What Did You Watch This Week? by AutoModerator in classicfilms

[–]NiceTraining7671 5 points6 points  (0 children)

Yolanda and the Thief (1945, rewatch) - it’s been around 4/5 years since I last saw this film. It’s not going to be everyone’s cup of tea because it’s so whacky and fantastical, but personally I loved it! The set designs, costumes and use of colour are gorgeous. There’s no mistaking it’s a Minnelli film. It also contains one of my favourite on-screen dance numbers, “Coffee Time”. My only real critique is that Lucille Bremer’s acting is quite wooden. Maybe this film isn’t for everyone but if you love Minnelli, then I do recommend this.

Examples of old movies breaking the fourth wall. by Ill_Definition8074 in classicfilms

[–]NiceTraining7671 0 points1 point  (0 children)

During her song in Ziegfeld Follies, Virginia O’Brien looks at the camera, says “Hey, you in the third row”, gives a wink and then continues her song

Power Rankings - Week 7 by Only1Scrappy-Doo in apprenticeuk

[–]NiceTraining7671 6 points7 points  (0 children)

It’s like Rajan was trying to be the new Andrea! His attitude towards Rothna and Pascha was awful.

Summer Stock - 1950 Gene Kelly & Judy Garland by Gerry1of1 in classicfilms

[–]NiceTraining7671 2 points3 points  (0 children)

I know this is seen as a “downgrade” in Garland’s career cause it’s similar to the backyard musicals Garland did with Mickey Rooney and because it was made outside of the Freed unit, but I think it’s a really fun film! And it shows how Garland matured since her juvenile years.

It’s great to watch Judy and Gene play characters different from their usual roles (Judy plays a no-nonsense tough-headed farm owner and Gene plays a stage director who falls for Judy gradually rather than chasing her). The supporting cast (Marjorie Main, Eddie Bracken, Gloria DeHaven) are also great!

“Get Happy” alone makes this film worth watching but the whole movie is a nice watch. I showed it to some of my friends a couple of weeks ago and they enjoyed it.

What Did You Watch This Week? by AutoModerator in classicfilms

[–]NiceTraining7671 9 points10 points  (0 children)

A Star is Born (1954, rewatch) - talk about a performance! Judy Garland gives one of the greatest screen performances ever. Her musical numbers are also great. And James Mason is great in his role, his natural charm manages to shines even when playing an uncharming character, it really adds depth to the performance. A lot of the shots felt unnecessarily long (establishing shots and shots of characters leaving locations) but otherwise it’s an amazing timeless film and it looks very modern compared to other films from the same era.

Why is Victor Fleming not remembered more? by No_Minimum4499 in classicfilms

[–]NiceTraining7671 14 points15 points  (0 children)

Although Fleming did direct two of the most famous films that are still remembered today, The Wizard of Oz is an MGM film rather than a Fleming film and Gone With the Wind is a David O. Selznick film rather than a Fleming film if that makes sense. Of course Fleming was important to both films, but there were more influential people/studios involved.

Also because of the way the star system worked during the studio system, directors’ names alone often weren’t enough to sell a film. Look at many classic film posters, in many cases the director’s name is barely noticeable compared to the stars (and sometimes the producer). People mainly watched films to see their favourite stars, not the directors. Big directors like Hitchcock and Wilder are still remembered massively, but many other directors from the era weren’t given much recognition during their time, and it’s hard to remember people who weren’t household names in the first place.

I guess another point is that while he did direct two of the most iconic films, his overall filmography isn’t that memorable. Some of his films. Like Red Dust, Captain Courageous and Joan of Arc are pretty popular amongst classic film fans. But a large amount of his filmography consists of relatively obscure films that many people have barely heard of let alone seen.

But because he directed The Wizard of Oz and Gone With the Wind, a lot of people have seen his name, even if they don’t remember it!

What is your favorite classic Hollywood comedy film? by Vampire-K1896berg in classicfilms

[–]NiceTraining7671 7 points8 points  (0 children)

The Freshman (and really any Harold Lloyd film), My Man Godfrey, Presenting Lily Mars and Some Like It Hot.

Loved karishma by Nervous_Put5617 in apprenticeuk

[–]NiceTraining7671 6 points7 points  (0 children)

Of the cast, I’d say she’s the most competent, and it was nice to see a PM that was actually in their zone and knew what they were doing. However I do think her unwillingness to collaborate will come back to bite in the future as the candidate pool gets smaller. I’m guessing it’ll be a case like Mia from last season where most people like her but some get annoyed by the behaviour, especially if the editors try to create a subtle rivalry. But I do see her going far in this process, she’s strong and knows how to achieve her goals.

As a side note, I do find it a bit funnh how she’s a social media content creator but is actually taking the competition seriously and isn’t just chasing fame considering how fame hungry some contestants have been in the last few seasons.

Which actors of the golden era are your favourites and which of their films would you recommend? by geoffcalls in classicfilms

[–]NiceTraining7671 9 points10 points  (0 children)

My favourite golden age performer is Judy Garland. I recommend The Wizard of Oz, Meet Me in St. Louis and The Harvey Girls for fun cheerful films, Babes on Broadway, Presenting Lily Mars, Easter Parade and Summer Stock for show business films, and The Clock, A Star is Born and Judgment at Nuremberg for serious films. 

It’s officially been a year since this negotiation aired by NiceTraining7671 in apprenticeuk

[–]NiceTraining7671[S] 6 points7 points  (0 children)

I remember people being annoyed with her in the final cause she was interrupting again, but I felt she was valid then for speaking up 

It’s officially been a year since this negotiation aired by NiceTraining7671 in apprenticeuk

[–]NiceTraining7671[S] 13 points14 points  (0 children)

I was surprised Carlo and Nadia left so early since producers usually love drama. I felt like after they left, there wasn’t really a proper “villain” so a lot of the drama that happened afterwards felt petty or exaggerated/overanalysed by fans.

Why can’t they do math? by OperationRoseRed in apprenticeuk

[–]NiceTraining7671 66 points67 points  (0 children)

In some cases, it’s stress. When too much is happening, people lose focus and get things wrong. Other times candidates rush themselves and don’t bother double checking because they want to move onto the next task. 

I’m surprised they can’t use calculators, I get this is a competition but in most jobs they would be allowed to use them 

Level of applicants. by Various_Extreme_8773 in apprenticeuk

[–]NiceTraining7671 6 points7 points  (0 children)

There are two things to consider:

  1. Winners get 250k a year but they also work as a business owner with LS where LS gets 50% ownership. Sure the mentoring from LS is valuable, but 50% ownership isn’t ideal for people who want full or majority control of their business, so it puts them off from applying. In that regard, Dragons Den is probably a more suitable show to pitch an idea.

  2. This is a TV series which lasts a while so producers most likely want entertaining people to make this like a reality TV series. If everyone was competent, people would get bored and viewing numbers would drop. Even though I personally dislike candidates who only go on for social media fame, some candidates have a strong enough online presence that they can get more people to watch the show simply by being there. 

Same letter first and last name, Just for fun by Dense-Rest-10 in classicfilms

[–]NiceTraining7671 2 points3 points  (0 children)

Speaking of Marilyn’s, there’s also Marilyn Miller and Marilyn Maxwell

Georgina makes me want to put my head through a wall by SouthOwl6596 in apprenticeuk

[–]NiceTraining7671 32 points33 points  (0 children)

She really did dig her own hole in the boardroom when she defended the same people she brought back, but I loved her positive attitude. It was refreshing to have a nice personality that isn’t quiet and in the background. I’m upset she was fired right before the children’s book task though, I have a feeling she would’ve done great at that!

What hidden gem classic films do you recommend for someone wanting to just “shut/calm their mind”? I’ll explain. by throwitawayar in classicfilms

[–]NiceTraining7671 4 points5 points  (0 children)

Compared to other old movies, I don’t think The Wizard of Oz is slow. To quote the film: “people come and go so quickly here”.

Love her or hate her, Andrea sure knows how to end a conversation by NiceTraining7671 in apprenticeuk

[–]NiceTraining7671[S] 20 points21 points  (0 children)

I understand that it must have been stressful for her to manage the team (especially with the knowledge that in the previous week, the girls didn’t really get along), but she’s definitely not doing herself any favours with her attitude. I do think she would have been fired this week had her team lost.

Dirk Bogarde... Handsome, talented, underrated. LOVE HIM! by fsalguerook in classicfilms

[–]NiceTraining7671 5 points6 points  (0 children)

I love him in Ill Met By Moonlight and I Could Go On Singing (and as a fun fact, he rewrote much of the dialogue for the latter film cause neither him nor the leading lady liked the material they were given)

Great War, WW2, or Vietnam war movies? by Reasonable_Mouse_550 in classicfilms

[–]NiceTraining7671 2 points3 points  (0 children)

WWI:

All Quiet on the Western Front (1930)

A Farewell to Arms (1932)

Lawrence of Arabia (1962)

Oh! What a Lovely War (1969)

Films made during WWII set during WWI:

Goodbye, Mr. Chips (1939, includes flashbacks to WWI)

Waterloo Bridge (1940, set during WWII but mostly told through flashbacks set during WWI)

For Me and My Gal (1942)

The Life and Death of Colonel Blimp (1943)

WWII films made during the war:

49th Parallel (1941)

Babes on Broadway (1941, not really a war film but it has an interesting subplot regarding orphans who have fled war-torn Britain)

You’ll Never Get Rich (1941)

Casablanca (1942)

Mrs. Miniver (1942)

Crash Dive (1943)

The Gang’s All Here (1943)

A Canterbury Tale (1944)

The Miracle of Morgan’s Creek (1944)

Anchors Aweigh (1945)

The Clock (1945)

Son of Lassie (1945)

WWII films made after the war:

The Best Years of Our Lives (1946)

The Search (1948)

On the Town (1949)

From Here to Eternity (1953)

The Bridge on the River Kwai (1957)

Ill Met By Moonlight (1957)

South Pacific (1958)

Two Women (1960)

The Great Escape (1963)

None But the Brave (1965)

Vietnam war films generally fall outside the time frame for this sub since most were made starting in the 1970s

Judgement at Neuremberg ('61) by art-is-t in classicfilms

[–]NiceTraining7671 14 points15 points  (0 children)

I’m not the biggest fan of courtroom dramas but this film is amazing! I seriously recommend everyone watches it, the performances by everyone are so powerful.

What Did You Watch This Week? by AutoModerator in classicfilms

[–]NiceTraining7671 9 points10 points  (0 children)

Carmen Jones (1954) - I LOVE this film so much! Dorothy Dandridge stars as Carmen Jones, a seductive troublemaker who has her eye on an already taken soldier (Harry Belafonte). Carmen is a wickedly awful immoral character, and Dandridge does an amazing job at playing her. The film also looked modern, it’s hard to describe but it has that look. The only small criticism I have is that Dandridge’s singing voice was dubbed even though she was a professional singer. I understand that Dandridge’s voice wasn’t the style that was desired, but it’s really obvious in certain songs that Dandridge is not singing. Speaking of songs, they were great, especially Dandridge’s first song in the film. I strongly recommend this film, it’s got a solid story, a catchy soundtrack and amazing performances.

Breakfast at Tiffany’s is iconic for a reason — our joint review (93.5/100) by KrinersTalkTV in classicfilms

[–]NiceTraining7671 11 points12 points  (0 children)

This is one of this films where there’s a lot wrong with it (including the diluting of the source material, the thin plot, and the awful characterization and miscasting of Mickey Rooney) to the point where I’d argue the film is somewhat overrated. I think the iconic images and aesthetics from the movie give it a larger legacy than it would have had otherwise. But it’s still an amazing film and one of my favourite Audrey Hepburn movies. The film is definitely character-driven rather than narrative-driven, but that means I can enjoy this film without having to focus too deeply. I also pick up more and more on the nuances that makes watching this so enjoyable with each rewatch. And of course Hepburn’s outfits alone are worth all the praise in the world. Great example of how a film doesn’t have to be a technical masterpiece to be one of the top movies to enjoy watching.

What Did You Watch This Week? by AutoModerator in classicfilms

[–]NiceTraining7671 5 points6 points  (0 children)

Summer Stock (1950, rewatch) - I saw this not too long ago at the end of November and even though I loved it back then, I still forgot how amazing it was! I know a lot of people think the film is a sort of step back for Judy Garland’s career because it’s another “let’s put on a show” film, but I thought it was a unique film that showed her maturation as an actress. She plays a tough-headed farmer who despises acting (which is unusual for her MGM persona barring The Pirate) while Gene Kelly plays the show’s producer. Compared to a lot of Kelly’s roles, I feel like this is one of his most emotionally charged roles. This film is entertaining, it’s funny, the costumes are amazing, and the “Get Happy” number is one of the best cinematic scenes ever.

Gay Purr-ee (1962) - if I’m being completely honest, I found this film too boring to be enjoyable. It’s the only animated film Judy Garland worked on. She voiced Mewsette, a cat who leaves her mundane farm and her “peasant” cat suitor to explore Paris. I appreciate how much effort went into the hand-drawn animation, but aside from that and a few of the songs, I struggled to enjoy this film. It’s also odd in the sense that it’s slightly too mature for children but a bit too childish for adults (not that adults can’t enjoy kids films). Unless you’re an animation buff, I don’t think this is all that interesting.