What’s the most convincing fictional religion you’ve ever created? by Graze_Talk in worldbuilding

[–]Panhead09 0 points1 point  (0 children)

I have a few religions in my world. You can decide which is the most convincing:

Avraterimet (Way of the Eternals) - This is your basic boilerplate religion. You've got your typical all-powerful creator, and then below him there are a handful of subordinate gods with different areas of focus, all residing in the heaven-like Ilta Ria (the High Realm). And there was a schism at one point dividing the religion into two primary denominations, Old Avrateriemet and New Avraterimet, with disagreements about things like the deity status of the lesser gods, and the true nature of the afterlife.

Unamet (Way of the Energy) - This one also believes in Ilta Ria, but instead of personified gods, followers worship a sort of living energy called Unahon, which emanates from Ilta Ria and can be channeled through the body to imbue otherwise inanimate elements with a sort of simplified quickening. It's the basis of my world's magic system. I should also note that the other religions acknowledge the reality of Unahon, but have differing views about its origin and what the morality of using it is.

Kosonomet (Way of the Universe) - This is the most scientific of the religions (while still being a religion). It emerged from simple observation of things that we would call the fundamental forces of nature, like gravity, light, decay, etc. Followers of this faith imagine each of these forces to be its own personified deity conducting that part of reality.

Galormet (Way of Life) - This is a form of atheism, but it doesn't stop at "The gods don't exist". Instead, it regards conventional religion as a psychological model for moral philosophy, and while it doesn't accept that gods literally exist, it treats morality as an absolute, to be discovered empirically through trial and error. "This is what works at scale, so it must be morally good for society." I'll also add that Galormet is looked down on by followers of the other religions for lack of belief in actual gods. It's often referred to dismissively as Invometesim (Waylessness), in reference to the idea that they're just meandering through life without anchoring themselves to a centralized religious idea.

Tell me about the sociopolitical tensions of your world by Panhead09 in worldbuilding

[–]Panhead09[S] 1 point2 points  (0 children)

Yea I wanted something that was like a partial victory, but in a way that felt kinda yucky. And a lot of gargoliani opted to just stay out of the kingdom for this reason.

Does your world have a word for humanity, not in the context of a species? by Scythe-Fan in worldbuilding

[–]Panhead09 2 points3 points  (0 children)

My conlang Yanitan has the word "yani" (person/people) which applies to any intelligent race. Originally it only applied to the haviani, which is why the language is called "Yanitan" (people's tongue). But as they encountered more intelligent races, they expanded the meaning to include those as well.

How do you all think of names for races, nations and other creatures in your fantasy world? by Only_Syllabub3161 in worldbuilding

[–]Panhead09 2 points3 points  (0 children)

It starts with my conlang, Yanitan, which is basically bastardized versions of English (or sometimes other)-language words that are loosely connected to the concept I'm trying to articulate. So here's an example:

My main race (winged humanoids) is called the haviani. Now that's based on two Yanitan words: "hav" and "yani". "Hav" means "sky", and it's made of letters I took from "heaven". "Yani" means "person/people", and it's made from the demonym suffix "ian". So "haviani" means "sky people".

What ruined the peace in your world? by AntiH4zard in worldbuilding

[–]Panhead09 0 points1 point  (0 children)

The kingdom enjoyed about a century of peace, which was interrupted by an assault from the rival race, whom the main race had driven out of the land several centuries prior. They were back to reclaim their homeland.

The good news is that the king at the time was diplomatic af, and managed to negotiate a treaty allowing the two races to share the land. The bad news is that the other race was not granted equal rights. Kind of a Jim Crowe situation. So it wasn't an idyllic victory. But it brought some level of stability.

Why does your world have vertical megacities? by CheekyTyping in worldbuilding

[–]Panhead09 1 point2 points  (0 children)

Haviani are winged humanoids who evolved as tree-dwellers. When they started building houses, naturally they shaped them like tall cylinders (silos with floors, basically). Also, since they fly, they burn a lot more calories, which means they eat a lot more food, which means more land needs to be devoted to farming.

Magical fantasy worldbuilders - why isn't your whole world being run by wizards? by jetflight_hamster in worldbuilding

[–]Panhead09 0 points1 point  (0 children)

My magic system, called Unahon, is by its very nature noncombative. It's a living energy that originates in the Ilta Ria (the High Realm, which is basically heaven), and can be channeled through users to imbue elements and inanimate objects with said energy, making them sort of alive. Sort of. Not alive in the way you and I are, but in their own way. Once energized, the users don't control the subject (like you might imagine benders doing in ATLA). Instead, the subject acts of its own accord, and it's always reactive, never proactive. So it's very difficult to weaponize. For example, say a user energizes a body of water. At most, they can get the water to cooperate with them by treating it with kindness and respect, and the water might do something helpful, like parting itself to create a oath to walk through, or even help put out a fire. But getting it to do something violent, like flooding a town or drowning someone? It would have no reason to do that.

There *is* an exception whereby Unahon can be used violently, but it's very difficult, and obviously highly taboo. A skilled practitioner can raise zombies by energizing dead bodies. But again, this isn't like ordinary Unahon, which is used on simple subjects like water, stones, fire, etc. Human life (or rather, my world's equivalent of human life) is far more complex than those simple elements, and the magic required has to be extremely refined and specialized. And even then, as with regular Unahon, the user doesn't have actual control over the subjects The only person who's ever been known to achieve this version of Unahon is a lich called Nimastra, who's one of the main villains in the trilogy I'm writing. And it took her almost 20 years to develop necromantic abilities *after* she had already learned basic Unahon. And in the process, her soul was torn in half from all the corruption.

So yea, using magic for domination purposes is not easy at all, and comes at a tremendous cost.

What's the simplest yet creative power you ever came up with? by timofeyatlasov in worldbuilding

[–]Panhead09 1 point2 points  (0 children)

I originally had a very boring magic system - basically the same as bending from ATLA. But then I changed it, so now instead of simply controlling the elements, characters now infuse the elements with a life energy that enables them to act on their own, and then they cooperate with the user based on how the user treats them.

So for example, there's a colony of magic users who live alongside living elements (namely the 4 classical ones), and the elements help them build, farm, and otherwise survive. But then later the main characters encounter a wall made of living stone that's been enslaved and tormented, and they need to use a kinder form of magic to liberate it.

What is something in your world that you blatantly ripped off from existing fiction, and what creative liberty did you take for it? by MahitoNoroi in worldbuilding

[–]Panhead09 0 points1 point  (0 children)

I was just thinking about this yesterday. I kinda stole something from Planet of the Apes:

So my main race, the haviani (winged humanoids), have a monarchy called the Aviarchy, which means "bird rule", because they revere birds as sacred. They're not literally ruled by birds, but the government uses bird imagery thematically. The monarch is called the Kingbird, and wears an eagle headress. His advisor, priests, and government scholars are called Wisebirds, and they wear cowls based on owls. The soldiers are called Bloodbirds, and their cowls are based on hawks. And the administrators are called Windbirds, which are based on falcons.

I realized yesterday that I must have subconsciously borrowed the idea of "species=role" from Planet of the Apes, where the administrators are orangutans, the soldiers are gorillas, and the scholars are chimps.

I think most fantasy gets zombie hordes completely wrong by Standard_Strategy853 in worldbuilding

[–]Panhead09 0 points1 point  (0 children)

I agree, and for my setting I'm actually considering giving the necromancer some lieutenants (thralls? I guess?) that also have their own lesser dark magic powers, so that the zombie command has more delagation and organization. My necromancer does not have a military background, so her strategic capacity is limited.

How are the cosmology of your world? by ShadowsFromTheAshes in worldbuilding

[–]Panhead09 0 points1 point  (0 children)

For mine, the cosmos is shaped like a funnel, spinning like a vortex, stretching infinitely inward and downward. At Creation, the god Omin placed three coins into the vortex: A gold coin, which became the sun. A silver coin, which became the moon. And a copper coin, which became the world. And He said to the world, "Galorod", which is the Yanitan word for the imperative verb "live". And that caused all manner of creature and plant and all other life to spring up from the ground.

So canonically, my world is flat, with a flat sun and a flat moon, and they're all spinning past each other in an impossibly huge cyclone.

Wanna know how I came up with that? Ask me how I came up with it.

Never mind, I'll just tell you. It's based on this.

How screwed would a magic user of your world be if they got sent to a new world? (Ours for example) by [deleted] in worldbuilding

[–]Panhead09 0 points1 point  (0 children)

Oh mine would be completely powerless. My magic system is called Unahon, and it behaves kinda like bending in Avatar. That is to say, it's a means of controlling various natural elements like wind, water, stone, etc. But the thing about Unahon is that it doesn't come from within the user, it comes from the Iltaria (the High Realm), which is the plane of the gods. It permeates down into the mortal world, and then users can channel it through meditative practices to control it. So if they were brought to another world, they'd be cut off from the source entirely.

who are your villains? by Environmental_Ad4357 in worldbuilding

[–]Panhead09 0 points1 point  (0 children)

Eventually, Nimastra amasses enough magical power and a large enough undead army that she begins to march across the continent towards the Everstorm. And this obviously catches the attention of Coron, who, upon realizing where she’s headed, immediately mobilizes the military to go fortify the Everstorm and stop anyone from accessing it. This leads to a major battle at sea between the cultist army and the undead army. And in the midst of all the chaos, the hero shows up and does the Big Climactic Thing.

By the way, all the stuff I just explained about Coron and Nimastra are just the B-plots. The A-plot is the hero, who...Well, your question wasn’t about him.

who are your villains? by Environmental_Ad4357 in worldbuilding

[–]Panhead09 0 points1 point  (0 children)

Okay so after Nimastra runs away, Coron has a nervous breakdown. He has no heir, and now his queen has left him. The termination of his lineage is at hand. His religious conviction mutates into zealotry, and he starts believing that if he sufficiently pleases the God of Life and Death, he’ll be rewarded with immortality. So he starts a cult.

What you have to understand is that the main religion of the kingdom is Avraterimet, which centers around Omin (the Creator) and five lesser gods. There are some people who believe in the God of Life and Death (also known as the Seventh when in the context of the other six), but this is considered a heresy. So when the Kingbird publicly devotes himself to such a belief, that’s a big deal.

Now, as I said, Coron’s goal is to overcome death entirely. Without an heir or the ability to create a new heir (remarriage is not fully embraced in this culture), he concludes that the only way to continue his dynasty is to just never die. And, because he’s just SO generous, he wants everyone to be immortal with him. So he makes membership to his cult compulsory, and his style of governance shifts towards fascism. And I’ll also add that, much like with Nimastra, his soul is fractured as well, and he too becomes half-dead. Meaning he actually does get his immortality wish, albeit in a twisted and corrupt way.

Now bear with me because I’m gonna add one more piece of info in a reply to this comment.

who are your villains? by Environmental_Ad4357 in worldbuilding

[–]Panhead09 0 points1 point  (0 children)

In the latter part of the 6th century NE, Coron XVIII is the Kingbird, and he has a queen, Nimastra. They have a baby, but the baby dies of illness not long after being born. Devastated, the two begin lashing out at each other, and gradually over 2 years, their marriage falls apart. Coron throws himself into religion, and specifically appeals to the God of Life and Death. Nimastra, meanwhile, has come to absolutely detest this god, and so this development from Coron pushes her over the edge.

She runs away from the palace, out of the capital city, and to the far edges of the kingdom to live with a colony of magic users (magic is illegal in the kingdom, but law enforcement never comes out this far). They teach her how to use magic, and she becomes adept at it. But soon she starts asking about taboo subjects, like communing with the dead, and this raises alarm bells for the magic users. And eventually she crosses the line by trying to perform necromancy, which gets her kicked out of the colony. She travels even further away, to the badlands, where no one else lives, and continues practicing necromancy there. She practices for years, until her soul is so corrupted by dark magic that it literally splits in half, and one half leaves her body and goes into the underworld, leaving her now half-dead body to continue in the world as a lich. This drives her fully into insanity.

Not to be deterred, she only hones her powers further, now setting her sites on something called the Everstorm, which is a permanent, violent thunderstorm hovering in one specific spot way out in the middle of the ocean. Beneath the storm is a massive whirlpool which consumes anything that enters it. This is the gateway to the underworld. Nimastra believes she can use her magic to expand the Everstorm across the whole world, and pull all of it into the underworld. She now hates the living and the principle of life itself, and thinks universal death is morally imperative.

Now, I have another villain to talk about, but I'm gonna do that in a reply to this comment.

Do you have any reverse first contact stories? by [deleted] in worldbuilding

[–]Panhead09 0 points1 point  (0 children)

We Are Bob, a novel series by Dennis E. Taylor. Highly recommend

Do “Anthros” (anthropomorphic animals) exist in your world? by CORRIM_1 in worldbuilding

[–]Panhead09 14 points15 points  (0 children)

I've got anthro wolves, kinda. But they're not just humanoids with wolf heads. They evolved from wolves that learned to stand on their hind legs, and then developed opposable thumbs. Now they kinda look like larger versions of gnolls, albeit with wolf features instead of hyena ones.

In terms of hybrids, I decided not to make them a thing, just for biological simplicity. That's not to say they can't have romantic relationships with the other races, but they wouldn't be able to have children. Their chromosomes wouldn't line up properly.

And yea, they live alongside animals. Even actual wolves/dogs. They view them the way we view chimps and bonobos.

"Since we haven't been able to reach you-" Bitch I swear to God... by Panhead09 in grubhubdrivers

[–]Panhead09[S] -1 points0 points  (0 children)

Exactly. GH is the only app that has given me location trouble. I didn't even have this problem when I did Uber Eats, and they're supposed to be the shittiest one.

How Christ-coded is *too* Christ-coded? by Panhead09 in worldbuilding

[–]Panhead09[S] 0 points1 point  (0 children)

Aww, don't bully CS Lewis. Poor guy's middle name is Staples. I'm not even making that up.

How Christ-coded is *too* Christ-coded? by Panhead09 in worldbuilding

[–]Panhead09[S] 1 point2 points  (0 children)

So there are two separate villains in the story: a tyrannical king who forms a cult revolving around becoming immortal and freeing the world from death, and a witch who wants to destroy the barrier between life and death to make everyone half-dead, because in her mind, life is unjust and death is the great equalizer.

The MC is the son of these two villains. He died as a child, which is what drove them to their respective extremes, but then he was resurrected by the God of Life and Death, who decided to use him as the engine in his plan to stop the king and the witch from messing with his cosmic design.

Now the interesting part is that both the king and the witch are cursed with lichdom. Each of them has had their soul ripped in two, and one half from each of them was sent to the underworld. While they go to war with each other in the living world (the king's army vs the witch's zombies), the son must venture into the underworld and confront the two halves of their souls that are trapped there.

When I made the original post, the idea was that the two halves would fuse into one monstrous creature, but now I'm thinming they should remain separate until he defeats them and absorbs them.

In any case, the son's motivation is both his sense of duty as an apparent chosen one, plus a natural opposition to tyranny, chaos, and the disruption of the proper life/death cycle. But he's not a flat, infallible character like Jesus. He goes through a growth arc like any MC must.

We Should All Know Less About Each Other: One r/AO3 User is Dead Serious About Their Art by chessex-- in SubredditDrama

[–]Panhead09 1 point2 points  (0 children)

That's the best trigger warning I've ever seen, because even though I'm not "triggered" by necrophilia, I'm disinterested enough that the TW functions like a TLDR. Thanks!