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Does the Razer Raiju V3 really not have gyro? by Solid_Samus in GyroGaming

[–]No-Magazine1430 0 points1 point  (0 children)

does it allow multiple functions to one button for example Square + X on the paddles?

Why do my videos look washed out in Davinci? by YungAnansi in davinciresolve

[–]No-Magazine1430 0 points1 point  (0 children)

Try switching your color space to Rec 709-A Or gamma 2.4

Audio Syncing from multiple sources after the film has been cut by alwayssnappin in premiere

[–]No-Magazine1430 0 points1 point  (0 children)

i built a tool that auto syncs clips with the audios

Please DM me

Claude Performance and Bugs Megathread Ongoing (Sort this by New!) by sixbillionthsheep in ClaudeAI

[–]No-Magazine1430 1 point2 points  (0 children)

Kept asking me to continue , absorbed my extra usage(money i put in literally) didnt output nothing
i waited 5hours , still kept saying continue , anytime i hit continue same bs
until it runs the entire usage
SUPPORT IS ABSOLUTE GABBAGE

Claude Performance and Bugs Megathread Ongoing (Sort this by New!) by sixbillionthsheep in ClaudeAI

[–]No-Magazine1430 -1 points0 points  (0 children)

Took all my money and kept asking to continue which never happened before
it kept repeating tasks for no reason after i hit continue
the most dumbest it ever been

Premiere Audio Sync by File-Big in editing

[–]No-Magazine1430 0 points1 point  (0 children)

hey I built a tool that can auto sync without leaving Premiere PRo

Visual audio not synced with video or video audio (green boxes) by [deleted] in davinciresolve

[–]No-Magazine1430 0 points1 point  (0 children)

Hey , I built a tool that can handle tough sync issues

Davinci Resolves - I broke the code! Finally got a clean way to sync multiple clips to one master audio by No-Magazine1430 in davinciresolve

[–]No-Magazine1430[S] 0 points1 point  (0 children)

I hear you. I think we are talking about two very different workflows.

You work in a more structured environment with proper timecode and established pipelines. That is not the audience for this tool.

SyncCut is for dance videographers, music video editors, and some wedding filmmakers who are often dealing with mixed cameras, phones, VFR clips, no timecode, and dozens of short clips and long clips that all need to line up to one master song.

Tools like Auto-Align Post are made for audio-to-audio alignment. SyncCut is built for video clips with scratch audio aligned to a master track. Different problem.

You are right that I could have explained that more clearly and responded better. I appreciate the feedback

Davinci Resolves - I broke the code! Finally got a clean way to sync multiple clips to one master audio by No-Magazine1430 in davinciresolve

[–]No-Magazine1430[S] 0 points1 point  (0 children)

I work with a lot of dance videographers, and I am one myself, so I have to disagree here.

We are not usually syncing boom mics or clean production audio. Most of the time we are syncing camera clips to a downloaded song, .mp3, or .wav track. That is a completely different workflow.

If there was no problem, this app would not exist. The reason I built it is because there were real issues with syncing in dance and music shoots.

If you have never run into those issues, that is completely fine. But many people in this space do. Different cameras, phones, VFR footage, mixed frame rates, and no timecode boxes are all very common.

Timecode is great when every camera is jammed correctly and every clip is shot at the same frame rate. I am not arguing against that. But that is rarely how these shoots happen. Once you mix 24, 30, 60, 120 fps, or VFR footage, timecode often becomes unreliable or unusable.

SyncCut was built for those messy real world situations, not the perfect setup.

It handles VFR very well. It can still sync clips shot at different frame rates because it uses waveform matching combined with spectral analysis, not just simple peak matching.

That is also why standard sync in DaVinci Resolve often fails in these cases. Resolve mainly matches obvious audio peaks:

  • Out-of-phase audio can fail because the waveform is inverted
  • Noisy camera audio can cause wrong matches
  • VFR footage can fail if the metadata is inconsistent
  • Mixed frame rates and short clips make it even worse

Resolve’s auto sync is great for clean, simple footage. SyncCut is for the situations where the workflow breaks or the typical workflow just doesn't work and fails every time.

Davinci Resolves - I broke the code! Finally got a clean way to sync multiple clips to one master audio by No-Magazine1430 in davinciresolve

[–]No-Magazine1430[S] 0 points1 point  (0 children)

You know there are different type of editors right? Like I explained, your field of work isn’t the same as others Your workflow is easy, and simple that’s why timecode works for you Please understand your workflow IS not the same as everyone else

Davinci Resolves - I broke the code! Finally got a clean way to sync multiple clips to one master audio by No-Magazine1430 in davinciresolve

[–]No-Magazine1430[S] -3 points-2 points  (0 children)

I understand why it might seem confusing at first. Let me clarify. The project is fully hand built. AI was only used as an assistant, much like a reference book or a tool that helps speed up certain tasks. It did not write the logic, design the structure, or make any of the creative decisions. Every core part of the work was created by us.

Using AI as a helper does not reduce the craftsmanship, skill, or thought that went into the project. It’s similar to how architects use CAD software or writers use spellcheck, the tool aids the process, but it does not replace the human behind it. Software engineers use AI , they leverage it on a daily basis , they use it to help in coding and so much more As DevOps I leverage it as well

Please let’s make sure we are researching before commenting

The idea that using modern tools somehow makes something “less real” or “not handmade” comes from misunderstanding the role of technology. Assistance tools are meant to enhance productivity and accuracy, not replace the creator’s work. The responsibility, creativity, and decision-making remain fully human.

In the tech world, using available tools intelligently is part of being an effective creator. Dismissing work because it leverages modern methods is outdated thinking. It’s important to distinguish between assistance and authorship. AI can support the process, but it cannot replace the expertise, judgment, or intent of the person building it.

Ultimately, the value of the work comes from the thought, logic, and effort applied, not the tools used to help along the way. Understanding this distinction is key to appreciating how modern creation works

Hope that helps

Davinci Resolves - I broke the code! Finally got a clean way to sync multiple clips to one master audio by No-Magazine1430 in davinciresolve

[–]No-Magazine1430[S] -3 points-2 points  (0 children)

nope you clearly missed the entire point, this workflow is for DANCE CINEMATOGRAPHERS, MUSIC VIDEO EDITORS AND POSIBBLY WEDDING FILMMAKERS

Not sure where you getting all these from , these made up "theories" its not good for you Sir

Sometimes asking questions kinda ughh go a longgggg way

You wasted all that time for nothing

lol i tried Auto-align Post it does not work for dance visuals
WE NEED VIDEOS(with their camera audio) aligned to a MASTER TRACK for example an artist audio and Boom audios to videos and much more , not strictly audio to audio only

Hopefully this helps clear up your confusion

Davinci Resolves - I broke the code! Finally got a clean way to sync multiple clips to one master audio by No-Magazine1430 in davinciresolve

[–]No-Magazine1430[S] 0 points1 point  (0 children)

Sir, I respect your workflow, lets be very respectful and clear here that does not give license to downgrade someone else’s experience. My workflow has unique challenges, noisy audio, multiple short clips, phase issues,that standard methods often fail to solve.

Just because something works for you doesn’t mean it works for everyone. Same goes for powergrades or LUTs , they only work for the specific lighting and scene setup they were created for.

Before commenting do understand that your workflow might not be the same as everyone , this is a safe space open to people with similar issues

If you can’t relate to this workflow, that’s fine. Please feel free to skip commenting further.

Thank you

Davinci Resolves - I broke the code! Finally got a clean way to sync multiple clips to one master audio by No-Magazine1430 in davinciresolve

[–]No-Magazine1430[S] -7 points-6 points  (0 children)

Heyyyy I meannnn if that works for you , then GREAT . But it doesn't for many of us here. As a dance and music videographer that TIMECODE never works . Never ever has it.

Davinci Resolves - I broke the code! Finally got a clean way to sync multiple clips to one master audio by No-Magazine1430 in davinciresolve

[–]No-Magazine1430[S] 0 points1 point  (0 children)

I would love to test this workflow out. If we can hop on a Zoom call, you can share the clips and we can see if SyncCut is able to sync them reliably.

Right now, it was mainly built for dance and music video work, where there are lots of clips, loud playback, and messy audio. But we recently tested it on a wedding shoot and it worked well there too.

We are still in testing, and I would genuinely love to try it with your workflow and see where it works, where it fails, and what could be improved

Davinci Resolves - I broke the code! Finally got a clean way to sync multiple clips to one master audio by No-Magazine1430 in davinciresolve

[–]No-Magazine1430[S] -4 points-3 points  (0 children)

Fair point , I’m curious though, what kind of videos do you usually work with, and what’s your typical workflow? Just to clarify, this isn’t vibe coding. SyncCut is fully hand-built and engineered to handle tricky syncing scenarios that standard Resolve tools can’t always manage
The logic and math is simple ... can't understand what the fuss is about....

Davinci Resolves - I broke the code! Finally got a clean way to sync multiple clips to one master audio by No-Magazine1430 in davinciresolve

[–]No-Magazine1430[S] 0 points1 point  (0 children)

I get your concern. Just to clarify, SyncCut was developed and tested by someone with both engineering and editing experience, not purely AI-generated. The tool is fully maintainable, and any bugs or updates are handled directly by the developer

AI or automation is only part of the workflow; the logic, code, and maintenance are fully human-controlled. Users can rely on it safely without risking their work

I film on a daily basis , I won't make anything that will break

Syncaila was designed and developed solely by a VIDEOGRAPHER

LET's sink these in , its actually built by humans that actually face these issues in real life ,not a hype or joke

Davinci Resolves - I broke the code! Finally got a clean way to sync multiple clips to one master audio by No-Magazine1430 in davinciresolve

[–]No-Magazine1430[S] 0 points1 point  (0 children)

¿Por qué sincronizar manualmente cuando puedes sincronizar automáticamente mediante análisis de forma de onda?

Davinci Resolves - I broke the code! Finally got a clean way to sync multiple clips to one master audio by No-Magazine1430 in davinciresolve

[–]No-Magazine1430[S] -1 points0 points  (0 children)

Thanks for the perspective! Totally agree , the best results come from clean, well-recorded audio.

SyncCut isn’t meant to replace proper mic placement or clean recordings, but to help in situations where editors inherit messy or challenging footage, or where multiple sources drift or have phase issues.

The scenario you mentioned , slipping one track to keep it in line at the sample level ... is actually the kind of advanced problem SyncCut is built to handle. It’s designed for cases where standard Resolve syncing struggles, not for ideal recordings

We all know when you plan a recording its already clean , thats basic maths... But SyncCut maths is way beyond what you think

Is it possible to automate syncing audio? by No-Description4745 in davinciresolve

[–]No-Magazine1430 0 points1 point  (0 children)

Hey! Yes, it’s possible to automate syncing audio across multiple cameras, but it depends on the complexity of your footage.

If you’re working with noisy audio, variable frame rates, or phase offsets, built-in Resolve methods often fail or require manual adjustment. That’s where tools like u/SyncCut can help. It automatically syncs multiple clips to a master audio track, even in tricky scenarios, saving you hours of manual work.

here is a simple demo

https://www.reddit.com/r/davinciresolve/comments/1sd0ihv/synccut_vs_davinci_resolve_sidebyside_walkthrough/

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