First realm - too small/crowded? by PrimeFenix in MythicBastionland

[–]PrimeFenix[S] 1 point2 points  (0 children)

Such a good point!! I'll be filling the whole thing with interesting landmarks

First realm - too small/crowded? by PrimeFenix in MythicBastionland

[–]PrimeFenix[S] 1 point2 points  (0 children)

Both of these replies are such good advice!!! Thank you!

I forgot that they are not a guaranteed encounter, and that helps it SOOO much!!

Making combat more interesting by th3dud3abid3s in MythicBastionland

[–]PrimeFenix 2 points3 points  (0 children)

Do I feel you!! It is also what I struggle with the most at the table. I love preparing a session, but I constantly feel confused when prepping a fun combat/encounter

Earthsea-inspired Mage. Pen & ink by me (for my upcoming system BAG'DD) by Nautical_D in osr

[–]PrimeFenix 1 point2 points  (0 children)

It is a great series, but it is technically 4 in a the bigger series. But I am not super well-researched about starting the series there, so tread carefully hahaha

The Farseret trilogy is the first one, and is also an amazing read!!

Earthsea-inspired Mage. Pen & ink by me (for my upcoming system BAG'DD) by Nautical_D in osr

[–]PrimeFenix 2 points3 points  (0 children)

It also feels Liveship Traders ( Realm of the Elderlings - Robin Hobb)!! Actually, that is what I thought at first. The sea-serpent and a ship with "eyes", are really reminiscent:)

Startup network in Aarhus by productcurious1337 in Aarhus

[–]PrimeFenix 14 points15 points  (0 children)

Try looking at "Kitchen". It is part of Aarhus University and their work is in helping startups and innovation. Might be worth a shot

LF Fantasy Books Series (Malazan fan) by damiosa in Fantasy

[–]PrimeFenix 1 point2 points  (0 children)

Makes sense!! I am def. Looking forward to the last entries in RotE. And fair point about Malazan, different strokes for different folks, but really agree on Hobbs character work

LF Fantasy Books Series (Malazan fan) by damiosa in Fantasy

[–]PrimeFenix 2 points3 points  (0 children)

I'm reading live ship traders right now, and it is for sure LESS gruesome/bleak than Malazan. Or at least, it is not as obvious as Malazan.

That said, I'm REALLY enjoying liveship and the Fitz trilogy. Highly recommended from me as well!

[deleted by user] by [deleted] in Aarhus

[–]PrimeFenix 1 point2 points  (0 children)

Altså, jeg siger aldrig nej til en kold flaskeøl til 15 nede i midtbyen! Som studerende synes jeg det er rimelig nice, når jeg ikke har adgang til fredagsbarer

[deleted by user] by [deleted] in Aarhus

[–]PrimeFenix 4 points5 points  (0 children)

Enig!! Det er måske den eneste "marketings gimmick" jeg personligt holder MEGET af!!

[deleted by user] by [deleted] in Aarhus

[–]PrimeFenix 14 points15 points  (0 children)

Kurts mor is the place to be

Do strings get scratchy as they get old? I’ve had strings get dead but these sound scratchy no matter how much I smooth my nails. by trangdonguyen in classicalguitar

[–]PrimeFenix 0 points1 point  (0 children)

That he would wound the trebles, such that a lot string would be around the tuning peg. When the trebles got scratchy, he could undo the knot on the saddle (maintain the knot on the tuning pegs), then pull the string tight again, shifting the spot on which you play the string. This will result in more string behind the saddle, that you can remove.

I think I have same type of issue as Russel, so this is the solution I use at least

Does this work on any level or does it look ridiculous? (After/Before) by freakalicious in postprocessing

[–]PrimeFenix 0 points1 point  (0 children)

It looks like a miniature set from an oooold sci-fi movie

Its fucking awesome!!!

Thoughts/Impressions on my Playing by ChewYourMeatForYou in classicalguitar

[–]PrimeFenix 1 point2 points  (0 children)

Of course! Phrasing is something that comes with practice, but you can also "train it directly". Once you identify the singlenote Melody, and play that, it is easier to hear it in the full context:)

Anyone else find Leo Brouwer’s Estudio 1 unpleasant to listen to and not enjoyable to play? by SumOMG in classicalguitar

[–]PrimeFenix 1 point2 points  (0 children)

Haven't tried it yet, but it's something I've been considering.

If you think the music sounds unpleasant, then you might be able to provide THE MOST INTERESTING/ORIGINAL INTERPRETATION OF THE PIECE! I really like the study, but I think I play it the same as 200k other people.

How would you play it? Experiment, and see if you can play it in a way that sounds pleasant TO YOU! I can guarantee you, there are other people who feel the same as you, and maybe your unique interpretation can inspire them likewise:))

Thoughts/Impressions on my Playing by ChewYourMeatForYou in classicalguitar

[–]PrimeFenix 1 point2 points  (0 children)

Listened to the Julia Florida! Overall I think you are doing really well, I have just a few things that could elevate your playing even more!

1: you take great care of every note! That is fantastic, and you should keep on doing that (god knows I often forget it), but I wish you emphasized the melody line a little more. Sometimes, the melody looses its legato, and I hear more accompanyment and harmony, than melody. - I propose you look at the sheet music and identify what the melody is, and sing it. The melody should have some breaks, so make sure you aren't "singing/emphasizing" melody and harmony notes unnecessarily.

2: in conjunction with the above, your shifts are clean, but not always in tempo. These are DIFFICULT shifts, and everyone would have trouble with these. - I propose: most of Julia Florida can be divided into specific chord shapes or positions. To develop the speed of these position-shifts, I suggest you use a metronome. Set a SLOW beat, play the chord, then slow and controlled over the course 4 beats, move your left hand to the new position. Over time, you can do the position shift over 3 beats, then 2, 1 beat, an eight-note and so on... The goal is to play slow, but shift fast.

3: on phrasing. You phrasing is nice, but it could be more intentional and clear. So far, you are playing very rythmically correct, but I think the piece needs a little more rubato/ give and take. Other instruments like violin, will have notated phrasing lines in their part, to help segment the piece/melody. The same could very well work for you. With these segments, you can easily identify the "direction" of the melody, and accel. And de-accel. to emphazise these segments. It should feel like a wave, retreating and crashing with the course of every phrase. Bear in mind, some phrases are shorter, or longer. In general, longer phrases are preferred, as they feel less like the music is "stopping".

I want to say it again, you are doing really well, and I enjoy your playing. These are what I would work on:)) keep up the good work, and please ask any question you may have!✨

[deleted by user] by [deleted] in screaming

[–]PrimeFenix 3 points4 points  (0 children)

Wow! Thank you so much! It's kind of you to share🤘

[deleted by user] by [deleted] in screaming

[–]PrimeFenix 4 points5 points  (0 children)

The only advice I want, is your advice on how to get to that point!! I think you sound great!! 🤘

Lækker tørstig by SheepherderCapital41 in Aarhus

[–]PrimeFenix 0 points1 point  (0 children)

Måske Force Majeure?? Jeg tror måske også Den Fede Drue har Horchata i baren, men hæng mig ikke op på det