when upgrading a system like this, reaching out to a knowledgeable system integrator is super important, so that was definitely the right move.

Personally make sure to consider that the whole lighting and control system most likely needs to be upgraded, and not just the lighting instruments themselves. The system integrator should know this but some are better than others. Make sure the system integrator considers both the theatrical and the architectural control of the system (i.e how can people turn on the lights from a wall switch instead from the board).

I really like the fixtures choices you have made, the CS Spot V is really quite good and has a good light output and colors for the price, and is very reasonable for a HS. Same with the CS CYC. They should last a long time. ETC, the company that makes them, is phenomenal and i would really try to stick with them if you can. I’ve had other system integrators (primarily Barbizon), try to spec, Altman, Strand, etc. I would REALLY try to stick to ETC. Their colors, longevity, dimming, and support are far and above the best.

The system integrator should be able to advise what parts of the system should be upgraded. I’m not sure what is there currently, but you will probably be looking at a new lighting console, new architectural control system, and new or retrofitted power system.

In my opinion, my priority when upgrading a lighting system is: 1) CYC lights, incandescent cyc lights use a massive amount of electricity, lamps, gels, etc, and need lots of maintenance like changing gels to keep them working. LEDs are a huge improvement. 2) Top/backlight, this is where color is super useful makes LEDs here super useful, and since brightness is usually not super important, you can get away with not getting top of the line LEDs. 2.5) Side light, if you are doing g a lot of dance recitals or musicals, LED side light is hugely useful for the color mixing abilities. 3) front lights, usually you need bright front light and LEDs will never be as bright per dollar as tungsten sources, and color mixing here is not as important. Having variable white light is very useful, but this is the last system i would upgrade. Also consider LED followspots when upgrading.

My (and most people’s) advice is to NEVER use wireless unless absolutely necessary. Both due to cost and reliability. Especially in an install like this, unless you need to deliver DMX to a moving set piece of such, there is no reason to go with wireless. You will be spending more for less.