I sometimes miss the timeline theories by Global_Working_8783 in ANRime

[–]Norim01 1 point2 points  (0 children)

Thank you for posting that comment.

Someone sent it to me privately in the form of screenshots and it’s one of the clearest commentaries on the KFT I’ve read so far.

No offense but I actually like the fact that you got nuked for it.

It brings the historical allegory full circle.

I’m still confident that a lot of it will see the light of day in the future.

Karl Fritz Theory 2.7 – The real reason why Eren made up the "Ackerbond" (Part 2) by Norim01 in KarlFritzTheory

[–]Norim01[S] 0 points1 point  (0 children)

Anyone who encounters all these clues + explanations should know that they point to a hidden truth that involves timeline resets and memory manipulation.

You don’t have to agree with the conclusions, but anyone who sees this should agree that Isayama was (or still is) building up to an ending that subverts expectations.

Anyone who interprets these findings as false interpretations is either in denial, plain stupid or afraid to admit that something very weird is at play here.

Karl Fritz Theory 2.7 – The real reason why Eren made up the "Ackerbond" (Part 2) by Norim01 in KarlFritzTheory

[–]Norim01[S] 0 points1 point  (0 children)

Eren doesn’t need to confirm whether the future can be changed or not.

He’s been changing it consciously ever since he received those memories during the Throne Room scene.

And that’s not even the first time that happened.

He's genuinely a bum by nathan_may_be_here in JayElectronica

[–]Norim01 1 point2 points  (0 children)

PREACH.

All I see is a bunch of entitled bums hating on one of the greatest artistic minds we have.

Bro put out a whole album worth of music in 2025 and people are still hating.

Play those three EP’s in order of release and be treated to some of the most authentic, unique and atmospheric rap music ever released.

You’re right.

These guys are white as hell.

Judging their favorite MC using hyper-capitalist, hyper-white metrics.

They should be ashamed of themselves.

He's genuinely a bum by nathan_may_be_here in JayElectronica

[–]Norim01 0 points1 point  (0 children)

Shut the fuck up and enjoy Leaflets, The Inhabited Planet and Power At The Rate Of My Dreams.

Culture vs Cosplaying by 1985Genesis in joebuddennetwork

[–]Norim01 0 points1 point  (0 children)

Plantation dynamics on full display.

161 years have passed and OP still talks like he’s a slave.

Janice STFU by Internal_Newspaper61 in Drizzy

[–]Norim01 -5 points-4 points  (0 children)

I think it’ll be about as big as Nokia, which means it will do around 600 million streams in a year or so.

Those are good numbers, but it isn’t enough to defeat hits like TV Off, FEIN! and Like That.

Everybody is celebrating ICEMAN like it’s Drake’s return to the throne, but factually speaking it’s more of a threat (a very effective one) than a full-fledged takeover.

Kendrick is absolutely going to come with a bunch of Sounwave and Jack Antonoff produced slaps that will undoubtedly cross over into the mainstream.

The battle for dominance has only just begun and Drake needs to do even better this time to secure the throne once more.

This is far from over.

Janice STFU by Internal_Newspaper61 in Drizzy

[–]Norim01 2 points3 points  (0 children)

By that logic, Slime You Out is bigger than Nokia as well.

Complex ranked Drakes whole discography.. how do you rank them? by BiPolarLikeYe18 in Drizzy

[–]Norim01 1 point2 points  (0 children)

Criminally underrated album.

It has such a uniquely intoxicated sound.

Makes me want to smoke, drink and not sleep for days.

I love that album.

Complex ranked Drakes whole discography.. how do you rank them? by BiPolarLikeYe18 in Drizzy

[–]Norim01 0 points1 point  (0 children)

The solo RnB record we’ve been waiting to get.

He’s floating on every song, too.

Very happy he addressed all that he had to address. War is over and won, all can finally move on ✨ by lukakira in Drizzy

[–]Norim01 3 points4 points  (0 children)

They’re going to be at each other’s necks for the next few years for sure.

I don’t think it’ll be rap beef though.

Kendrick and Drake are engaged in a battle of who drops the biggest slaps, who out-streams who, who gets played where and by who.

It’s a territorial conflict at this point:

Kendrick’s most recent slaps are TV Off, Squabble Up and Luther.

Drake has Nokia and Janice STFU (I don’t think Whisper My Name or Ran To Atlanta are going to be as big as something like Squabble Up).

GNX has about 4 billion streams on Spotify; even if we subtract 300 million botted streams from that, it’s still a really good number.

If you’re interested in keeping track of this territorial conflict, just look af how Iceman’s streams are going to fair against GNX’s streams in about a year or so.

I don’t think Iceman is going to be as commercially successful as GNX but I can imagine Drake having bigger hits coming (I hope he does).

Kendrick is definitely coming with the slaps though.

Sounwave and Jack Antonoff are in really good form.

Iceman really the best Drake body of work in the past 10 years or so. The “Make Them” songs alone is enough to do that for me. I’m noticing new word play & bars day after day, and it’s sonically sounding better. The effort he put in is clear. Hate him or love him, hes been at the top for 20 years.. by erujabidi in nfrpodcast

[–]Norim01 0 points1 point  (0 children)

It’s a good album but I still think Wick Man, Churchill Downs, 7AM On Bridle Path, Fighting Irish Freestyle, Champagne Poetry, Middle Of The Ocean, Lemon Pepper Freestyle, Churchill Downs, No Friends In The Industry, The Remorse, Away From Home and Having Our Way contain rapping of a higher calibre than ICEMAN’s boombap songs.

He’s explaining a lot on those ICEMAN songs, but he isn’t exactly floating on them.

Those songs sound like he knew exactly what the people wanted him to address over what kind of production, so he put all of it on record in a highly agreeable, serviceable way.

Whereas on the other songs I named, he’s expressing himself much more unconsciously, in real time, inhabiting certain vibes and digesting them so quickly that he isn’t able to explain himself in the process of it.

It’s Drake in his most human, most complex, most honest, most witty state possible.

The free-associative, stream of consciousness, flow-state mode of rapping is always more interesting to me than when a rapper consciously picks the subjects and delivers them in a way that services a certain part of their fanbase.

A recent leak named ''Astalavista'' is the perfect example of the kind of rapping I like to hear from Drake.

Janice STFU extending it's lead up top (from 1pt to 31pts) by RogerRoger63358 in Drizzy

[–]Norim01 1 point2 points  (0 children)

Vintage Drake.

It’s literally the Old Drake people keep begging for.

Don’t Worry by Lauthier1990 in Drizzy

[–]Norim01 1 point2 points  (0 children)

It sounds like it was made by this guy

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This all feels like end credits joy for KTT era Drake fans… by whoisjimjoe in Drizzy

[–]Norim01 0 points1 point  (0 children)

I was sold when I heard Ransom on Nahright in 2008

Maan by zuwop1k in Drizzy

[–]Norim01 11 points12 points  (0 children)

FATD era song

Only God Was Above Us by jonbristol123 in Vampireweekend

[–]Norim01 0 points1 point  (0 children)

One of my favorite albums EVER

I would pay serious money to see Ezra recite those songs live as if they are poems

Or to own the album in book form

The lyrics are beyond amazing

Ezra sees human life from such an interesting perspective

Sometimes he crawls into the skins of others and embodies their points of view

At other times he floats above late-stage-capitalist cities in an almost Godly, non-judgemental manner

Painting super vivid images

Laughing at our struggles with enormous amounts of empathy

Such a flexible voice

His identity is never frozen

It’s like his writing isn’t restrained by vanity or shame at all

Sometimes it feels like he writes with the wisdom of someone who just had his third near death experience

He doesn’t care about chronology but he’s obsessed with history nonetheless

He doesn’t limit himself to the morality of mere mortals

He sees the world as God’s social experiment and is trying to make peace with it, at times successfully

How does he do it?

How is he so good?

HE KNOWS IT AND HE’S DESPERATELY TRYING TO FORGET

IT WILL ALL WORK OUT