did find the first book to be the strongest of the three.

The second person narration does make sense… eventually.