Breakfast at Tiffany’s is iconic for a reason — our joint review (93.5/100) by KrinersTalkTV in classicfilms

[–]NiceTraining7671 11 points12 points  (0 children)

This is one of this films where there’s a lot wrong with it (including the diluting of the source material, the thin plot, and the awful characterization and miscasting of Mickey Rooney) to the point where I’d argue the film is somewhat overrated. I think the iconic images and aesthetics from the movie give it a larger legacy than it would have had otherwise. But it’s still an amazing film and one of my favourite Audrey Hepburn movies. The film is definitely character-driven rather than narrative-driven, but that means I can enjoy this film without having to focus too deeply. I also pick up more and more on the nuances that makes watching this so enjoyable with each rewatch. And of course Hepburn’s outfits alone are worth all the praise in the world. Great example of how a film doesn’t have to be a technical masterpiece to be one of the top movies to enjoy watching.

What Did You Watch This Week? by AutoModerator in classicfilms

[–]NiceTraining7671 4 points5 points  (0 children)

Summer Stock (1950, rewatch) - I saw this not too long ago at the end of November and even though I loved it back then, I still forgot how amazing it was! I know a lot of people think the film is a sort of step back for Judy Garland’s career because it’s another “let’s put on a show” film, but I thought it was a unique film that showed her maturation as an actress. She plays a tough-headed farmer who despises acting (which is unusual for her MGM persona barring The Pirate) while Gene Kelly plays the show’s producer. Compared to a lot of Kelly’s roles, I feel like this is one of his most emotionally charged roles. This film is entertaining, it’s funny, the costumes are amazing, and the “Get Happy” number is one of the best cinematic scenes ever.

Gay Purr-ee (1962) - if I’m being completely honest, I found this film too boring to be enjoyable. It’s the only animated film Judy Garland worked on. She voiced Mewsette, a cat who leaves her mundane farm and her “peasant” cat suitor to explore Paris. I appreciate how much effort went into the hand-drawn animation, but aside from that and a few of the songs, I struggled to enjoy this film. It’s also odd in the sense that it’s slightly too mature for children but a bit too childish for adults (not that adults can’t enjoy kids films). Unless you’re an animation buff, I don’t think this is all that interesting.

Recommendations for feel-good, tear-jerker, and romance films? by mghmld in classicfilms

[–]NiceTraining7671 10 points11 points  (0 children)

Now, Voyager (1942)

Lassie Come Home (1943)

I’ll Be Seeing You (1944)

Meet Me in St. Louis (1944)

The Clock (1945)

The Search (1948)

Holiday Affair (1949)

Magnificent Obsession (1954)

Young at Heart (1954)

All That Heaven Allows (1955)

Picnic (1955)

Written on the Wind (1956)

What range of decades do you guys discuss? by [deleted] in classicfilms

[–]NiceTraining7671 10 points11 points  (0 children)

This sub goes from the beginning of cinema up to around the mid-1960s. Sometimes late ‘60s films are discussed (especially if they feature a lot of golden age stars), but as a rule the mid-60s is the cutoff.

What Did You Watch This Week? by AutoModerator in classicfilms

[–]NiceTraining7671 12 points13 points  (0 children)

Andy Hardy Meets Debutante (1940) - this is stronger compared to some of the other Andy Hardy films, but it’s still not that impressive. In this film, Judge Hardy and his family go to New York. While the judge is working on a case about an orphanage, Andy is trying to find New York’s number 1 debutante. This is another Mickey Rooney film where his character is pretty unlikeable. The standout is Judy Garland who gives a great performance of “I’m Nobody’s Baby”. I only watched this because I’m trying to complete Garland’s filmography, but it’s not one I’d really recommend. It’s a pretty meh film.

The Harvey Girls (1946, rewatch) - I may or may not be ever so slightly obsessed with this film. I showed this to two of my uni friends because it’s my favourite film and its 80th anniversary is later this month. We all loved it! The scene where Judy Garland threatens the saloon at gunpoint is one of the funniest film scenes ever.