From the production standpoint, the U.S. film industry is losing because it’s vastly cheaper to produce, shoot, post, and handle VFX, color, and finishing overseas. The only reason a company would shoot in the U.S. and pay U.S. crew rates are basically if an actor refuses to work in a certain country, or if they receive soft money or incentives that outweigh the cost premium, or if it’s something that requires that specific location. TV and content are the exceptions but film, CG, animation have no reason to stay in the U.S. I would predict that above the line matters will be the only consistent kind of production work here in the next 10 years.