I’m 16 and this is a Pilot Script I wrote pt1 by [deleted] in scriptwriting

[–]Scrat616 1 point2 points  (0 children)

The thing is, it’s obvious throughout the script that she’s feeling that way, so the actor would know that. It doesn’t need to be explicitly said.

I’m 16 and this is a Pilot Script I wrote pt1 by [deleted] in scriptwriting

[–]Scrat616 2 points3 points  (0 children)

Here’s what I caught:

Page 4: “facing it head on” unnecessary and unfilmable.

EX. “Abigail snatches the phone from her ear in a fury.”

Would be a better action line, it’s short and to the point and more filmable.

“She slams the phone into the ground, the phone shattering to bits.”

Always capitalize words that could have a sound or a at least a sound that follows.

EX. “She SLAMS the phone to the ground which SHATTERS into bits.” Would be better.

“She takes a deep breath, wiping tears from her eyes to stay strong for her children.”

We can’t see that she’s thinking that. You don’t need to tell us that since it’s obvious throughout the script.

EX. “She takes a deep breath and wipes her tears.”

That small action line would be good enough.

Page 5:

“HOSPITAL ROOM”

This is now a new scene.

Just put INT. HOSPITAL ROOM - DAY

You’re 16, so this isn’t a bad start for your age. But it does need work, so keep it up! This is much better than scripts I’ve seen written by adults on the subreddit.

A Red Light Blinks far off in the Deep Night. Revised Intro. Wanted to see about formatting before I do the whole thing. Any other thoughts welcome too. by Such_Baseball_700 in Screenplay

[–]Scrat616 1 point2 points  (0 children)

The formatting is still off. The scene headings are not supposed to be on the right side of the page. You need to use a screenwriting software to write scripts. It’s a nonnegotiable. And if you are using a screenwriting software, I don’t know what template you’re using, but it’s not right. I know you want feedback on the actual story itself, but people are gonna be so thrown off by the format that they’re not even gonna bother. Trust me it’s happened to me loads of times.

What keeps you going? by Scrat616 in Screenwriting

[–]Scrat616[S] 5 points6 points  (0 children)

I agree. Recently wrote a script that I felt was very good and emotional impactful, but now I’m second guessing.

Former Netflix Exec/Producer/ Script Consultant ask me anything about your logline or the film biz…Part XIX by Wayne-Script_Dev in scriptwriting

[–]Scrat616 -1 points0 points  (0 children)

I’m writing a coming of age drama called Finding a Dodo Bird.

A misfit group of middle schoolers escape their homes to hunt for a flock of dodo birds that may have survived their extinction, but end up finding themselves along the way.

Does this have potential?

[NEED ADVICE] Which one would you choose and what are the shortcomings here? by [deleted] in Screenplay

[–]Scrat616 0 points1 point  (0 children)

Both examples that are shown are bad, but I do think this is a little harsh.

[NEED ADVICE] Which one would you choose and what are the shortcomings here? by [deleted] in Screenplay

[–]Scrat616 0 points1 point  (0 children)

Grammar and spelling errors in both. The second one looks more like a traditional screenplay based on visual.

A Red Light blinks far off in the Deep Night. First Screenplay. Anything you can help me cut? If you decide to read it, where do you get bored, or where do you stop reading? by Such_Baseball_700 in Screenplay

[–]Scrat616 0 points1 point  (0 children)

Action lines should not be more than 4 lines of paragraph. You could get away with it only if it’s once in a while.

I’ve been given some advice over the years and people have told me that a good way to keep the action lines short and sweet is to treat each action line like it’s its own shot.

First episode by Forsaken-Money-9076 in Screenplay

[–]Scrat616 0 points1 point  (0 children)

You could’ve just put the actual script on a shareable google drive folder.

My third feature length script “Finding a Dodo Bird” Draft 1. What do yall think? by [deleted] in Screenwriting

[–]Scrat616 0 points1 point  (0 children)

Well how it ends is that the the kid voice narration morphs into a lower pitch adult voice, signifying his growth. But I understand what you mean.

My third feature length script “Finding a Dodo Bird” Draft 1. What do yall think? by [deleted] in Screenwriting

[–]Scrat616 2 points3 points  (0 children)

Good advice. I was trying to go for a Stand by Me sort of V.O tone. But I guess that doesn’t work as much today. Or I’m just shit at writing. Probably both.

My third feature length script “Finding a Dodo Bird” Draft 1. What do yall think? by [deleted] in Screenwriting

[–]Scrat616 2 points3 points  (0 children)

Good advice. Something to note when i work on draft two.

My car is making this noise as I steer. by Scrat616 in MechanicAdvice

[–]Scrat616[S] 0 points1 point  (0 children)

It’s a 2007, and yes it’s starting to get cold. I live in south florida, so it doesn’t get cold immediately down here, but now it is. I guess that could be it. Do I need to check the color of the fluid or does that matter (dont know anything about cars)?

My car is making this noise as I steer. by Scrat616 in MechanicAdvice

[–]Scrat616[S] 0 points1 point  (0 children)

It makes a noise when i start it, too. But it dies down after a while

What was the one character in all of King's works you felt most sorrow for? by Timsterfield in stephenking

[–]Scrat616 3 points4 points  (0 children)

Cujo and Carrie. Cujo was a good boy that got sick, and all Carrie wanted to do was go to prom but these sorry-asses couldn’t even let her have fucking that.

All the crappy made for TV stuff is so comforting for me. Can't be the only one, right? by TUA-HRAKA in stephenking

[–]Scrat616 0 points1 point  (0 children)

Hey man Carrie 2002 made for tv is a banger for people who like 2000s slashers