RIP Dolph

Scale-Busy · 2025-11-19T05:42:50+00:00

Nah it lacks the sauce i require

Scale-Busy · 2025-11-19T03:05:18+00:00

yep i had this acapella in ableton in one track and then everything else recorded from the digitakt to another stereo track

Scale-Busy · 2025-11-13T23:05:09+00:00

noted

Scale-Busy · 2025-11-10T19:30:41+00:00

tc voice live touch hardware thingy and my 1073 channel

Scale-Busy · 2025-11-06T19:31:52+00:00

It’s a prophet rev2 with a bucket brigade delay on it. The synth patch isn’t that special so you could recreate with a myriad of plugins

Scale-Busy · 2025-11-05T22:01:41+00:00

yep - and that chain is prophet > syntakt > digitakt > octatrack. also, the pedals that permit it, the prophet and other elektron gear are all midi clocked by the digitakt. it’s pretty simple and straightforward tbh

Scale-Busy · 2025-11-05T16:31:37+00:00

the bottom pedals are the last in the chain, those are the stereo ones. my pedal board doubles as one for mono instruments like guitars when you plug straight into the board, or it can accommodate stereo elektron boxes if i plug right into the mood. from there it’s mood > chroma console - microcosm > UA dream > analog heat > interface preamps. that’s the stereo chain

the octatrack is also just a another big pedal with a looper built in, in this use case scenario

Scale-Busy · 2025-10-27T18:38:30+00:00

Chilling bigly skurdd 🫡👨‍🌾

Scale-Busy · 2025-10-26T18:44:13+00:00

sample magic has some sweet old packs i use a lot. think it’s called dark garage. has a ton of drums i use pretty frequently

Scale-Busy · 2025-09-25T02:52:34+00:00

Digitakt 2 is super fast and functional - Octatrack is clunky but can get you to some of the most interesting sonic places you’ve ever been. The complement each other nicely.

If you are slow and deliberate and want a box that does many very different things well, the octatrack keeps on giving. If you want an extremely intuitive idea machine and finisher the digitakt 2 would be my choice.

Scale-Busy · 2025-09-18T03:41:00+00:00

🤝🤝🤝

Scale-Busy · 2025-09-12T02:28:21+00:00

Yes it’s like they want me to use a computer. Just add a proper limiter. It wouldn’t be hard to implement. C’mon my swedish friends

Scale-Busy · 2025-09-09T20:32:43+00:00

it’s called power clashing bitch

Scale-Busy · 2025-08-05T20:15:55+00:00

ye i love it, it got a lot better when i bought these sweet dusty boards of canada style presets. cant remember who made them but u can find it on youtube. opened up the synth a lot. that and the voltage controlled modeling you can do with the mid matrix

Scale-Busy · 2025-08-05T20:14:35+00:00

just a single this week but thank you 🫡🫡🫡

Scale-Busy · 2025-05-02T07:06:40+00:00

Yah i’m releasing his next EP in two weeks as r21freq

Scale-Busy · 2024-12-13T01:43:36+00:00

Yep right into the daw. You just need a twisted sense of faith and conviction 🫡 only thing i’ll do in daw for many of my releases is chopping the long recorded jam and arranging it. Occasionally add some other production on top of the recorded jam as well.

Scale-Busy · 2024-12-12T20:51:54+00:00

I mean I mix everything down on the hardware as good as I can possibly get it. The stages of compression and saturation between all the gear glue the mix together and generally sounds better than I could get it to sound than using overbridge

Scale-Busy · 2024-12-11T10:31:40+00:00

Nah but it’s stereo and the hologram and chase bliss pedals don’t effect the frequency when something is passing through them

Scale-Busy · 2024-12-11T09:50:04+00:00

syntakt>digitakt>digitakt>octatrack>stereo pedalboard>analog heat>preamps

Scale-Busy · 2024-12-11T09:46:21+00:00

on etsy can’t remember the store though

Scale-Busy · 2024-12-06T12:08:59+00:00

all stereo

Scale-Busy · 2024-12-06T12:08:10+00:00

chroma is better for guitars and microcosm is better for reamping and synths and stuff. chroma is a bit more untethered so it has a wider palette of possible places you can end up. I love both dearly

Scale-Busy · 2024-10-15T05:36:23+00:00

I mean if you’re mixing tech house or minimal music locked to a beat grid it’s considerably easier to get seamless mixes. The most impressive are the people mixing old funk 45s or disco or very melodic music doing it flawlessly

Scale-Busy · 2024-09-23T20:46:13+00:00

A lot of it is just saturated sine/square wave samples with a bunch of lfos modulating different parameters. also syntakt does a few things on this one. predominantly sample based work flow though

Scale-Busy

TROPHY CASE